★ 10/29/2018
Nine-year-old Gittel and her mother are immigrating from the Old Country to America, leaving behind friends and many cherished belongings (“Can’t we take Frieda with us?” Gittel asks. “We cannot bring a goat to America,” Mama says). But when they reach the boat, Mama is barred from boarding due to an eye infection, and she insists that Gittel continue without her. “Home is not safe for us,” Mama tells her tearful daughter. “You are going to America to have a better life.” Wearing a bright red kerchief, clutching the address of a cousin in New York City, and carrying Mama’s precious Shabbat candlesticks in her bundle, Gittel starts her journey to Ellis Island. Mixed-media images by Bates (The Big Umbrella), washed in yellows and browns and framed by woodblock motifs, give readers a vivid sense of the historical context while infusing the story with a timeless emotional immediacy. Newman (Ketzel, the Cat Who Composed) skillfully modulates her narration, capturing her protagonist’s feelings of excitement, loneliness, and fear. The ending, handled with both restraint and warmth, relies on one of those improbable twists of good fortune that define so many immigrant stories—and it’s based on a real event. Ages 5–8. (Feb.)

"The illustrations are beautiful . . . Classroom teachers can use as an example text showing one child’s story of immigration. An excellent addition to a library collection."

**STARRED REVIEW**
"Newman's spare yet evocative text works well as a read-aloud, and the solution to Gittel's problem . . . is both clever and true . . . She [Bates] employs Old World style decorative frames throughout (setting off both art and text), appropriate to the story's turn-of-the-century setting."

**STARRED REVIEW**
"Mixed-media images by Bates (The Big Umbrella), washed in yellows and browns and framed by woodblock motifs, give readers a vivid sense of the historical context while infusing the story with a timeless emotional immediacy. Newman (Ketzel, the Cat Who Composed) skillfully modulates her narration, capturing her protagonist’s feelings of excitement, loneliness, and fear. The ending, handled with both restraint and warmth, relies on one of those improbable twists of good fortune that define so many immigrant stories—and it’s based on a real event."—Publishers Weekly

**STARRED REVIEW**
"Beautifully designed and illustrated . . . The watercolor illustrations artfully capture an era and people."—School Library Journal

**STARRED REVIEW**
"Newman's spare yet evocative text works well as a read-aloud, and the solution to Gittel's problem . . . is both clever and true . . . She [Bates] employs Old World style decorative frames throughout (setting off both art and text), appropriate to the story's turn-of-the-century setting."—Booklist

"The illustrations are beautiful . . . Classroom teachers can use as an example text showing one child’s story of immigration. An excellent addition to a library collection."—School Library Connection

"Newman tells Gittel’s story with sympathy and tenderness, incorporating Jewish phrases (italicized) and customs and placing within it facts about that time and place. Gittel’s every emotion is felt in Bates’ soft, earth-toned, framed illustrations reminiscent of old-time sepia photographs . . . A heartfelt, lovely evocation of one facet of the immigrant experience."—Kirkus Reviews

**STARRED REVIEW**
"Newman's spare yet evocative text works well as a read-aloud, and the solution to Gittel's problem . . . is both clever and true . . . She [Bates] employs Old World style decorative frames throughout (setting off both art and text), appropriate to the story's turn-of-the-century setting."

★ 12/01/2018
Gr 2–5—"What if Mama's cousin Mendel doesn't like me?…What if English is too hard to learn? What if I never see Mama again?" Nine-year-old Gittel is alone on a ship to America after her mother's eye infection causes a health inspector to refuse the woman passage. Finding comfort in Basha, a favorite rag doll, Mama's candlesticks, and some children on board, Gittel finally steps foot on Ellis Island only to learn that the precious folded paper with cousin Mendel's address is watermarked and illegible. Not even knowing Mendel's last name, the girl feels that her situation is hopeless until a kindly Yiddish interpreter comes up with the perfect solution. Newman based the book on two true family stories. An author's note includes photos as well as a brief history of the approximate three million Eastern European Jews who fled the shtetls and pogroms in the early 1900s. A short glossary of Yiddish words and phrases and a bibliography are also appended. The book is beautifully designed and illustrated; blue endpapers feature prints of the ship approaching Lady Liberty, while the other pages are light brown with black printed borders or classical arches. The watercolor illustrations artfully capture an era and people, from their simple woolen clothes to their expressive faces. VERDICT Pair this with Patricia Polacco's The Keeping Quilt for an historical look at early immigration.—Barbara Auerbach, Cairo Public Library, NY

2018-10-15

In the last years of the 19th century, 9-year-old Gittel must make the long journey to America alone.

She and Mama say their goodbyes to their family and set off on the trek to the port where they will board the ship to a new world. But Mama is denied passage because of an eye infection. Her mother reminds her that she must be brave, so Gittel gets on the ship alone for the long, frightening journey, clutching the family candlesticks, her rag doll, and that most important slip of paper containing cousin Mendel's address in New York. Upon arriving at Ellis Island, Mendel's address is smeared and unreadable, so she is detained there. A kind Yiddish interpreter and a newspaper photographer save the day by placing her photo in a Jewish newspaper, and Mendel comes to claim her. Even greater joy comes when she is reunited with her mother several months later. The tale is based on a combination of stories handed down in the author's family. Newman tells Gittel's story with sympathy and tenderness, incorporating Jewish phrases (italicized) and customs and placing within it facts about that time and place. Gittel's every emotion is felt in Bates' soft, earth-toned, framed illustrations reminiscent of old-time sepia photographs. Block-print decorations in blue, green, and rust enhance the setting.

A heartfelt, lovely evocation of one facet of the immigrant experience. (glossary, bibliography, websites) (Picture book. 5-9)