From the Publisher
Finding a chronicler with the proper combination of familiarity and detachment can be like going on a series of bad Hinge dates, but in Gooch, Haring has met his match. Radiant, referring to both Haring’s recurrent drawing of a crawling baby and his own fast-burning star, is a faithful retracing of his steps, with over 200 people interviewed or consulted: devoted and probably definitive . . . . [Gooch] is a poet, which shows in phrasing at once shrewd and evocative . . . . Gooch’s book insists readers slow down and consider the artist’s legacy.” — Alexandra Jacobs, The New York Times
"[Haring’s] admirers continue to complain that he isn’t taken seriously enough; in a way, they are correct, though this book may change things . . . . highly entertaining.” — The New Yorker
“[A] thorough account of Haring’s brief time . . . . Haring may be gone, but that radiant infant? Still going.” — AirMail
"Gooch made it his mission to show how much living and creating Haring packed into just 31 years, and he more than succeeds. Radiant not only gives us a much-overdue appreciation of Haring as an important artist. It also paints an exhilarating portrait of a young artist finding himself and his calling.... His chronicle of Haring’s volcanic rise is deeply engaged with the culture of the time and place—not only the art world but also the gay community and New York.... Radiant has given us a more vibrant and complete picture of the enduring gifts of Keith Haring’s life." — Los Angeles Times
"A compelling biography . . . . Meticulous . . . . Gooch vividly evokes New York in the early 1980s." — The Guardian (London)
“Critics and curators still struggle with Haring’s legacy. Radiant makes room for a multiplicity of motivations: Haring was an earnest humanist, alive to the liberating capacity of art; or a keen observer of American television and cartoons whose saturated gloss he mirrored in his art; or an early master of self-promotion.” — New York Times
“Gooch's extensive research creates a seductive portrait of the artist as a young man . . . . As in previous books on Frank O'Hara and Flannery O'Connor, Gooch writes bourbon-smooth prose." — Minneapolis Star Tribune
"An unforgettable portrait of an icon who's as smart, charming, and multifaceted as the masterpieces that he left behind.” — Town & Country
“The world that Gooch describes, of interconnected gay and cultural networks in the febrile atmosphere of 1980s New York, is one in which he too took part. And first-hand experience has clearly proved integral in shaping his book, for it reads not only as the definitive biography of its subject, but as a memorial to a collective past, from which many did not survive.” — The Art Newspaper
“It’s all here: the grade school Walt Disney and Dr. Seuss; the adolescent acid trips; the fondness for Post-it notes and flying saucers; the long tails of Dubuffet and Burroughs; the encounters with Madonna, Warhol, and one game-changer of a subway Johnny Walker Red poster. Brad Gooch takes us deep into Keith Haring’s imagination while somehow managing to fix the aura and energy of the 1980s New York art scene to the page. A keen-eyed, beautifully written biography, atmospheric, exuberant, and as radiant as they come.” — Stacy Schiff, Pulitzer Prize winning author of The Revolutionary: Sam Adams
"Brad Gooch is the perfect guide to 1980s downtown Manhattan's holy, scuzzy streets. This rigorous, loving exploration of Keith Haring's life and work will be cherished by fans of Haring, art history, and New York City." — Ada Calhoun, New York Times-bestselling author of Also a Poet
“A thorough, intricately detailed, and enthralling portrait of a singular artist who followed his own winding road to artistic success until AIDS cut short his highly creative life." — Booklist (starred review)
“A rewarding deep dive . . . . Gooch captures the innovative, whirlwind creative spirit of the artist . . . . Shot through with details that bring to life the tumultuous social ferment of the era, this honors the inimitable spirit of a defining figure in the art world.” — Publishers Weekly
"Keith Haring’s art is the most identifiable of any since Andy Warhol’s. Yet Keith Haring the man is known to a very few. Brad Gooch’s brilliant Haring biography Radiant corrects that imbalance. By the end of his powerful telling of Haring’s life, the reader understands the searching boy and comes to admire the young man whose work—combining play and politics—had global impact. It’s impossible after reading Gooch’s book to see Haring’s famous lines and not recognize in them the beautiful yet tragic man who created them." — Mary Gabriel, author of Madonna: A Rebel Life
“Haring is the central figure in Gooch’s lively portrayal of a roiling art world and of gay culture in the 1980s . . . . A sympathetic and well-researched portrait.” — Kirkus Reviews
"Fans of Haring’s will not want to miss this definitive account of the artist’s life." — The Millions
“A compelling analysis of the remarkable legacy of visual artist Keith Haring. Gooch was a contemporary of Haring . . . [and he] draws on this on-the-spot knowledge to good effect. Much has been written about Haring from an art history perspective, but Gooch adds immeasurably to the literature with this sensitive and engaging contextualized portrait that examines the life and times of the iconic artist . . . a compendium of vivid, first-person narratives that provide an engaging insider’s perspective on the artist’s life.” — The Arts Fuse
“If you liked Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, by Mary Gabriel, read Radiant: The Life and Line of Keith Haring, by Brad Gooch." — Washington Post Book World
“Gooch delivers not only a biography of the artist but a globe-trotting account of how Haring’s pictograms flooded the zeitgeist.” — New Republic
“Thorough and thoughtful . . . . A solid choice for those with an interest in pop art figures or gay culture of the 1970s and ’80s, particularly in relation to the AIDS epidemic in New York City.” — Library Journal
“Radiant is a miracle of research but reads as quickly as Haring lived his remarkable life.” — Edmund White, author of A Boy’s Own Story
“Gooch has produced the authoritative and likely definitive account of this emblematic, prophetic artist of the 1980s . . . . Having lived in Haring's world, Gooch is superlative in recreating the excitement and volatility of that burgeoning East Side New York art scene, with its accompanying cultural upheaval. His prose shines.” — Bay Area Reporter
“Through interviews and research, Gooch captures the enduring allure of Keith Haring, a visionary artist with a profound impact on culture.” — She Reads
Kirkus Reviews
2023-12-06
The life and legacy of an instantly recognizable artist.
Biographer, novelist, and memoirist Gooch draws on archival sources to chronicle the energetic life of Keith Haring (1958-1990), who “occupied a space both in high fine art culture and low demotic street art.” The son of an amateur cartoonist, as a child Haring was obsessed with Dr. Seuss and Disney. “His number one obsession through all his school years,” Gooch writes, “remained the magic box of television,” which transported him outside of Kutztown, Pennsylvania, where he grew up. The author traces Haring’s exposure to art at several art schools, notably New York’s School of Visual Arts, where he enrolled in the fall of 1978. There, Gooch reveals, he “quickly adopted and adapted the various innovative movements and styles” to which he was being exposed. As Haring searched for his identity as an artist, he also came to terms with his sexuality. At camp, when he was a young teenager, he’d felt his first attraction to a boy. By the time he came to New York, he methodically “made coming out into a project, an item on a to-do list.” Haring is the central figure in Gooch’s lively portrayal of a roiling art world and of gay culture in the 1980s. By 1981, Haring was sought after by collectors, but he became frustrated “at the disconnect between his popular success and his lagging acceptance by the art establishment.” Nevertheless, among the glitterati populating “the moveable scene” he created around himself were Madonna, Sean Lennon, Jean-Michel Basquiat, Yoko Ono, and Andy Warhol. Gooch’s Haring was a romantic, “boyish, sweet, innocent” and “not quite grown-up.” His logo was the image of a baby, “the purest and most positive experience of human existence,” wrote Haring. “Children are the bearers of life in its simplest and most joyous form.”
A sympathetic and well-researched portrait.
