Quichotte

Quichotte

by Salman Rushdie

Narrated by Vikas Adam

Unabridged — 16 hours, 1 minutes

Quichotte

Quichotte

by Salman Rushdie

Narrated by Vikas Adam

Unabridged — 16 hours, 1 minutes

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Overview

A dazzling Don Quixote for the modern age — an epic tour de force that is as much an homage to an immortal work of literature as it is to the quest for love and family, by Booker Prize-winning, internationally best-selling author Salman Rushdie.

Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen.” Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.

Just as Cervantes wrote Don Quixote to satirize the culture of his time, Rushdie takes the listener on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of Rushdie's work, the fully realized lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.


Editorial Reviews

The New York Times Book Review - Jeanette Winterson

Rushdie has always written as though the impossible and the actual have the same right to exist. Fiction is clearer than what we call real life in this respect—and, in any case, the question of what is real is a question asked but not answered by the novel. That is, the answer is askew to the question, and we shall come to it by and by—because by and by is how the novel proceeds, story opening out from story, jumbles of past, present and future, with alternative histories and futures…The end of Quichotte is a meditation on language itself, beautiful in its simplicity, that pays tribute to the importance of bearing witness, of being able to tell the story against "what vanishes when everything vanishes: not only everything, but the memory of everything."

Publishers Weekly

★ 07/15/2019

Rushdie’s rambunctious latest (following The Golden House) hurtles through surreal time and space with the author’s retooled Don Quixote on a quest for love and redemption in an unloving and irredeemable U.S.A. In this story within a story, Sam DuChamp, author of spy thrillers and father of a missing son, creates Quichotte, an elegant but deluded, TV-obsessed pharma salesman who strikes out cross-country with the son he’s dreamed into existence, to kneel at the feet of an actress by the name of Miss Salma R. Quichotte and son Sancho brave Rushdie’s tragicomic, terrifying version of America, a Trumpland full of bigots, opioids, and violence. They experience weird, end-of-time events—people turn into mastodons, rips appear in the atmosphere—but also talking crickets and blue fairies offering something like hope. Allowing the wild adventure to overwhelm oneself is half the fun. Rushdie’s extravagant fiction is the lie that tells the truth, and, hilariously, it’s not lost on the reader that he shares this Falstaffian and duplicitous notion with none other than Trump (who is never named). Rushdie’s uproarious comedy, which talks to itself while packing a good deal of historical and political freight, is a brilliant rendition of the cheesy, sleazy, scary pandemonium of life in modern times. Agent: Andrew Wylie, the Wylie Agency. (Sept.)

From the Publisher

Rushdie weaves together all of his subjects, sharply observed, with extraordinary elegance and wit. . . . Cervantes’s hero, who is eternally modern perhaps because he is essentially anti-contemporary, couldn’t be a more inspired transplant into the mad reality of the present day, which Rushdie sends up in terms both universal and highly specific, tragic and hilarious, strange but hauntingly familiar. . . . At least here’s something worth reading as civilization crumbles around us, before we succumb to our fates. Right?”Entertainment Weekly

“Quichotte is a novel that attempts to reflect back to us the total, crumbling insanity of living in a world unmoored from reality — that shows what happens when lies become as good as facts. . . . And if Quichotte drives you nuts, that’s fine. It’s meant to. It’s layered in such a way that you will lose yourself in the shifting reality of it.”—NPR

Quichotte, Rushdie’s Trump-era reworking of Cervantes’s Don Quixote, is a frantically inventive take on ‘the Age of Anything-Can-Happen’ we’ve endured these last few years. It’s a concoction of narratives within narratives that blends the latest news headlines with apocalyptic flights of fancy. . . . Rushdie doesn’t offer much hope for our dispiriting times. But in a frayed and feverish way, he captures their flavor exactly.”The Boston Globe

“Salman Rushdie’s Quichotte is a behemoth of a novel, and with reason. A postmodern dystopian tale, it tackles everything from global warming to the rise of white supremacism to the opioid crisis—which is to say, most of the ills of contemporary society. . . . There’s much that feels absorbing and true in Rushdie’s latest work. . . . The way Rushdie handles racial animus, too, is as incisive and complex as in his earlier fiction.”The Christian Science Monitor

“A fantastical dream within a dream . . . a brilliant, funny, world-encompassing wonder . . . As [Rushdie] weaves the journeys of the two men nearer and nearer, sweeping up a full accounting of all the tragicomic horrors of modern American life in the process, these energies begin to collapse beautifully inward, like a dying star. His readers realize that they would happily follow Rushdie to the end of the world.”Time

“[A] modern Don Quixote . . . Rushdie has created something that feels wholly original even if you’ve never heard of the hopelessly romantic Spanish knight-errant who sees danger in windmills. . . . Lucky for us, there are true storytellers and Rushdie is near the top of that list. If you haven’t read him before, this is a good book to start with—it’s fabulist and funny while revealing an awful lot about the world we live in today.”—Associated Press

“Rushdie’s Booker-longlisted fourteenth novel is certainly the work of a frisky imagination. . . . You can’t help being charmed by Rushdie’s largesse.”The Guardian

