A Grief Observed
"I am grateful to Lewis for having the courage to yell, to doubt, to kick at God in angry violence. This is a part of a healthy grief which is not often encouraged." - Madeline L'Engle?

Written with love, humility, and faith, this brief but poignant volume was first published under a pseudonym, as it was considered too raw. Written moment-to-moment as Lewis processed the loss of his wife to cancer, this is more than a mere book on grief, but a visceral hand outstretched in the darkness, a reluctant guide through the "mad midnight moments" of mourning and loss. 

Key learnings that Lewis discusses are:

·       Pain is instrumental in the process of spiritual growth

·       Through hardship we often gain the best wisdom

·       Memories are treasures that will comfort you tomorrow

This work inspired the award-winning film The Shadowlands, starring Anthony Hopkins. Writing A Grief Observed as "a defense against total collapse, a safety valve," he came to recognize that "bereavement is a universal and integral part of our experience of love." A Grief Observed reminds us that, “Grief is like a long valley, a winding valley where any bend may reveal a totally new landscape.”  


1100616072
A Grief Observed
"I am grateful to Lewis for having the courage to yell, to doubt, to kick at God in angry violence. This is a part of a healthy grief which is not often encouraged." - Madeline L'Engle?

Written with love, humility, and faith, this brief but poignant volume was first published under a pseudonym, as it was considered too raw. Written moment-to-moment as Lewis processed the loss of his wife to cancer, this is more than a mere book on grief, but a visceral hand outstretched in the darkness, a reluctant guide through the "mad midnight moments" of mourning and loss. 

Key learnings that Lewis discusses are:

·       Pain is instrumental in the process of spiritual growth

·       Through hardship we often gain the best wisdom

·       Memories are treasures that will comfort you tomorrow

This work inspired the award-winning film The Shadowlands, starring Anthony Hopkins. Writing A Grief Observed as "a defense against total collapse, a safety valve," he came to recognize that "bereavement is a universal and integral part of our experience of love." A Grief Observed reminds us that, “Grief is like a long valley, a winding valley where any bend may reveal a totally new landscape.”  


18.99 In Stock
A Grief Observed

A Grief Observed

by C. S. Lewis
A Grief Observed

A Grief Observed

by C. S. Lewis

Hardcover(Reprint)

$18.99 
  • SHIP THIS ITEM
    Ships in 1-2 days
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

"I am grateful to Lewis for having the courage to yell, to doubt, to kick at God in angry violence. This is a part of a healthy grief which is not often encouraged." - Madeline L'Engle?

Written with love, humility, and faith, this brief but poignant volume was first published under a pseudonym, as it was considered too raw. Written moment-to-moment as Lewis processed the loss of his wife to cancer, this is more than a mere book on grief, but a visceral hand outstretched in the darkness, a reluctant guide through the "mad midnight moments" of mourning and loss. 

Key learnings that Lewis discusses are:

·       Pain is instrumental in the process of spiritual growth

·       Through hardship we often gain the best wisdom

·       Memories are treasures that will comfort you tomorrow

This work inspired the award-winning film The Shadowlands, starring Anthony Hopkins. Writing A Grief Observed as "a defense against total collapse, a safety valve," he came to recognize that "bereavement is a universal and integral part of our experience of love." A Grief Observed reminds us that, “Grief is like a long valley, a winding valley where any bend may reveal a totally new landscape.”  



Product Details

ISBN-13: 9780060652739
Publisher: HarperCollins
Publication date: 07/28/2009
Edition description: Reprint
Pages: 96
Sales rank: 62,314
Product dimensions: 7.52(w) x 5.26(h) x 0.51(d)
Age Range: 18 Years

About the Author

About The Author
Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics The Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and have been transformed into three major motion pictures.

Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.

Date of Birth:

November 29, 1898

Date of Death:

November 22, 1963

Place of Birth:

Belfast, Nothern Ireland

Place of Death:

Headington, England

Education:

Oxford University 1917-1923; Elected fellow of Magdalen College, Oxford in 1925

Read an Excerpt

A Grief Observed

Chapter One

No one ever told me that grief felt so like fear. I am not afraid, but the sensation is like being afraid. The same fluttering in the stomach, the same restlessness, the yawning. I keep on swallowing.

