Martin's (Snowflake Bentley) inspiration for this lyrical tale, told in the rhythms of lapping water, came from a summer experience on Lake Superior's Sand Island, where a Norwegian named Carl Dahl once set his nets. "When Lake Superior was thick with fish/ and strung with nets/ and fishermen found their way on the water/ by watching the sun," 10-year-old Carl dreams of having a boat of his own and quietly sets out to build one. In this tightly knit community, "neighbors are closer than cousins," and Carl trades "work for work" in pursuit of his goal. Johnson's watercolors, tinted like Japanese woodblock prints, emphasize the endless stretch of summer days. Sky and water deepen imperceptibly from horizon out to the edges as Carl pulls ashore the boards he discovers on the beach. On two successive spreads, Carl holds a board steady on a pair of sawhorses and looks on as Torvald ("a little man who whistled all day/ and built rocking chairs from fish barrels") saws; on the next, Carl toils alone on a hillside, picking Torvald's strawberries in exchange. After his day with Torvald, Carl thinks to himself, "That's the end of the hard work. Nailing will be easy." But he needs nails from Burt Hill, and in return, Carl helps Burt move the rocks from under his dock. His father caps the project with two oars from their fish shed: "These are old--from Norway," he says. Martin effortlessly clues readers into Carl's motivation--the recent loss of his mother ("he kept the green beach glass/ he and his mother had found" in "his keep-away-bad-luck pocket") and his sister's skepticism ("You're too young to build a boat,/ .../ It will sink/ before you get past Moe's dock./ And we'll lose you, too"). When at last the boat is complete, he names it Beach Glass, and it's not just the boy's determination that brings the whole island to rejoice with him, it's the way he's made them all a part of his dream. Ages 5-8. (Aug.) Copyright 2003 Reed Business Information.

Gr 1-3-This picture book about a family living on an island in Lake Superior is so finely honed and concisely written that it reads like poetry. Carl wants a boat of his own. With hard work and lots of help from his neighbors, he manages to craft a small vessel. Each spread features a large illustration that emanates mist, light, fog, and even sand and sawdust, and always a sense of water and humidity. The watercolors are subdued, almost pointillist washes with stylized fine ink outlines framing fish, figures, the boat, and trees. There is pleasure, a sense of wonder, and appreciation for small details in nature and community in this celebration of a boy's first success. The writing has the smooth, easy rhythm and flow of oars dipping and lifting through the water, and with each immersion a fine thought surfaces. The book's lyrical quality has the feel of such classics as G. Macdonald's The Little Island (Dell, 1993) and Robert McCloskey's One Morning in Maine (Viking, 1952).-Susannah Price, Boise Public Library, ID Copyright 2003 Reed Business Information.

The author of Snowflake Bentley (1998) and the illustrator of Amy Cohn's Abraham Lincoln (2002) team up for an atmospheric picture of fishing village life on an island in Lake Superior several generations ago. Setting out to build a boat from salvaged boards, ten-year-old Carl trades labor with his adult neighbors for needed skills, nails, paint, and other supplies, then rows off on an idyllic, long-anticipated outing. Martin's measured prose-"Carl dreamed about boats. / He drew the boat he would build: / a little flat-bottomed pound boat / like the fishermen use . . . "-gives the episode a grave, formal feeling, and Johnson's delicately lined, low-contrast paintings respectfully depict a community in which "island neighbors are closer than cousins," always willing to give each other a hand. Thoughtful readers will appreciate this low-key tribute to a child's determination, and to the mutual respect that binds a community together. (Picture book. 7-9)

A subtle, beautifully crafted story about hard work, simple joys, and the small, warm communities of the historic upper–Midwest.” Booklist, ALA, Starred Review

“Lyrical tale, told in the rhythms of lapping water.” Publishers Weekly, Starred

"There is pleasure, a sense of wonder, and appreciation for small details in nature and community in this celebration of a boy's first success. The writing has a smooth, easy-rhythm and flow of oars dipping and lifting through the water, and with each immersion a fine thought surfaces." School Library Journal

“Thoughtful readers will appreciate this low–key tribute to a child’s determination, and to the mutual respect that binds a community together.” Kirkus Reviews

"Johnson's watercolors rely on pale, mottled tones punctuated with fine yet crisp black lines; this technique results in an interestingly translucent, Japanese aura in the scenes of nature." The Bulletin of the Center for Children's Books