“Hilarious by all accounts.”Literary Hub

“[Quichotte] is Don Quixote for our time, a smart satire of every aspect of the contemporary culture. Witty, profound, tender, this love story shows a fiction master at his brilliant best.”The Millions

“Rushdie’s novel is many things beyond just a Don Quixote retelling. It’s a satire on our contemporary fake-news, post-truth, Trumpian cultural moment, where the concept of reality itself is coming apart. It’s a sci-fi novel, a spy novel, a road trip novel, a work of magical realism. It’s a climate change parable, and an immigrant story in an era of anti-immigration feeling. It’s a love story that turns into a family drama. . . . Characters, narratives and worlds collide and come apart in spectacular fashion, while Rushdie maintains an exhilarating control over it all.”The Independent

OCTOBER 2019 - AudioFile

Award-winning narrator Vikas Adam happily jumps from the voice of a Bollywood princess to the mumbles of a fentanyl pharmaceutical rep and the asides of Jiminy Cricket in this giant modern-day fable. The story finds a lovelorn British-Indian Don Quixote and his imaginary son who wants to be real (à la Pinocchio) following their personal quests across an inexhaustible landscape of American pop culture. It’s Quichotte’s dogged journey through the desert of his family’s past, skirting a group of woolly mammoths in New Jersey and finally heading to a New York City daytime talk show hosted by the lovely, unobtainable Selma R., that keeps the story moving. But it’s Adam’s voice—full of energy, wonder, and easy wit—that truly makes this wandering, satirical, story-within-a-story crazy quilt of a novel really take off. B.P. © AudioFile 2019, Portland, Maine

Kirkus Reviews

★ 2019-06-17
A modern Don Quixote lands in Trumpian America and finds plenty of windmills to tilt at.

Mix Rushdie's last novel, The Golden House (2017), with his 1990 fable, Haroun and the Sea of Stories, and you get something approaching this delightful confection. An aging salesman loses his job as a pharmaceutical rep, fired, with regret, by his cousin and employer. The old man, who bears the name Ismail Smile, Smile itself being an Americanization of Ismail, is "a brown man in America longing for a brown woman." He is a dreamer—and not without ambition. Borrowing from both opera and dim memories of Cervantes, he decides to call himself Quichotte, though fake news, the din of television, and "the Age of Anything-Can-Happen" and not dusty medieval romances have made him a little dotty. His Dulcinea, Salma R, exists on the other side of the TV screen, so off Quichotte quests in a well-worn Chevy, having acquired as if by magic a patient son named Sancho, who observes that Dad does everything just like it's done on the tube and in stories: "So if the old Cruze is our Pequod then I guess Miss Salma R is the big fish and he, ‘Daddy,' is my Ahab." By this point, Rushdie has complicated the yarn by attributing it to a hack writer, another Indian immigrant, named Sam DuChamp (read Sam the Sham), who has mixed into the Quixote story lashings of Moby-Dick, Ismail for Ishmael, and the Pinocchio of both Collodi and Disney ("You can call me Jiminy if you want," says an Italian-speaking cricket to Sancho along the way), to say nothing of the America of Fentanyl, hypercapitalism, and pop culture and the yearning for fame. It's a splendid mess that, in the end, becomes a meditation on storytelling, memory, truth, and other hallmarks of a disappearing civilization: "What vanishes when everything vanishes," Rushdie writes, achingly, "not only everything, but the memory of everything."

Humane and humorous. Rushdie is in top form, serving up a fine piece of literary satire.

Product Details

BN ID: 2940172167065
Publisher: Penguin Random House
Publication date: 09/03/2019
Edition description: Unabridged

Read an Excerpt

Chapter One

Quichotte, an old Man, falls in Love, embarks on a Quest, & becomes a Father

There once lived, at a series of temporary addresses across the United States of America, a traveling man of Indian origin, advancing years, and retreating mental powers, who, on account of his love for mindless television, had spent far too much of his life in the yellow light of tawdry motel rooms watching an excess of it, and had suffered a peculiar form of brain damage as a result. He devoured morning shows, daytime shows, late-­night talk shows, soaps, situation comedies, Lifetime movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills, and New York, the romances and quarrels of hotel-­fortune princesses and self-­styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-­surgery acquisition of a third breast or their post-­rib-­removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-­controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming, and, of course, beauty contests. (He did not watch “hockey.” For people of his ethnic persuasion and tropical youth, hockey, which in the USA was renamed “field hockey,” was a game played on grass. To play field hockey on ice was, in his opinion, the absurd equivalent of ice-­skating on a lawn.)

