Beautiful, mournful . . . Carefully and engrossingly crafted . . . The good suffer equally with the bad. Phillips’s artistic conscience won’t let her flinch from this truth, but her generous heart won’t let it be the last word. She leaves readers with a rueful yet doggedly hopeful maxim that could easily serve as an epigraph for Night Watch as a whole: ‘Endurance was strength.’”
—Wendy Smith, The Washington Post
“A story of trauma and restoration in the aftermath of the Civil War . . . Ms. Phillips presents harrowing, visceral scenes of war, but a lot of this novel relates the daily business of convalescence in an asylum, with loving attention given to the motley staff that tends to the unwell . . . The theme of healing extends to the plot. Ms. Phillips, who is drawn to depicting the poor, the mentally disabled, the wounded and other vulnerable souls, is a principled practitioner of narrative magic. Not only serendipity but a kind of clairvoyance connects the characters . . . Goodness is a real thing in this novel—a verifiable force—and the question posed is whether we still have the sensitivity to discern it.”
—Sam Sacks, The Wall Street Journal
“Phillips is very good at is capturing a sort of inner dialect, conveyed here in a language inflected with a Southern twang, modulated to reflect characters’ social status and degree of education . . . It is when Phillips channels [these] thoughts that the telling, like the story itself, becomes [so] compelling, even beautiful.”
—Ellen Akins, Minneapolis Star Tribune
“Phillips is at the top of her game in Night Watch, devising a mesmerizing plot, which focuses on survival, family and isolation. It is a portrait of a family in peril, and the reader will be impressed with this novel, which rivals [Phillips’s previous novel] National Book Award finalist, Lark And Termite.”
—Wayne Catan, Pittsburgh Post-Gazette
“Phillips’s depiction of a ravaged world in which so many have lost their way or had it stolen from them, both physically and mentally, feels true to the profoundly destabilizing nature of her subject . . . With this excellent novel, Phillips has brought a little more of this foundational American episode into the light.”
—Laird Hunt, The Guardian
“Phillips’ intricately woven storylines are engaging, and her characters range from endearing to haunting . . . There are dozens of passages in Night Watch that deliver moments so vivid, so full of sensory awareness, that they demand both immediate rereading and the folding down of the appropriate page’s corner so they can be revisited. Read this book for those passages. Read it to learn a history you didn’t know you didn’t know. Actually, just read this remarkable novel to be enriched in your understanding of an era that has been so very much forgotten. Read Night Watch to be enlightened.”
—Kristin Macomber, Washington Independent Review of Books
“There is a luminous beauty in Phillips's prose. Whether it is the dark interiors of war—which have become her forte—or the equally complex and fraught lives of so-called ‘ordinary’ people, Phillips brings these theaters of peace and loss, death and transcendence together with a remarkable alchemy.”
—Ken Burns, filmmaker
“Jayne Anne Phillips is a brilliant artist working at the height of her powers. Word by word, and line by line, there is no one better. This novel lives where a startling imagination meets scrupulous research: Night Watch is a tour de force—breathtaking in both its scope and intensity."
—Tayari Jones, author of An American Marriage
“A profound meditation on identity, empathy, sanity, daughter-love, nature, and the Civil War, Night Watch will leave you shook and sustained. This novel delivers fictional reckoning that makes way for the potential of real-world reconciliation by delivering complex and necessary testimony and confession. Weaving photographs and fragments of non-fiction prose into an intimate family story, Night Watch is at once shatteringly particular and audaciously universal. Jayne Anne Phillips arrives at the crowning achievement of an extraordinary career.”
—Alice Randall, author of Black Bottom Saints
“Jayne Anne Phillips is a wonderfully gifted storyteller, and few contemporary writers can match the lyricism of her prose, but in this marvelous new novel, largely set in a factual nineteenth-century asylum, she achieves even more: history and imagination merge, and she gives the past a living pulse.”
—Ron Rash, author of The Caretaker
“A lovely piece of work . . . Night Watch is another of Jayne Anne Phillips’s intimate revelatory creations.”
—Dorothy Allison, author of Bastard Out of Carolina
“A searing portrait of the cruelties of race, the insanity of war, and the tragedy of its aftermath.”
