Boyd has written a crackling spy thriller, but more than that, he has evoked the atmosphere of wartime espionage: the clubby, grubby moral accommodations, the paranoia, the tense sexuality…Boyd's first novel, A Good Man in Africa, was a glinting satire, while An Ice-Cream War combined history, comedy and tragedy to wonderful effect. Here he has used a more muted palette, with no humor, no literary embroidery and little emotion. The pared-down style, clipped and understated, perfectly fits the sepia setting.
—The New York Times

When Ruth Gilmartin learns the true identity and the WWII profession of her aging mother, Sally Gilmartin, at the start of Boyd's elegant ninth novel (after Any Human Heart), Ruth is understandably surprised. Sally, n e Eva Delectorskaya, a Russian migr living in Paris in 1939, was recruited as a spy by Lucas Romer, the head of a secretive propaganda group called British Security Coordination, to help get America into the war. This fascinating story is well told, but slightly undercut by Ruth's less-than-dramatic life as a single mother teaching English at Oxford while pursuing a graduate degree in history. Ruth's more pedestrian existence can't really compete with her mother's dramatic revelations. The contemporary narrative achieves a good deal more urgency when Ruth's mother recruits her to hunt down the reclusive, elusive Romer. But the real story is Eva/Sally's, a vividly drawn portrait of a minor figure in spydom caught up in the epic events leading up to WWII. (Oct.) Copyright 2006 Reed Business Information.

In his latest novel, Boyd (A Good Man in Africa) entwines two stories. One, set in England in 1976, focuses on the everyday preoccupations of Ruth Gilmartin, a single mother who teaches English to foreigners in Oxford. Ruth's life changes when her mother, Sally, begins to reveal her past to her daughter. In the early years of World War II, Sally, whose real name is Eva Delectorskaya, was recruited as a spy by British intelligence. Sent to New York in 1941, she spread black propaganda in an attempt to coax the United States into the war. On a mission in New Mexico, Eva was betrayed and had to kill a man to survive. Unable to trust her team, she escaped to Canada and eventually returned to England, where she lives in seclusion under a new identity, waiting for her betrayer to track her down. While some readers may be annoyed by the author's stylistic tics, particularly the profusion of paired adverbs (e.g., people speak "seriously, weightily" and shrug "hopelessly, helplessly"), others will enjoy this glimpse of wartime dirty tricks. For larger public libraries.-Ron Terpening, Univ. of Arizona, Tucson Copyright 2006 Reed Business Information.

Atmospheric novel about an older woman whose past career as a WWII spy has come back to haunt her. Ruth Gilmartin is a single mother of one in 1976 England. On a visit to Grandma's, Ruth's mother, Sally, informs her that her real name is Eva Delectorskaya, and that she was an agent of British Intelligence during World War II. Eva hands Sally a manuscript of her story, abruptly launching the duo and the reader into the past. Boyd (Any Human Heart, 2003, etc.) seems more eager to tell Eva's story than Ruth's. Not surprisingly, as the elder Gilmartin finds herself swept into a world on the brink of war in 1939. Recruited by the swarthy and mysterious Lucas Romer, Eva is trained in spycraft and joins Romer's team, specializing in disinformation. Propaganda is Eva's stock in trade, and she has a knack for it. Still, for all her talent, she finds herself attracted to her secretive boss. Boyd has obviously read a few espionage novels. Can any young woman resist James Bond? Ruth leads a far less glamorous life. Saddled with Jochen, her inquisitive son, she teaches English as a Second Language. Her adventures occur vicariously, through the lives of the foreign students who study with her. With a nod to irony, Ruth teaches people to blend into their surroundings. At first, her mother's revelation seems to be a sign of senility. As Ruth begins to investigate, the shadows of her mother's former life reveal themselves. There is some truth to this work of fiction, and the real-life events make for a fascinating backdrop. Boyd skillfully manipulates language as easily as Eva does. He handles the plot more roughly. Ruth is clumsy albeit untrained, and the other characters in her world are ratherthinly sketched. Yet Boyd fits the puzzle together neatly in the end. A bit light on action and intrigue, but a cool, collected effort.

An absorbing historical thriller.” —The New Yorker

“Superbly written…one of the most smoothly readable novels of the year.” —Alan Cheuse, Chicago Tribune

“[An] espionage thriller and domestic drama by one of the very best prose stylists and storytellers in the English language.” —Atlantic Monthly

“The quality of Boyd's prose and the insight he brings to the story make Restless resonate. Told in his characteristically unobtrusive and elegant tone—[Boyd] explores the very idea of spying...” —Timothy Peters, San Francisco Chronicle

“A gripping and smartly crafted spy thriller set against a fascinating and largely hidden episode in U.S.-British relations.” —John Dalton, Washington Post