As a consequence of his near-­total preoccupation with the material offered up to him through, in the old days, the cathode-­ray tube, and, in the new age of flat screens, through liquid-­crystal, plasma, and organic light-­emitting diode displays, he fell victim to that increasingly prevalent psychological disorder in which the boundary between truth and lies became smudged and indistinct, so that at times he found himself incapable of distinguishing one from the other, reality from “reality,” and began to think of himself as a natural citizen (and potential inhabitant) of that imaginary world beyond the screen to which he was so devoted, and which, he believed, provided him, and therefore everyone, with the moral, social, and practical guidelines by which all men and women should live. As time passed and he sank ever deeper into the quicksand of what might be termed the unreal real, he felt himself becoming emotionally involved with many of the inhabitants of that other, brighter world, membership in which he thought of as his to claim by right, like a latter-­day Dorothy contemplating a permanent move to Oz; and at an unknown point he developed an unwholesome, because entirely one-­sided, passion for a certain television personality, the beautiful, witty, and adored Miss Salma R, an infatuation which he characterized, quite inaccurately, as love. In the name of this so-­called love he resolved zealously to pursue his “beloved” right through the television screen into whatever exalted high-­definition reality she and her kind inhabited, and, by deeds as well as grace, to win her heart.

He spoke slowly and moved slowly too, dragging his right leg a little when he walked—the lasting consequence of a dramatic Interior Event many years earlier, which had also damaged his memory, so that while happenings in the distant past remained vivid, his remembrances of the middle period of his life had become hit-­and-­miss, with large hiatuses and other gaps which had been filled up, as if by a careless builder in a hurry, with false memories created by things he might have seen on TV. Other than that, he seemed in good enough shape for a man of his years. He was a tall, one might even say an elongated, man, of the sort one encounters in the gaunt paintings of El Greco and the narrow sculptures of Alberto Giacometti, and although such men are (for the most part) of a melancholy disposition, he was blessed with a cheerful smile and the charming manner of a gentleman of the old school, both valuable assets for a commercial traveler, which, in these his golden years, he became for a lengthy time. In addition, his name itself was cheerful: It was Smile. Mr Ismail Smile, Sales Executive, Smile Pharmaceuticals Inc., Atlanta, GA, it said on his business card. As a salesman he had always been proud that his name was the same as the name of the corporation whose representative he was. The family name. It lent him a certain gravitas, or so he believed. This was not, however, the name by which he chose to be known during his last, most foolish adventure.

(The unusual surname Smile, by the by, was the Americanized version of Ismail, so the old traveling salesman was really Mr. Ismail Ismail, or, alternatively, Mr. Smile Smile. He was a brown man in America longing for a brown woman, but he did not see his story in racial terms. He had become, one might say, detached from his skin. This was one of the many things his quest would put in question, and change.)

The more he thought about the woman he professed to love, the clearer it became to him that so magnificent a personage would not simply keel over with joy at the first declaration of amour fou from a total stranger. (He wasn’t as crazy as that.) Therefore it would be necessary for him to prove himself worthy of her, and the provision of such proofs would henceforth be his only concern. Yes! He would amply demonstrate his worth! It would be necessary, as he began his quest, to keep the object of his affections fully informed of his doings, and so he proposed to begin a correspondence with her, a sequence of letters which would reveal his sincerity, the depth of his affections, and the lengths to which he was ready to go to gain her hand. It was at this point in his reflections that a kind of shyness overtook him. Were he to reveal to her how humble his station in life truly was, she might toss his letter in the trash with a pretty laugh and be done with him forever. Were he to disclose his age or give her details of his appearance, she might recoil from the information with a mixture of amusement and horror. Were he to offer her his name, the admittedly august name of Smile, a name with big money attached to it, she might, in the grip of a bad mood, alert the authorities, and to be hunted down like a dog at the behest of the object of his adorations would break his heart, and he would surely die. Therefore he would for the moment keep his true identity a secret, and would reveal it only when his letters, and the deeds they described, had softened her attitude toward him and made her receptive to his advances. How would he know when that moment arrived? That was a question to be answered later. Right now the important thing was to begin. And one day the proper name to use, the best of all identities to assume, came to him in that moment between waking and sleeping when the imagined world behind our eyelids can drip its magic into the world we see when we open our eyes.

That morning he seemed to see himself in a dream addressing himself awake. “Look at yourself,” his half-­sleeping self murmured to his half-­waking self. “So tall, so skinny, so ancient, and yet you can’t grow anything better than the straggliest of beards, as if you were a teenager with spots. And yes, admit it, maybe a little cracked in the head, one of those head-­in-­the-­clouds fellows who mistakes cumulus, or cumulonimbus, or even cirrostratus formations for solid ground. Just think back to your favorite piece of music when you were a boy! I know, these days you prefer the warblings you hear on American Idol or The Voice. But back in the day, you liked what your artistic father liked, you adopted his musical taste as your own. Do you remember his favorite record?” Whereupon the half-­dream-­Smile produced, with a flourish, a vinyl LP which half-­awake-­Smile recognized at once. It was a recording of the opera Don Quichotte by Jules Massenet. “Only loosely based on the great masterpiece of Cervantes, isn’t it,” mused the phantom. “And as for you, it seems you’re a little loosely based yourself.”

It was settled. He climbed out of bed in his striped pajamas—more quickly than was his wont—and actually clapped his hands. Yes! This would be the pseudonym he would use in his love letters. He would be her ingenious gentleman, Quichotte. He would be Lancelot to her Guinevere, and carry her away to Joyous Gard. He would be—to quote Chaucer’s Canterbury Tales—her verray, parfit, gentil knyght.

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