07/06/2020

In this poignant free verse novel spanning 1933–1945, six-year-old Henry, who becomes deaf following a fever, arrives at the Riverview Home for the Feebleminded after, deemed “unteachable,” being rejected by a school for the deaf. Without knowing where he has been taken or how long he’ll stay, Henry navigates dorm life, peer relationships, and often-cruel “men with keys,” such as Blanket Man, who yanks the children’s covers off to wake them. In portraying Henry’s perspective, Printz winner Frost deftly sketches his heightened senses and keen observations, such as regarding the institution’s oppressive stench (“something like potatoes/ forgotten in a corner of the kitchen”), alongside chilling abuse, including boys confined in straps for days. The viewpoint shifts between Henry and his older sister Molly, who tells her brother’s story and describes family struggles to save enough to visit, and then widens to include a kind conscientious objector, 17-year-old Victor, who notices Henry’s intelligence after arriving in Riverview to work in lieu of enlisting to fight in WWII. An author’s note describes the family member who inspired the story and includes dated poems by his sister, the author’s mother-in-law. Frost balances descriptions of institutional abuse with strong characters and enduring hope. Ages 10–14. Agent: Ginger Knowlton, Curtis Brown. (Aug.)

This must-have is an instant classic of historical fiction. . .Written in eloquent free verse and sonnets, it’s an excellent poetry-teaching tool as well.” —School Library Journal, starred review

“Frost’s smooth, burnished verse, ranging from free verse to sonnets, unfolds the story nimbly. While the historically based picture of the institution and its view of disability is appropriately horrifying, the book carefully avoids turning this into a stereotypical rescue drama. . .The result is an absorbing story of a boy and his family oppressed by circumstances but, rewardingly, finding a way to rise above them. Extensive notes explore the history of conscientious objectors and the relative on whom the story is based.” —The Bulletin for the Center of Children's Books, starred review

“Frost brings Henry’s experiences sharply into focus through her spare, evocative storytelling.” —Booklist

“In portraying Henry’s perspective, Printz winner Frost deftly sketches his heightened senses and keen observations, such as regarding the institution’s oppressive stench (“something like potatoes/ forgotten in a corner of the kitchen”). . .Frost balances descriptions of institutional abuse with strong characters and enduring hope.” —Publishers Weekly

“Full of historical richness and glimpses of the cruelty and abuse so common in the institutions of the era. Frost’s interpretation is softened by the hopeful conclusion of Henry’s return home and his introduction to American Sign Language.” —The Horn Book

★ 07/01/2020

Gr 4–6— From family history about a young Deaf boy who was institutionalized in 1939, Frost, poet and author of the award-winning Keesha's House, has constructed a moving work of historical fiction written in free verse and sonnets. It bridges two worlds: The deaf community and conscientious objectors who, during World War II, numbered 12,000 men. They refused to be drafted, and were assigned to work in state institutions instead, such as one for the "feebleminded" called Riverview. That's where protagonist Henry Williams winds up, and where the U.S. Army assigns 18-year-old Victor Jorgensen for his alternate service. Henry, curious, observant, and Deaf, doesn't belong at Riverview; no one does, Victor realizes. The bond between the boys helps shield some of them from neglect and abuse, but it can't get them released. Someone who can is Henry's elder sister, a courageous young teenager named Molly. The real sister, whose name was Maxine, wrote seven poems "to give my brother the life he never had." The poems became the seed of Frost's project and eventually its soul. Maxine's original poems are included as well. This evocative title is on a par with Colson Whitehead's The Nickel Boys, a historical novel about a reform school for teenage boys in Florida in the 1960s, also based on a true story. VERDICT This must-have is an instant classic of historical fiction, focusing on a Deaf boy institutionalized during World War II. Written in eloquent free verse and sonnets, it's an excellent poetry-teaching tool as well.—Georgia Christgau, LaGuardia Community Coll., Long Island City, NY

2020-05-17
A young deaf boy faces the horror of institutionalization in the late 1930s and ’40s.

This verse novel tells the story of Henry, who is born hearing and becomes deaf due to a fever at age 4. The school for the deaf erroneously labels him “unteachable,” and he is sent to an institution for the “feebleminded,” where the children face abuse and neglect. Henry’s story merges with that of Victor, a conscientious objector who works at the institution. Frost depicts one grim reality of deaf/Deaf life in mid-20th-century America in a way that is approachable for readers as she explores the rarely discussed story of conscientious objectors in World War II. The story is told in discrete poems, creating an episodic narrative that highlights poignant moments and delves into characters’ thoughts. All the characters are presumed white. However artful, the book is not without flaws. Characters repeatedly suggest that Henry’s institutionalization is particularly unjust because he is “smart,” an implicit comment on intellectual disabilities that is not adequately explored. The author’s note detracts from the story itself, raising questions that wouldn’t need to be asked otherwise, such as why the author gave Henry the ability to speak when the man he is based on could not. A sequence of poems by the author’s mother-in-law that inspired the novel are included and contain an outdated portrayal of disability that is presented without context or commentary for readers.

An engaging, emotional read that tells an important story—with caveats. (notes on form and characters, acknowledgements) (Verse historical fiction. 10-14)