Becoming Visionary: Brian De Palma's Cinematic Education of the Senses

Becoming Visionary: Brian De Palma's Cinematic Education of the Senses

by Eyal Peretz
Becoming Visionary: Brian De Palma's Cinematic Education of the Senses

Becoming Visionary: Brian De Palma's Cinematic Education of the Senses

by Eyal Peretz

Paperback(New Edition)

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Overview

How is one to think the significance of the art of film for philosophy? What would it mean to introduce film as a question into the heart of the philosophical enterprise? How would this transform our understanding of film, on the one hand, and of philosophy and the philosophical tradition, on the other? These are the questions that guide this project on the hitherto critically neglected but seminal film director Brian De Palma. Becoming Visionary: Brian De Palma's Cinematic Education of the Senses is located at the intersection of philosophy and film studies, and makes each of these disciplines productive and useful for each other in a new way. It is a concrete examination of the logic governing the work of a major American artist that is, at the same time, a general philosophical examination of the logic of meaning governing all the major filmic categories and is thus a comprehensive theory of film. Becoming Visionary develops a new matrix for thinking the relations between philosophy and film and, by extension, between philosophy and the arts


Product Details

ISBN-13: 9780804756853
Publisher: Stanford University Press
Publication date: 10/10/2007
Series: Cultural Memory in the Present
Edition description: New Edition
Pages: 248
Product dimensions: 6.00(w) x 9.00(h) x 0.50(d)

About the Author

Eyal Peretz is Associate Professor at Indiana University, Bloomington. He is the author of Literature, Disaster, and the Enigma of Power: A Reading of 'Moby-Dick' (2002).

Table of Contents


Foreword: On Eyal Peretz's Becoming Visionary   Stanley Cavell     xi
Introduction: The Realm of the Senses and the Vision of the Beyond-Toward a New Thinking of the Image     1
Carrie-Film and the Wounding of Representation     23
Between Paranoia and Passion-Questioning the Frame and the Screen in The Fury     47
Film and the Memory of the Outside: Or, Cinema as Technology, Cinema as Pornography, Cinema as Scream-Blow Out     83
Coda: For a New Enlightenment: Femme Fatale, A Paradoxical Happy Ending; or, The Idea of a Future     157
Notes     165
Index     221
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