The Hundred Secret Senses

by Amy Tan

Overview

"THE WISEST AND MOST CAPTIVATING NOVEL TAN HAS WRITTEN."—The Boston Sunday Globe
"TRULY MAGICAL . . . UNFORGETTABLE . . . The first-person narrator is Olivia Laguni, and her unrelenting nemesis from childhood on is her half-sister, Kwan Li. . . . It is Kwan's haunting predictions, her implementation of the secret senses, and her linking of the present with the past that cause this novel to shimmer with meaning—and to leave it in the readers mind when the book has long been finished."
—The San Diego Tribune
"HER MOST POLISHED WORK . . . Tan is a wonderful storyteller, and the story's many strands—Olivia's childhood, her courtship and marriage, Kwan's ghost stories and village tales—propel the work to its climactic but bittersweet end." —USA Today
"TAN HAS ONCE MORE PRODUCED A NOVEL WONDERFULLY LIKE A HOLOGRAM: turn it this way and find Chinese-Americans shopping and arguing in San Francisco; turn it that way and the Chinese of Changmian village in 1864 are fleeing into the hills to hide from the rampaging Manchus. . . . THE HUNDRED SECRET SENSES doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations.
—Newsweek

Product Details

ISBN-13:	9780399141140
Publisher:	Penguin Group (USA) Incorporated
Publication date:	10/17/1995
Pages:	358
Product dimensions:	6.20(w) x 9.26(h) x 1.36(d)

About the Author

Amy Tan is the author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter's Daughter, The Opposite of Fate, Saving Fish from Drowning, The Backyard Bird Chronicles, and two children’s books, The Moon Lady and The Chinese Siamese Cat, which has been adapted as Sagwa, a PBS series for children. Tan was also the co-producer and co-screenwriter of the film version of The Joy Luck Club, and her essays and stories have appeared in numerous magazines and anthologies. Her work has been translated into more than twenty-five languages. Tan, who has a master’s degree in linguistics from San Jose University, has worked as a language specialist to programs serving children with developmental disabilities. She lives with her husband in San Francisco and New York.

Hometown:

San Francisco, California and New York, New York

Date of Birth:

February 19, 1952

Place of Birth:

Oakland, California

Education:

B.A., San Jose State University, 1973; M.A., 1974

What People are Saying About This

Michiko Katukani

Ms. Tan has . . . injected a large dose of supernatural whimsy into her story in an effort to explore the connections between the generations. The results are decidedly mixed: a contemporary tale of familial love and resentment, nimbly evoked in Ms. Tan's guileless prose, and unfortunately overlaid by another, more sensational tale of reincarnation that undermines the reader's trust. . . -- The New York Times

Editorial Reviews

Tan has once more produced a novel somewhat like a hologram: turn it this way and find Chinese-Americans shopping and arguing in San Francisco; turn it that way and the Chinese of Changmian village in 1864 are fleeing into the hills to hide from the rampaging Manchus. . . .The Hundred Secret Senses doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations.

Newsweek

Tan's novel of the conflicts between two very different Chinese American sisters spent 12 weeks on PW's bestseller list. (Dec.)

Publishers Weekly - Publisher's Weekly

Tan, a critical and commercial favorite, returns to the fiction scene after a four-year absence with a risky, ambitious novel that tackles themes of loyalty, connectedness, and what it means to be a family. When Olivia Yee's half-sister, Kwan, arrives from China, Olivia's life is irrevocably changed. For one thing, Kwan has yin eyes--she can see ghosts. Every night as they were growing up, Kwan told Olivia bedtime stories about the same group of yin people: a woman named Banner, a man named Cape, a one-eyed bandit girl, and a half-and-half man. But, for Olivia, Kwan is also a perpetual source of embarrassment due to her endless questions, fractured English, and boundless optimism. When Olivia separates from her husband, Simon, Kwan schemes to get them back together, and the three take a trip to China to visit the village where Kwan grew up and to learn the secret of their connection to the yin people. Tan's fantastical novel is both mesmerizing and awkward. She is obviously betting that readers will find the ancient and modern worlds she draws here equally fascinating, but Kwan steals every scene she appears in, and her magnetic ghost stories completely overpower Olivia's more modern tale of a broken relationship. It's no contest, for who can resist the lure of a good old-fashioned ghost story?

Joanne Wilkinson

Her most polished work . . . Tan is a wonderful storyteller, and the story's many strands -- Olivia's childhood, her courtship and marriage, Kwan's ghost stories and village tales -- propel the work to its climactic but bittersweet end.

USA Today

The wisest and most captivating novel Tan has written.

Boston Sunday Globe

Truly magical. . .unforgettable . . . The first-person narrator is Olivia Laguni, and her unrelenting nemesis from childhood on is her half-sister, Kwan Li. . . . It is Kwan's haunting predictions, her implementation of the secret senses, and her linking of the present with the past that cause this novel to shimmer with meaning.

San Diego Tribune