02/25/2019

Wilde (Updraft) skillfully blurs the lines of fantasy and reality in a haunting middle grade story of sisters connected through trauma and a shared mythology. Middle schooler Eleanor and her little sister, Mary (“Mike”), have long believed in house magic—a force that sweeps away the shards of objects broken in anger and returns the home to a semblance of normal. But one night, a river appears in the girls’ bedroom, and both are swallowed into a watery dreamworld of anthropomorphic creatures, including a talking heron, nightmarish equines, and a terrifying snake woman. But as sinister as elements of Riverland are, the world they are most in need of escaping is the one where they should feel the most safe. When the girls’ mother, wearing dark glasses to conceal her bruises, takes them to their estranged grandmother’s house, the sisters believe that their attentive relative may share their connection to Riverland, as well as the girls’ sense of obligation to keep the nightmares from spilling into the waking world. Beneath the surface of Wilde’s fantastical, if at times muddied, metaphors lies the far more chilling and profound portrayal of domestic abuse and the lengths to which people can go to deny the most painful of truths. Ages 10–14. (Apr.)

"Eleanor is a very believable heroine, with faults typical of any middle schooler. In the end she has to solve the problem herself and does so."

**STARRED REVEW**
"A narrative that challenges the stereotypical stories of domestic violence, Riverland is painful and heartwarming all at once . . . A must-read."

"Wilde concocts a heartbreakingly anxious story as Eleanor walks on eggshells to protect herself and her sister from their abusive parents . . . The lens of house magic for physical and emotional abuse acts as a buffer, allows the story to avoid a preachy tone while still accurately depicting the hurdles a child in a stifling household must face."

**STARRED REVIEW**
"Wilde approaches the difficult subjects of domestic violence and emotional abuse with the care and respectful treatment that they deserve, using the fantastic to symbolize and illuminate the complex emotions her characters experience. About courage and truth overcoming denial and fear, Riverland is an important book."

**STARRED REVEW**
"A narrative that challenges the stereotypical stories of domestic violence, Riverland is painful and heartwarming all at once . . . A must-read."—Booklist

**STARRED REVIEW**
"Wilde approaches the difficult subjects of domestic violence and emotional abuse with the care and respectful treatment that they deserve, using the fantastic to symbolize and illuminate the complex emotions her characters experience. About courage and truth overcoming denial and fear, Riverland is an important book."—Shelf Awareness

"The important topic of physical and emotional abuse in families is sensitively portrayed."—Kirkus Reviews

"Wilde (Updraft) skillfully blurs the lines of fantasy and reality in a haunting middle grade story of sisters connected through trauma and a shared mythology . . . Beneath the surface of Wilde’s fantastical metaphors lies the far more chilling and profound portrayal of domestic abuse and the lengths to which people can go to deny the most painful of truths."—Publishers Weekly

"Eleanor is a very believable heroine, with faults typical of any middle schooler. In the end she has to solve the problem herself and does so."—School Library Connection

"Wilde concocts a heartbreakingly anxious story as Eleanor walks on eggshells to protect herself and her sister from their abusive parents . . . The lens of house magic for physical and emotional abuse acts as a buffer, allows the story to avoid a preachy tone while still accurately depicting the hurdles a child in a stifling household must face."—The Bulletin of the Center for Children's Books

**STARRED REVEW**
"A narrative that challenges the stereotypical stories of domestic violence, Riverland is painful and heartwarming all at once . . . A must-read."

03/01/2019

Gr 4–7—Eleanor protects her little sister Mike from their parents' violent fights by hiding with her under the bed and telling stories. The two children are made to think that all of the abuse is their fault and that they need to fix things. Under the bed, the kids fall into Riverland, where dreams are grown in the form of reeds, and horse-shaped nightmares made of smoke try to escape and wreak havoc on the real world. The two girls are told by a grouchy heron that they must fix the river in order to leave the dreamland and fix the issues with their parents. This book reinforces the idea that abuse is the child's fault and the onus is on them to be good and not cause trouble or tell any grownups. The characters are all static and don't have much depth. VERDICT A poorly executed version of Lois Lowry's Gossamer, Alice in Wonderland, and the film Sucker Punch mixed together. Not recommended.—Rachel Reinwald, Lake Villa District Library, IL

2019-01-15

Two sisters who use stories and spells to cope with family dysfunction discover a river-dominated dream world.

Twelve-year-old narrator Eleanor reveals that Poppa is a batterer. Momma, his enabler and most frequent victim, replaces what Poppa breaks and rigidly disciplines the girls. Wilde perceptively etches Eleanor's attempts to insulate Mike, 7, within their violent, secretive home, where "house magic" prevails if the girls obey the rules. When a mysterious river infiltrates their under-the-bed hideout, the girls enter a world with a caretaker Heron, nightmare horses, leak-patching crabs, and more. Anassa, a snake-headed monster working to breach the boundary between worlds with the ‘mares, exploits Eleanor's anxieties. Leaks appear in the sisters' and neighbors' homes, mirroring Anassa's fractious progress. The sisters' back-and-forth questing to reconcile both worlds by replacing Momma's old glass fishing float—a "witch ball" broken by Poppa—vividly culminates during a storm, in which netherworld birds help the girls fight back invading Anassa. The real-world plotting—including a tentative new relationship with their mother's mother and Eleanor's growing friendship with neighbor Pendra—is finely wrought. The allegorical fantasy elements, while propulsive, lack a strong controlling logic and require considerable credulity from readers, as Eleanor uncannily navigates the river world's inchoate dangers. The sisters are assumed white, while Pendra is described as brown and is probably of South Asian descent.

The important topic of physical and emotional abuse in families is sensitively portrayed; the intertwined fantasy is at times a distraction. (Fantasy. 10-14)