Now We Are Six

Listen to one of the most treasured collections of children's poetry, starring Winnie-the-Pooh!

Perfect for bedtime, playtime, or anytime, the thirty-five joyful rhymes included here will spark the imaginations of listeners young and old.

First published in 1927 by A.A. Milne, and highlighting his beloved characters Christopher Robin and Winnie-the-Pooh, Now We Are Six comforts and delights.

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Now We Are Six

Listen to one of the most treasured collections of children's poetry, starring Winnie-the-Pooh!

Perfect for bedtime, playtime, or anytime, the thirty-five joyful rhymes included here will spark the imaginations of listeners young and old.

First published in 1927 by A.A. Milne, and highlighting his beloved characters Christopher Robin and Winnie-the-Pooh, Now We Are Six comforts and delights.

5.99 In Stock
Now We Are Six

Now We Are Six

by A. A. Milne

Narrated by André Santana

Unabridged — 49 minutes

Now We Are Six

Now We Are Six

by A. A. Milne

Narrated by André Santana

Unabridged — 49 minutes

Audiobook (Digital)

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Overview

Listen to one of the most treasured collections of children's poetry, starring Winnie-the-Pooh!

Perfect for bedtime, playtime, or anytime, the thirty-five joyful rhymes included here will spark the imaginations of listeners young and old.

First published in 1927 by A.A. Milne, and highlighting his beloved characters Christopher Robin and Winnie-the-Pooh, Now We Are Six comforts and delights.


Editorial Reviews

School Library Journal

Gr all levelsPenguin's production amplifies the fact that A.A. Milne has created some of the most memorable poetry and prose in children's literature. Charles Kuralt narrates all the tapes. When We Were Very Young resounds with Kuralt's lively reading of the nonsensical and onomatopoetic rhymes that fill the heads of toddlers. Opposite these poems, the narrator reads, with loving care, the verses about the real and imaginary playmates that warm youngsters' hearts. Now We Are Six reflects the growing complexity of a child's world. The narrator's voice is soft and vulnerable when reading of the innocent, inquisitive thoughts that preoccupy children, yet Kuralt speaks with a touch of exasperation when reading the poems depicting the young's struggle to understand the adult world. He does equally as well with Milne's stories. All the inhabitants of the Hundred Acre Wood are introduced and their humorous escapades chronicled in Winnie-the-Pooh. While portraying the characters, Kuralt's child-like tone reflects their goodness, innocence, and wee intellect. The House at Pooh Corner continues the adventures of Pooh and introduces the bouncing, pouncing, lovable Tigger. Besides the delight children will experience when listening to the light-hearted, captivating stories, young listeners will also identify with the universal hopes, fears, and wishes of the characters. Kuralt's deep, learned-sounding voice gives the narration a fatherly, comforting feel. Libraries will want to acquire these high quality productions.Mark P. Tierney, William B. Wade Elementary School, Waldorf, MD

From the Publisher

‘Winnie-the-Pooh has always been a very special (albeit funny old) bear, not least of all because his books are filled with wonderful words of wisdom.', Stylist magazine

Named one of Quentin Letts’ best books – The Week

‘… a tome to cherish now and pass down through the generations for years to come.’, The Independent

Product Details

BN ID: 2940191758169
Publisher: Spotify Audiobooks
Publication date: 07/30/2024
Series: Winnie-the-Pooh Series
Edition description: Unabridged
Age Range: 8 - 11 Years

Read an Excerpt

Solitude

 

  I have a house where I go

 

  When there’s too many people,

 

  I have a house where I go

 

  Where no one can be;

 

  I have a house where I go

 

  Where nobody ever says “No”;

 

  Where no one says anything—so

 

  There is no one but me.

 

   

 

King John’s Christmas

 

  King John was not a good man—

 

  He had his little ways.

 

  And sometimes no one spoke to him

 

  For days and days and days.

 

  And men who came across him,

 

  When walking in the town,

 

  Gave him a supercilious stare,

 

  Or passed with noses in the air—

 

  And bad King John stood dumbly there,

 

  Blushing beneath his crown.

 

   

  King John was not a good man,

 

  And no good friends had he.

 

  He stayed in every afternoon....

 

  But no one came to tea.

 

  And, round about December,

 

  The cards upon his shelf

 

  Which wished him lots of Christmas cheer,

 

  And fortune in the coming year,

 

  Were never from his near and dear,

 

  But only from himself.

 

   

  King John was not a good man.

 

  Yet had his hopes and fears.

 

  They’d given him no present now

 

  For years and years and years.

 

  But every year at Christmas,

 

  While minstrels stood about,

 

  Collecting tribute from the young

 

  For all the songs they might have sung,

 

  He stole away upstairs and hung

 

  A hopeful stocking out.

 

  King John was not a good man.

 

  He lived his life aloof;

 

  Alone he thought a message out

 

  While climbing up the roof.

 

  He wrote it down and propped it

 

  Against the chimney stack:

 

  “TO ALL AND SUNDRY—NEAR AND FAR—

 

  F. CHRISTMAS IN PARTICULAR.”

 

  And signed it not “Johannes R.”

 

  But very humbly, “JACK.”

 

   

  “I want some crackers,

 

  And I want some candy;

 

  I think a box of chocolates

 

  Would come in handy;

 

  I don’t mind oranges,

 

  I do like nuts!

 

  And I SHOULD like a pocketknife

 

  That really cuts.

 

  And, oh! Father Christmas, if you love me at all,

 

  Bring me a big, red, india rubber ball!”

 

  King John was not a good man—

 

  He wrote this message out,

 

  And got him to his room again,

 

  Descending by the spout.

 

  And all that night he lay there,

 

  A prey to hopes and fears.

 

  “I think that’s him a-coming now.”

 

  (Anxiety bedewed his brow.)

 

  “He’ll bring one present, anyhow—

 

  The first I’ve had for years.”

 

  “Forget about the crackers,

 

  And forget about the candy;

 

  I’m sure a box of chocolates

 

  Would never come in handy;

 

  I don’t like oranges,

 

  I don’t want nuts,

 

  And I HAVE got a pocketknife

 

  That almost cuts.

 

  But, oh! Father Christmas, if you love me at all,

 

  Bring me a big, red, india rubber ball!”

 

  King John was not a good man—

 

  Next morning when the sun

 

  Rose up to tell a waiting world

 

  That Christmas had begun,

 

  And people seized their stockings,

 

  And opened them with glee,

 

  And crackers, toys, and games appeared,

 

  And lips with sticky sweets were smeared,

 

  King John said grimly: “As I feared,

 

  Nothing again for me!”

 

   

  “I did want crackers,

 

  And I did want candy;

 

  I know a box of chocolates

 

  Would come in handy;

 

  I do love oranges,

 

  I did want nuts.

 

  I haven’t got a pocketknife—

 

  Not one that cuts.

 

  And, oh! If Father Christmas had loved me at all,

 

  He would have brought a big, red, india rubber ball!”

 

  King John stood by the window,

 

  And frowned to see below

 

  The happy bands of boys and girls

 

  All playing in the snow.

 

  A while he stood there watching,

 

  And envying them all...

 

  When through the window, big and red

 

  There hurtled by his royal head,

 

  And bounced and fell upon the bed,

 

  An india rubber ball!

 

  AND, OH, FATHER CHRISTMAS,

 

  MY BLESSINGS ON YOU FALL

 

  FOR BRINGING HIM

 

  A BIG, RED,

 

  INDIA RUBBER

 

  BALL!

 

   

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