Winner of the Edgar Award for Young Adult Fiction
GoodReads Top Horror Novels of 2020
 
“[A] new life comes with a new home, where there are many things that go bump in the night.” —Bustle
 
“The best part about The Companion is the story’s ability to surprise you. Most Gothic horror tales, generally, tend to follow certain formats and include certain tropes. This novel definitely features all those elements but deploys them in such a way that you’re never quite sure what you’re looking at.  It constantly shifting plot makes The Companion difficult to put down, and will likely leave you reading long into the night.” —Culturess
 
“Katie Alender delivers a suspenseful story in her latest novel that will make you never want to trust a stranger ever again… Katie Alender knows how to write and she knows how to give you suspense. I would read this in the dead of night and would find my heart pounding.” —The Fandom
 
“Margot’s narration feels intimate, especially when she reflects on her potent grief, and Agatha is never used as a prop: She and Margot develop a silent communication that transcends speech. The palpable and steadily building sense of dread throughout is enhanced by a whisper of the supernatural. A pitch-perfect contemporary gothic.” —Kirkus Reviews
 
“The suspense and chills are there, and the plot advances the story to a dramatic conclusion that, even if readers can see it coming, is still startling. This book hits all the notes of a solid thriller—creepy mansion, dark family secrets, a little romance, and a plucky heroine. Fans of suspense will enjoy this outing. Alender creates another tingly tale just right for escaping into this summer.” —School Library Journal

08/01/2020

Gr 8 Up—If an orphan can be considered lucky, then maybe Margot is. After being the sole survivor of a car accident that wipes out her entire family, then getting her own room in the foster home, Margot has now been placed with a wealthy family who has a tenuous connection to her father. The Suttons' home is enormous but also straight out of the 1900s—there's no internet, no television, no popular fiction in the huge library; nothing but relics from a puritan past. Then there's Agatha. Margot has been brought to the Suttons to be a "companion" to their teenage daughter. While on the outside Agatha looks perfectly normal—totally gorgeous, actually—something is wrong. Very wrong. And the longer Margot is there, the more she learns that Agatha isn't the only Sutton who has something off about them. The suspense and chills are there, and the plot advances the story to a dramatic conclusion that, even if readers can see it coming, is still startling. This book hits all the notes of a solid thriller—creepy mansion, dark family secrets, a little romance, and a plucky heroine. VERDICT Fans of suspense will enjoy this outing. Alender creates another tingly tale just right for escaping into this summer.—Elaine Baran Black, Georgia P.L. Svc., Atlanta

2020-06-15
It’s been three months since 16-year-old Margot Radegan survived the car wreck that killed her parents and two sisters.

John Sutton, an old law school friend of Margot’s father who owes him a debt of gratitude, offers to take her in and away from the group home where she’s been staying. When she catches a glimpse of Copeland Hall, the Suttons’ stately and enormous country home near Chicago, she’s in awe. However, John and Laura Sutton’s support hinges on being a companion to their 17-year-old daughter, Agatha, who has a mysterious illness that has robbed her of speech and rendered her barely responsive to her surroundings. There’s no cellphone signal or access to Wi-Fi, but Margot’s prospects are few, and eventually she develops a rapport with Laura and finds she enjoys helping with Agatha. There’s even a spark of romance with John and Laura’s 16-year-old son, Barrett. However, a series of strange events hint at a dark legacy lingering in the vast halls of Laura’s ancestral home, and the Suttons might not be quite what they seem. Margot’s narration feels intimate, especially when she reflects on her potent grief, and Agatha is never used as a prop: She and Margot develop a silent communication that transcends speech. The palpable and steadily building sense of dread throughout is enhanced by a whisper of the supernatural. All characters seem to be white.

A pitch-perfect contemporary gothic. (Suspense. 12-18)