The Blithedale Romance

The Blithedale Romance

by Nathaniel Hawthorne, Arlin Turner
ISBN-10:
0393317641
ISBN-13:
9780393317640
Pub. Date:
05/17/1958
Publisher:
Norton, W. W. & Company, Inc.
ISBN-10:
0393317641
ISBN-13:
9780393317640
Pub. Date:
05/17/1958
Publisher:
Norton, W. W. & Company, Inc.
The Blithedale Romance

The Blithedale Romance

by Nathaniel Hawthorne, Arlin Turner
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Overview

Henry James called The Blithedale Romance "the lightest, the brightest, the liveliest" of Hawthorne's novels and his character Zenobia “the nearest approach that Hawthorne . . . made to the complete creation of a person.”

Written in one of the most productive periods of his career, Hawthorne’s Blithedale Romance was published in 1852, a year after The House of the Seven Gables and two years after his masterpiece The Scarlet Letter. With The Blithedale Romance, Hawthorne writes fully in his own time, not haunting his characters with the American past. Drawn from his stay at Brook Farm, a communal experiment in living the pastoral life, the story is an engaging one that touches on many of the issues of his day, from brotherhood to women's rights and socialism. It remains a captivating work about politics, love, the supernatural, and idealism, written with Hawthorne’s sharp wit and deep intelligence.

Product Details

ISBN-13: 9780393317640
Publisher: Norton, W. W. & Company, Inc.
Publication date: 05/17/1958
Series: Critical Editions Series
Pages: 252
Product dimensions: 5.50(w) x 8.00(h) x 0.70(d)

About the Author

About The Author
Arlin Turner (b. 1909 - d. 1980 ) was a scholar of American literature and instructor at Southwest Texas State University.

Date of Birth:

July 4, 1804

Date of Death:

May 19, 1864

Place of Birth:

Salem, Massachusetts

Place of Death:

Plymouth, New Hampshire

Education:

Bowdoin College, Brunswick, Maine, 1824

Read an Excerpt


I
Old Moodie


The evening before my departure for Blithedale, I was returning to my bachelor-apartments, after attending the wonderful exhibition of the Veiled Lady, when an elderly-man of rather shabby appearance met me in an obscure part of the street.

“Mr. Coverdale,” said he, softly, “can I speak with you a moment?”

As I have casually alluded to the Veiled Lady, it may not be amiss to mention, for the benefit of such of my readers as are unacquainted with her now forgotten celebrity, that she was a phenomenon in the mesmeric line; one of the earliest that had indicated the birth of a new science, or the revival of an old humbug. Since those times, her sisterhood have grown too numerous to attract much individual notice; nor, in fact, has any one of them ever come before the public under such skilfully contrived circumstances of stage-effect, as those which at once mystified and illuminated the remarkable performances of the lady in question. Now-a-days, in the management of his “subject,” “clairvoyant,” or “medium,” the exhibitor affects the simplicity and openness of scientific experiment; and even if he profess to tread a step or two across the boundaries of the spiritual world, yet carries with him the laws of our actual life, and extends them over his preternatural conquests. Twelve or fifteen years ago, on the contrary, all the arts of mysterious arrangement, of picturesque disposition, and artistically contrasted light and shade, were made available in order to set the apparent miracle in the strongest attitude of opposition to ordinary facts. In the case of the Veiled Lady,moreover, the interest of the spectator was further wrought up by the enigma of her identity, and an absurd rumor (probably set afloat by the exhibitor, and at one time very prevalent) that a beautiful young lady, of family and fortune, was enshrouded within the misty drapery of the veil. It was white, with somewhat of a subdued silver sheen, like the sunny side of a cloud; and falling over the wearer, from head to foot, was supposed to insulate her from the material world, from time and space, and to endow her with many of the privileges of a disembodied spirit.

Her pretensions, however, whether miraculous or otherwise, have little to do with the present narrative; except, indeed, that I had propounded, for the Veiled Lady’s prophetic solution, a query as to the success of our Blithedale enterprise. The response, by-the-by, was of the true Sibylline stamp, nonsensical in its first aspect, yet, on closer study, unfolding a variety of interpretations, one of which has certainly accorded with the event. I was turning over this riddle in my mind, and trying to catch its slippery purport by the tail, when the old man, above-mentioned, interrupted me.

“Mr. Coverdale!—Mr. Coverdale!” said he, repeating my name twice, in order to make up for the hesitating and ineffectual way in which he uttered it—“I ask your pardon, sir—but I hear you are going to Blithedale tomorrow?”

