The New York Times Book Review - Matthew Thomas
…an engrossing and remarkably mature first novel…Flournoy's prose is artful without being showy. She takes the time to flesh out the world…In her accretion of resonant details, Flournoy recounts the history of Detroit with more sensitivity than any textbook could…That Flournoy's main characters are black is central to this book, and yet her treatment of that essential fact is never essentializing. Flournoy gets at the universal through the patient observation of one family's particulars. In this assured and memorable novel, she provides the feeling of knowing a family from the inside out, as we would wish to know our own.
Publishers Weekly
★ 01/05/2015
Flounoy’s debut is a lively, thoroughly engaging family saga with a cast of fully realized characters. Francis and Viola Turner and their 13 children have lived in a house on Detroit’s East Side for more than 50 years. In its prime, Yarrow Street was a comfortable haven for black working-class homeowners. In 2008, after Detroit’s long economic depression, Francis has died and Viola is about to lose the house, the value of which has declined to less than the owed mortgage payments, and the siblings are faced with a difficult decision about the house’s fate. Flournoy focuses on three of the Turner siblings—Cha-Cha, the eldest son, who drove an 18-wheeler carrying Chryslers before an accident took him off the road; Troy, the youngest son, a policeman with an ambitious, illegal plan; and Lelah, the unstable youngest daughter, who has a gambling addiction. In addition to the pressing financial issue regarding their family home, the plot touches on the moral, emotional, marital, and psychological problems that affect the siblings. Flournoy evokes the intricacies of domestic situations and sibling relationships, depicting how each of the Turners’ lives has been shaped by the social history of their generation. She handles time and place with a veteran’s ease as the narrative swings between decades, at times leaping back to the 1940s. A family secret, which involves a “haint” (or ghost) who became Francis’s nemesis—perhaps real, perhaps just a superstition—appears many years later to haunt Cha-Cha. Readers may be reminded of Ayana Mathis’s The Twelve Tribes of Hattie, but Flournoy puts her own distinctive stamp on this absorbing narrative. (Apr.)
From the Publisher
"The Turner House speeds along like a page-turner. Flournoy’s richly wrought prose and intimate, vivid dialogue make this novel feel like settling deeply into the family armchair. A–." — Entertainment Weekly
"Flournoy's knockout debut is one of those books that should, by rights, be described as the Great American Novel.... The book tells the story of the 13 adult children of Francis and Viola Turner, who must decide what to do with their family house. The characters are fascinating and funny, and anyone who has played a role in the ecosystem of his family life will recognize the joys and challenges that plague the Turners. But perhaps the strongest character is Detroit itself, as it morphs from bustling modern metropolis to a potent symbol of post-industrial decline." — NPR
"An engrossing and remarkably mature first novel...Flournoy’s prose is artful without being showy. She takes the time to flesh out the world.... In her accretion of resonant details, Flournoy recounts the history of Detroit with more sensitivity than any textbook could.... Flournoy gets at the universal through the patient observation of one family’s particulars. In this assured and memorable novel, she provides the feeling of knowing a family from the inside out, as we would wish to know our own." — New York Times Book Review, Editor’s Choice
"Flournoy has written an epic that feels deeply personal.... Flournoy’s finely tuned empathy infuses her characters with a radiant humanity." — O, The Oprah Magazine
"An elegant and assured debut." — Washington Post
"Poignant and timely." — San Francisco Chronicle
"Flournoy’s National Book Award–nominated debut does an incredible job of bringing both a family and a city to vibrant, poignant life." — Buzzfeed, "The 24 Best Fiction Books of 2015"
"A sprawling family history that delves into the Detroit housing crisis and the potential legacies the past holds, Angela Flournoy's first novel will be remembered as the start of a brilliant career." — Bustle, "2015’s 25 Best Books, Fiction Edition"