At other times it feels like being mildly drunk, or concussed. There is a sort of invisible blanket between the world and me. I find it hard to take in what anyone says. Or perhaps, hard to want to take it in. It is so uninteresting. Yet I want the others to be about me. I dread the moments when the house is empty. If only they would talk to one another and not to me.

There are moments, most unexpectedly, when something inside me tries to assure me that I don't really mind so much, not so very much, after all. Love is not the whole of a man's life. I was happy before I ever met H. I've plenty of what are called 'resources.' People get over these things. Come, I shan't do so badly. One is ashamed to listen to this voice but it seems for a little to be making out a good case. Then comes a sudden jab of red-hot memory — and all this 'commonsense' vanishes like an ant in the mouth of a furnace.

On the rebound one passes into tears and pathos. Maudlin tears. I almost prefer the moments of agony. These are at least clean and honest. But the bath of self-pity, the wallow, the loathsome sticky-sweet pleasure of indulging it — that disgusts me. And even while I'm doing it I know it leads me to misrepresent H. herself. Give that mood its head and in a few minutes I shall have substituted for the real woman a mere doll to be blubbered over. Thank God the memory of her is still too strong (will it always be too strong?)to let me get away with it.

For H. wasn't like that at all. Her mind was lithe and quick and muscular as a leopard. Passion, tenderness, and pain were all equally unable to disarm it. It scented the first whiff of cant or slush; then sprang, and knocked you over before you knew what was happening. How many bubbles of mine she pricked! I soon learned not to talk rot to her unless I did it for the sheer pleasure — and there's another red-hot jab — of being exposed and laughed at. I was never less silly than as H.'s lover.

And no one ever told me about the laziness of grief. Except at my job — where the machine seems to run on much as usual — I loathe the slightest effort. Not only writing but even reading a letter is too much. Even shaving. What does it matter now whether my cheek is rough or smooth? They say an unhappy man wants distractions — something to take him out of himself. Only as a dog-tired man wants an extra blanket on a cold night; he'd rather lie there shivering than get up and find one. It's easy to see why the lonely become untidy, finally, dirty and disgusting.

Meanwhile, where is God? This is one of the most disquieting symptoms. When you are happy, so happy that you have no sense of needing Him, so happy that you are tempted to feel His claims upon you as an interruption, if you remember yourself and turn to Him with gratitude and praise, you will be — or so it feels — welcomed with open arms. But go to Him when your need is desperate, when all other help is vain, and what do you find? A door slammed in your face, and a sound of bolting and double bolting on the inside. After that, silence. You may as well turn away. The longer you wait, the more emphatic the silence will become. There are no lights in the windows. It might be an empty house. Was it ever inhabited? It seemed so once. And that seeming was as strong as this. What can this mean? Why is He so present a commander in our time of prosperity and so very absent a help in time of trouble?

I tried to put some of these thoughts to C. this afternoon. He reminded me that the same thing seems to have happened to Christ: 'Why hast thou forsaken me?' I know. Does that make it easier to understand?

Not that I am (I think) in much danger of ceasing to believe in God. The real danger is of coming to believe such dreadful things about Him. The conclusion I dread is not 'So there's no God after all,' but 'So this is what God's really like. Deceive yourself no longer.'

Our elders submitted and said, 'Thy will be done.' How often had bitter resentment been stifled through sheer terror and an act of love — yes, in every sense, an act — put on to hide the operation?

Of course it's easy enough to say that God seems absent at our greatest need because He is absent — non-existent. But then why does He seem so present when, to put it quite frankly, we don't ask for Him?

One thing, however, marriage has done for me. I can never again believe that religion is manufactured out of our unconscious, starved desires and is a substitute for sex. For those few years H. and I feasted on love, every mode of it — solemn and merry, romantic and realistic, sometimes as dramatic as a thunderstorm, sometimes as comfortable and unemphatic as putting on your soft slippers. No cranny of heart or body remained unsatisfied. If God were a substitute for love we ought to have lost all interest in Him. Who'd bother about substitutes when he has the thing itself? But that isn't what happens. We both knew we wanted something besides one another — quite a different kind of something, a quite different kind of want...

A Grief Observed. Copyright (c) by C. Lewis . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

From the B&N Reads Blog

Customer Reviews