I knew the pale, elderly face, with the red-tipt nose, and the patch over one eye, and likewise saw something characteristic in the old fellow’s way of standing under the arch of a gate, only revealing enough of himself to make me recognize him as an acquaintance. He was a very shy personage, this Mr. Moodie; and the trait was the more singular, as his mode of getting his bread necessarily brought him into the stir and hubbub of the world, more than the generality of men.

“Yes, Mr. Moodie,” I answered, wondering what interest he could take in the fact, “it is my intention to go to Blithedale tomorrow. Can I be of any service to you, before my departure?”

“If you pleased, Mr. Coverdale,” said he, “you might do me a very great favor.”

“A very great one!” repeated I, in a tone that must have expressed but little alacrity of beneficence, although I was ready to do the old man any amount of kindness involving no special trouble to myself. “A very great favor, do you say? My time is brief, Mr. Moodie, and I have a good many preparations to make. But be good enough to tell me what you wish.”

“Ah, sir,” replied old Moodie, “I don’t quite like to do that; and, on further thoughts, Mr. Coverdale, perhaps I had better apply to some older gentleman, or to some lady, if you would have the kindness to make me known to one, who may happen to be going to Blithedale. You are a young man, sir!”

“Does that fact lessen my availability for your purpose?” asked I. “However, if an older man will suit you better, there is Mr. Hollingsworth,3 who has three or four years the advantage of me in age, and is a much more solid character, and a philanthropist to boot. I am only a poet, and, so the critics tell me, no great affair at that! But what can this business be, Mr. Moodie? It begins to interest me; especially since your hint that a lady’s influence might be found desirable. Come; I am really anxious to be of service to you.”

But the old fellow, in his civil and demure manner, was both freakish and obstinate; and he had now taken some notion or other into his head that made him hesitate in his former design.

“I wonder, sir,” said he, “whether you know a lady whom they call Zenobia?”

“Not personally,” I answered, “although I expect that pleasure tomorrow, as she has got the start of the rest of us, and is already a resident at Blithedale. But have you a literary turn, Mr. Moodie?—or have you taken up the advocacy of women’s rights?—or what else can have interested you in this lady? Zenobia, by-the-by, as I suppose you know, is merely her public name; a sort of mask in which she comes before the world, retaining all the privileges of privacy—a contrivance, in short, like the white drapery of the Veiled Lady, only a little more transparent. But it is late! Will you tell me what I can do for you?”

“Please to excuse me to-night, Mr. Coverdale,” said Moodie. “You are very kind; but I am afraid I have troubled you, when, after all, there may be no need. Perhaps, with your good leave, I will come to your lodgings tomorrow-morning, before you set out for Blithedale. I wish you a good-night, sir, and beg pardon for stopping you.”

And so he slipt away; and, as he did not show himself, the next morning, it was only through subsequent events that I ever arrived at a plausible conjecture as to what his business could have been. Arriving at my room, I threw a lump of cannel coal upon the grate, lighted a cigar, and spent an hour in musings of every hue, from the brightest to the most sombre; being, in truth, not so very confident as at some former periods, that this final step, which would mix me up irrevocably with the Blithedale affair, was the wisest that could possibly be taken. It was nothing short of midnight when I went to bed, after drinking a glass of particularly fine Sherry, on which I used to pride myself, in those days. It was the very last bottle; and I finished it, with a friend, the next forenoon, before setting out for Blithedale.

Copyright 2001 by Nathaniel Hawthorne

Table of Contents

Introduction Robert S. Levine ix

Note on the Text xxxi

Chronology of Nathaniel Hawthorne's Life xxxiii

The Blithedale Romance

Preface 1

I Old Moodie 5

II Blithedale 9

III A Knot of Dreamers 14

IV The Supper-Table 23

V Until Bedtime 32

VI Coverdale's Sick-Chamber 39

VII The Convalescent 49

VIII A Modern Arcadia 58

IX Hollingsworth, Zenobia, Priscilla 69

X A Visitor from Town 81

XI The Wood-Path 89

XII Coverdale's Hermitage 98

XIII Zenobia's Legend 106

XIV Eliot's Pulpit 117

XV A Crisis 128

XVI Leave-Takings 137

XVII The Hotel 145

XVIII The Boarding-House 153

XIX Zenobia's Drawing-Room 160

XX They Vanish 168

XXI An Old Acquaintance 174

XXII Fauntleroy 182

XXIII A Village-Hall 194

XXIV The Masqueraders 204

XXV The Three Together 213

XXVI Zenobia and Coverdale 222

XXVII Midnight 229

XXVIII Blithedale-Pasture 238

XXIX Miles Coverdale's Confession 245

Selected Bibliography 249

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