**STARRED REVIEW**
"Mixed-media images by Bates (The Big Umbrella), washed in yellows and browns and framed by woodblock motifs, give readers a vivid sense of the historical context while infusing the story with a timeless emotional immediacy. Newman (Ketzel, the Cat Who Composed) skillfully modulates her narration, capturing her protagonist’s feelings of excitement, loneliness, and fear. The ending, handled with both restraint and warmth, relies on one of those improbable twists of good fortune that define so many immigrant stories—and it’s based on a real event."—Publishers Weekly

**STARRED REVIEW**
"Beautifully designed and illustrated . . . The watercolor illustrations artfully capture an era and people."—School Library Journal

**STARRED REVIEW**
"Newman's spare yet evocative text works well as a read-aloud, and the solution to Gittel's problem . . . is both clever and true . . . She [Bates] employs Old World style decorative frames throughout (setting off both art and text), appropriate to the story's turn-of-the-century setting."—Booklist

"The illustrations are beautiful . . . Classroom teachers can use as an example text showing one child’s story of immigration. An excellent addition to a library collection."—School Library Connection

"Newman tells Gittel’s story with sympathy and tenderness, incorporating Jewish phrases (italicized) and customs and placing within it facts about that time and place. Gittel’s every emotion is felt in Bates’ soft, earth-toned, framed illustrations reminiscent of old-time sepia photographs . . . A heartfelt, lovely evocation of one facet of the immigrant experience."—Kirkus Reviews

"The illustrations are beautiful . . . Classroom teachers can use as an example text showing one child’s story of immigration. An excellent addition to a library collection."

**STARRED REVIEW**
"Newman's spare yet evocative text works well as a read-aloud, and the solution to Gittel's problem . . . is both clever and true . . . She [Bates] employs Old World style decorative frames throughout (setting off both art and text), appropriate to the story's turn-of-the-century setting."

**STARRED REVIEW**
"Newman's spare yet evocative text works well as a read-aloud, and the solution to Gittel's problem . . . is both clever and true . . . She [Bates] employs Old World style decorative frames throughout (setting off both art and text), appropriate to the story's turn-of-the-century setting."

2018-10-15

In the last years of the 19th century, 9-year-old Gittel must make the long journey to America alone.

She and Mama say their goodbyes to their family and set off on the trek to the port where they will board the ship to a new world. But Mama is denied passage because of an eye infection. Her mother reminds her that she must be brave, so Gittel gets on the ship alone for the long, frightening journey, clutching the family candlesticks, her rag doll, and that most important slip of paper containing cousin Mendel's address in New York. Upon arriving at Ellis Island, Mendel's address is smeared and unreadable, so she is detained there. A kind Yiddish interpreter and a newspaper photographer save the day by placing her photo in a Jewish newspaper, and Mendel comes to claim her. Even greater joy comes when she is reunited with her mother several months later. The tale is based on a combination of stories handed down in the author's family. Newman tells Gittel's story with sympathy and tenderness, incorporating Jewish phrases (italicized) and customs and placing within it facts about that time and place. Gittel's every emotion is felt in Bates' soft, earth-toned, framed illustrations reminiscent of old-time sepia photographs. Block-print decorations in blue, green, and rust enhance the setting.

A heartfelt, lovely evocation of one facet of the immigrant experience. (glossary, bibliography, websites) (Picture book. 5-9)