Somali-born author Ayaan Hirsi Ali is one of the most controversial women on earth. For years, she has been forced to live in hiding; her life has been threatened numerous times; an anti-Koran script that she wrote provoked the assassination of filmmaker Theo Van Gogh; and a dispute over her citizenship indirectly brought down the Dutch government. This memoir about her family's travails living under strict fundamentalist Islamic precepts tracks the evolution of a world-changing radical feminist.
William Grimes
The circuitous, violence-filled path that led Ms. Hirsi Ali from Somalia to the Netherlands is the subject of Infidel, her brave, inspiring and beautifully written memoir. Narrated in clear, vigorous prose, it traces the author’s geographical journey from Mogadishu to Saudi Arabia, Ethiopia and Kenya, and her desperate flight to the Netherlands to escape an arranged marriage.
&3151; The New York Times
Anne Applebaum
Infidel is a unique book, Ayaan Hirsi Ali is a unique writer, and both deserve to go far.
The Washington Post
Publishers Weekly
Readers with an eye on European politics will recognize Ali as the Somali-born member of the Dutch parliament who faced death threats after collaborating on a film about domestic violence against Muslim women with controversial director Theo van Gogh (who was himself assassinated). Even before then, her attacks on Islamic culture as "brutal, bigoted, [and] fixated on controlling women" had generated much controversy. In this suspenseful account of her life and her internal struggle with her Muslim faith, she discusses how these views were shaped by her experiences amid the political chaos of Somalia and other African nations, where she was subjected to genital mutilation and later forced into an unwanted marriage. While in transit to her husband in Canada, she decided to seek asylum in the Netherlands, where she marveled at the polite policemen and government bureaucrats. Ali is up-front about having lied about her background in order to obtain her citizenship, which led to further controversy in early 2006, when an immigration official sought to deport her and triggered the collapse of the Dutch coalition government. Apart from feelings of guilt over van Gogh's death, her voice is forceful and unbowed-like Irshad Manji, she delivers a powerful feminist critique of Islam informed by a genuine understanding of the religion. 8-page photo insert. (Feb.) Copyright 2006 Reed Business Information.
Library Journal
Hirsi Ali (The Caged Virgin) first came to the world's attention with the gunning down of filmmaker Theo van Gogh in Amsterdam by a Muslim extremist. A note pinned to van Gogh threatened Hirsi Ali's life for collaborating with him on Submission, a short film criticizing Muslims for wife beating and forced marriages. In this memoir, the Somalian-born author tells of her journey to Saudi Arabia, Ethiopia, and Kenya, undergoing genital mutilation, being schooled by strict Muslim teachers, and finally facing shame from her family and clan for turning against Islam. In her early twenties, she sought asylum in the Netherlands after escaping an arranged marriage. In Holland, the cleanliness, order, and freedom amazed her; she couldn't believe that a government could help its people and was not feared. As she adjusted to her new home, learning Dutch, attending university, acquiring citizenship, and eventually working as a translator for social services, she spoke out publicly, criticizing the Muslim treatment of women. She was elected to serve in parliament, where her controversial views brought death threats and an attempt to rescind her Dutch citizenship. During her brief tenure, she warned that radical Islam is often incompatible with modernity and democracy and that its enslavement of women presents a serious threat. A clearly written and fascinating account of exceptional courage, this book is essential for all libraries. Hirsi Ali reads her own words in clear, slightly accented English; strongly recommended.
Nancy R. Ives
Kirkus Reviews
Somali-born Dutch parliamentarian Hirsi Ali, now in hiding from Muslim militants angered by her outspoken views on Islam's enslavement of women (The Caged Virgin, 2005), offers a forthright, densely detailed memoir of growing up harshly amid revolution and religious restraint. "A woman alone is like a piece of sheep fat in the sun," Hirsi Ali's grandmother warned her frequently when she was a child absorbing the rigorous tenants of Islam in Mogadishu. Hirsi Ali, along with her younger sister, Haweya, and older brother, Mahad, were the children of a political dissenter of the Somalian government of Siad Barre, and frequently moved to safer places. Although their parents did not approve of circumcision, their absences allowed the strict peasant grandmother to arrange for the cutting of the three-Haweya, especially, was "never the same afterward." Their pious mother insisted on an education in the Qur'an, and their move to Saudia Arabia, without the protection of their father, proved disastrous: The mother was largely isolated, the children sent to sadistic religious schools. In Ethiopia, among the "unbelievers," they were treated more kindly, and in Nairobi, Kenya, the children attended British and Muslim schools. Here, Hirsi Ali began to read in English and have contact with Western ideas, especially about love. Recalcitrant and argumentative, she was given a fractured skull by her mother's ma'alim, or religious teacher. Amid civil war, a more conservative strain of Islam moved in, and Hirsi Ali was a convert, wearing full hidjab and practicing submission. She gained a secretarial degree and briefly indulged in a secret, short-lived marriage to her handsome cousin (the only way they couldsleep together). Reluctantly, to appease her father, she agreed to an arranged marriage, then bolted to Holland to beg for asylum-her lies about her background caught up with her later when she ran for Dutch office. Crammed with harrowing details, Hirsi Ali's account is a significant contribution to our times. Agent: Susanna Lea/Susanna Lea Associates
From the Publisher
"A brave and elegant figure...an honest woman...No one who reads her [memoirs] will doubt the self-questioning and the rigorous honesty of her mind. Perhaps, as in Voltaire's short story 'L'Ingénu,' it is that too much honesty is sometimes unpalatable, even if it is couched in civil terms...She has an open mind that has released itself from the old straitjacketed frame of reference of Right and Left, she is instinctively, deeply antiauthoritarian and she is unlikely to stick to straight ideological lines. She will go on asking difficult questions."
Isabella Thomas, The Observer
"Ayaan Hirsi Ali is one of Europe's most controversial political figures and a target for terrorists. A notably enigmatic personality whose fierce criticisms of Islam have made her a darling of...conservatives...and...popular with leftists...Soft-spoken but passionate."
The Boston Globe
"Too potent a social critic to be tolerated any longer [in her home country]...an unflinching advocate of women's rights and an unflinching critic of Islamic extremism."
The New York Times
"A charismatic figure...of arresting and hypnotizing beauty...[who writes] with quite astonishing humor and restraint."
Christopher Hitchens
FEB/MAR 08 - AudioFile
To hear this powerful story read by the woman who lived it is a life-changing experience. Ali survived civil war and mutilation to become an international spokeswoman for Islamic reform, especially with respect to women’s rights. Her escape from Saudi Arabia and Somalia to the free-thinking Netherlands is stark in its incomprehensible contrasts and sometimes darkly amusing in its misunderstandings of cultural differences. Ali earned a political science degree and became the first Muslim member of the Dutch parliament. She worked with Theo Van Gogh on the film SUBMISSION before he was assassinated by a fanatical Muslim terrorist who objected to the film. Ali’s thick accent makes some words unintelligible, but her acuity and vigor counterbalance this to make the listener all the more in awe of her. B.H.B. © AudioFile 2008, Portland, Maine