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Overview

After a lifetime of reading books on chivalry in his library, the eccentric Don Quixote embarks on a quest to become a wandering knight, accompanied by his hapless servant, Sancho Panza. Don Quixote sets off on a comedic journey through medieval Spain, in a series of clumsy adventures, tilting at windmills and rescuing those even more hopeless than himself. This edition of Don Quixote is abridged, to offer a less daunting, more accessible version of the work to the reader.

Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore, epic literature and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

Product Details

ISBN-13: 9781835621684
Publisher: Flame Tree Publishing
Publication date: 07/09/2024
Series: Gothic Fantasy
Pages: 432
Product dimensions: 6.00(w) x 9.25(h) x 1.70(d)

About the Author

Miguel de Cervantes (1547–1616) was born in Alcalá, near Madrid, Spain. Despite the contemporary and posthumous success of his masterpiece Don Quixote, often considered the first ‘modern’ novel, he spent much of his life in obscurity, captivity and poverty. He was also an accomplished short-story writer, poet and playwright.

Ilan Stavans is Lewis-Sebring Professor of Humanities, Latin American and Latino Culture at Amherst College, USA. His award-winning books, adapted for radio, TV and theatre, have been translated into 20 languages. In 2018, he adapted Don Quixote de la Mancha into a best-selling graphic novel (illustrated by Venezuelan cartoonist Roberto Weil).

Read an Excerpt

The Life of Cervantes

Miguel de Cervantes Saavedra was at once the glory and reproach of Spain; for, if his admirable genius and heroic spirit conduced to the honour of his country, the distress and obscurity which attended his old age, as effectually redounded to her disgrace. Had he lived amidst Gothic darkness and barbarity, where no records were used, and letters altogether unknown, we might have expected to derive from tradition, a number of particulars relating to the family and fortune of a man so remarkably admired even in his own time. But, one would imagine pains had been taken to throw a veil of oblivion over the personal concerns of this excellent author. No inquiry hath, as yet, been able to ascertain the place of his nativity;1 and, although in his works he has declared himself a gentleman by birth, no house has hitherto laid claim to such an illustrious descendant.

One author* says he was born at Esquivias; but, offers no argument in support of his assertion: and probably the conjecture was founded upon the encomiums which Cervantes himself bestows on that place, to which he gives the epithet of Renowned, in his preface to Persiles and Sigismunda.2 Others affirm he first drew breath in Lucena, grounding their opinion upon a vague tradition which there prevails: and a third* set take it for granted that he was a native of Seville, because there are families in that city known by the names of Cervantes and Saavedra; and our author mentions his having, in his early youth, seen plays acted by Lope Rueda, who was a Sevilian. These, indeed, are presumptions that deserve some regard, tho', far from implying certain information, they scarce even amountto probable conjecture: nay, these very circumstances seem to disprove the supposition; for, had he been actually descended from those families, they would, in all likelihood, have preserved some memorials of his birth, which Don Nicholas Antonio would have recorded, in speaking of his fellow-citizen. All these pretensions are now generally set aside in favour of Madrid, which claims the honour of having produced Cervantes, and builds her title on an expression? in his Voyage to Parnassus, which, in my opinion, is altogether equivocal and inconclusive.

In the midst of such undecided contention, if I may be allowed to hazard a conjecture, I would suppose that there was something mysterious in his extraction, which he had no inclination to explain, and that his family had domestic reasons for maintaining the like reserve. Without admitting some such motive, we can hardly account for his silence on a subject that would have afforded him an opportunity to indulge that self-respect which he so honestly displays in the course of his writings. Unless we conclude that he was instigated to renounce all connexion with his kindred and allies, by some contempt'ous flight, mortifying repulse, or real injury he had sustained; a supposition which, I own, is not at all improbable, considering the jealous sensibility of the Spaniards in general, and the warmth of resentment peculiar to our author, which glows through his productions, unrestrained by all the fears of poverty, and all the maxims of old age and experience.


Table of Contents

Introductionvii
Further Readingxxiii
Translating Don Quixotexxv
Acknowledgmentsxxxiii
Chronologyxxxv
A Note on the Textxxxix
The Ingenious Hidalgo Don Quixote de la Mancha1
Notes983

What People are Saying About This

J. M. Cohen

One of the best adventure stories in the world.

Thomas Mann

What a unique monument is this book!... How its creative genius, critical, free, and human, soars above its age!

Carlos Fuentes

Don Quixote is the first modern novel, perhaps the most eternal novel ever written and certainly the fountainhead of European and American fiction: here we have Gogol and Dostoevsky, Dickens and Nabokov, Borges and Bellow, Sterne and Diderot in their genetic nakedness, once more taking to the road with the gentleman and the squire, believing the world is what we read and discovering that the world reads us.

Milan Kundera

The novelist teaches the reader to comprehend the world of a question.
—(Milan Kundera

Reading Group Guide

"Don Quixote is practically unthinkable as a living being," said novelist Milan Kundera. "And yet, in our memory, what character is more alive?"

Widely regarded as the world's first modern novel, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. This Modern Library edition presents the acclaimed Samuel Putnam translation of the epic tale, complete with notes, variant readings, and an Introduction by the translator.

The debt owed to Cervantes by literature is immense. From Milan Kundera: "Cervantes is the founder of the Modern Era. . . . The novelist need answer to no one but Cervantes." Lionel Trilling observed: "It can be said that all prose fiction is a variation on the theme of Don Quixote." Vladmir Nabokov wrote: "Don Quixote is greater today than he was in Cervantes's womb. [He] looms so wonderfully above the skyline of literature, a gaunt giant on a lean nag, that the book lives and will live through [his] sheer vitality. . . . He stands for everything that is gentle, forlorn, pure, unselfish, and gallant. The parody has become a paragon." And V. S. Pritchett observed: "Don Quixote begins as a province, turns into Spain, and ends as a universe. . . . The true spell of Cervantes is that he is a natural magician in pure story-telling."

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