"Epic, ambitious and strikingly executed, The Turner House is an impressive debut novel. In the grand tradition of family dramas by the late Bebe Moore Campbell, it is lively and entertaining, with subtle humor and engaging voice. Flournoy manages the difficult feat of skillfully telling the stories of 13 children, their parents and accompanying spouses and love interests in an irresistible style. Here we have a deeply satisfying portrayal of relationships among those to whom we, for better or worse, are related by blood." — The Root
"Nobody can take you from joyful to infuriated as fast as your brother or sister. Similarly, the ups and downs of the 13 siblings that populate The Turner House, the first novel by Angela Flournoy, whip from laugh-out-loud to heart-crushing. Still, she proves even bonds that have stretched a mile long have the ability to snap back." — Essence
"With The Turner House, Flournoy has written an utterly unsentimental love story that, rather like the house on Yarrow Street, manages to make room for everyone." — Christian Science Monitor
"A fierce and tender debut novel.... Angela Flournoy is the literary anthropologist of Detroit, not so different from the way a young Philip Roth was the literary anthropologist of Newark." — Paterson Fiction Prize Citation
Library Journal
11/15/2014
Debut novelist Flournoy limns the fate of African Americans who have seen their hard-won success in reaching the middle class in a single generation blown to bits by our continuing economic malaise. Viola and Frances Turner arrived in Detroit in 1944 as part of the Great Migration and bought a house in 1951, raising 13 children there. Now, ailing, widowed Viola must leave the house, which she discovers is worth a tenth of its mortgage. All her children converge, as past, present, and future collide.
MAY 2015 - AudioFile
Adenrele Ojo’s narration doesn’t help the listener navigate this sprawling tale of the Turner family, with its 13 children. Focused on Cha-Cha, the eldest, and Lelah, the youngest, the audiobook wends its way through time frames: 1958, when Cha first sees the haint; the present day, when the blighted neighborhood casts a shadow on the family home; and the 1940s, when Francis was part of the Great Migration that established the family in this once prosperous neighborhood. Incongruous pauses in Ojo’s narration and a huge cast of characters lacking distinctive voices challenge the listener’s enjoyment and comprehension. The dialogue, which is in dialect, would have been enhanced by the use of pacing, tone, and inflection to distinguish the speakers. N.E.M. © AudioFile 2015, Portland, Maine
Kirkus Reviews
2015-02-02
A complicated portrait of the modern American family emerges in Flournoy's debut novel.For the 13 Turner siblings, the house on Detroit's East Side isn't just their childhood home. It's also the crux of memories of their dead father and a link among 13 very different adults. But the house has built up debt, their ill mother, Viola, lives elsewhere, and a question hangs—what to do with the Yarrow Street house? As the children debate, the narrative divides into the perspectives of Lelah, Troy and Charlie "Cha Cha" Turner, interspersed with their father's flashbacks of surviving in gritty Detroit 60 years earlier. Cha-Cha, the oldest at 64, drives trucks for Chrysler and is recovering from an accident after a vision of a luminous ghost, which he'd last seen 40 years earlier at Yarrow, caused him to veer off the road. Meanwhile, Lelah has been evicted from her apartment due to a gambling addiction and takes up residence in the now-abandoned house. And Troy, a disillusioned policeman, wants to illegally short sell the house to his sometime girlfriend. As the story progresses, the siblings' dilemmas become increasingly knotty. Lelah's roulette addiction, evocatively described—"the chips looked like candy. Pastel, melt-away things that didn't make sense to save"—worsens; Cha-Cha is visited by the ghost, dredging up ugly childhood memories; and Troy tries to con Viola into selling the house. Flournoy ramps up the suspense until, one night, the three are all drawn to Yarrow Street, leading to a fight with intractable results. Flournoy's strength lies in her meticulous examination of each character's inner life. Lelah, who uses gambling as a balm for her fractured relationship with her daughter, is an especially sympathetic character—she seeks "proof that she could be cherished by someone, if only for a while." Flournoy's writing is precise and sharp, and despite several loose ends—Troy doesn't experience significant emotional change by the book's end, and the house's fate remains unclear—the novel draws readers to the Turner family almost magnetically. A talent to watch.