—Drew Gilpin Faust, author of This Republic of Suffering: Death and the American Civil War
“It’s hard to know what to praise first—Jayne Anne Phillips’ signature beautiful sentences, the compelling scenes of battle and their ravaged aftermath, the fascinating portrayal of Dr. Thomas Story Kirkbride’s ‘moral treatment’ method for the mentally ill, or the vivid depiction of the people and land of West Virginia in the 1860s and 70s. Night Watch takes a highly deserved place among important novels about war and its legacy.”
—Alice Elliott Dark, author of Fellowship Point
“Gorgeous prose, attention to detail, and masterful characters . . . Set in West Virginia during and after the Civil War, Phillips’ book takes as given that slavery was evil and the war a necessity, focusing instead on lives torn apart by the conflict and on the period’s surprisingly enlightened approach toward care of the mentally ill . . . Pitch-perfect voice . . . Haunting storytelling and a refreshing look at history.”
—Kirkus, starred
“Exquisite attention to detail propels a superb meditation on broken families in post–Civil War West Virginia . . . A profound sense of loss haunts the novel, and Phillips conveys a strong sense of place . . . The bruised and turbulent postbellum era comes alive in Phillips’s page-turning affair.”
—Publishers Weekly, starred
“Vivid . . . Phillips excels in crafting original takes on human circumstances, like mother-daughter relationships and women’s vulnerabilities and resilience. Her setting here is equally striking: the Trans-Allegheny Lunatic Asylum in rural West Virginia . . . The historical milieu comes alive in all its facets as Phillips evokes the enduring bonds of both blood and chosen families.”
— Booklist
“Tracing an arc from catastrophic damage and loss to recovery through the Civil War and its aftermath, Phillips marries a timeless emotional quality and utterly contemporary sensibility to create a satisfying work in her first novel in a decade . . . Night Watch is escapist in the best sense of the word, allowing readers to immerse themselves in the experience of a distant era and identify deeply with the struggles of the people who lived through it.”
—Harvey Freedenberg, BookPage
Good performances abound in this audiobook. At its heart is ConaLee, a child swept up in the cruelty and uncertainty of the antebellum South. Karissa Vacker, the primary narrator, is a strong voice throughout the production. Similarly, Theo Stockman's performance of male points of view and Maggi-Meg Reed's renditions of the female characters are well paced and emotionally charged. ConaLee's little family is shattered by wartime violence, and the best moments in the audiobook are centered around the interactions among characters. Episodes unfold in a tangled order, and it takes a patient listener to follow along. Some sections languish due to stilted language and belabored points, but the story is largely engrossing, and, all in all, the narrators do a fine job with the material. L.B.F. © AudioFile 2023, Portland, Maine
★ 2023-06-08
Set in West Virginia during and after the Civil War, Phillips’ book takes as given that slavery was evil and the war a necessity, focusing instead on lives torn apart by the conflict and on the period’s surprisingly enlightened approach toward care of the mentally ill.
The novel’s pitch-perfect voice belongs to ConaLee, observant and loving but also a scrappy survivor. Initially, ConaLee knows only that she was born in 1861 after her father “went away” and that her mother loves books. When a frightening man shows up years later calling himself “Papa,” ConaLee assumes he’s her father. He is not, but he stays and tyrannizes ConaLee’s mother until she suffers mental and physical collapse. Then he dumps now 12-year-old ConaLee and her mother at the Trans-Allegheny Lunatic Asylum and disappears. Here readers’ assumptions about 19th-century psychiatric care are tested. The asylum’s founder follows the real-life Dr. Thomas Story Kirkbride’s theory of “moral treatment,” which included empathetic compassion on the part of the staff along with activity and fresh air for the patients. His humane approach was accepted, even prevalent in its day. Here, the asylum becomes the catalyst for characters to uncover identities lost, hidden, or unknown. ConaLee’s lineage, revealed piecemeal, exemplifies a complex world in which names change, sometimes more than once. Her mother grew up the daughter of a plantation owner. He disapproved of the boy she loved because he was supposedly “shack Irish,” the nephew of the girl’s Irish nursemaid. The nursemaid kept secret that he was not her relation but a slave’s half-Black orphan. Fleeing to Appalachia in 1861, the young lovers married under an assumed name before ConaLee’s father joined the Union Army. After surviving a head wound in battle, he lost all memory of his past and started a new life with a new name…guess where. Yes, expect coincidences and convolutions, but Phillips pulls them off with gorgeous prose, attention to detail, and masterful characters.
Haunting storytelling and a refreshing look at history.
