Robert Langdon is a Harvard professor of symbology who can't stay out of trouble. Last seen in Angels and Demons (2000), this mild-mannered academic finds himself entangled in a deadly conspiracy that stretches back centuries. Visiting Paris on business, he is awakened at 2:00 a.m. by a call from the police: An elderly curator has been murdered inside the Louvre, and a baffling cipher has been found near the body. Aided by the victim's cryptologist granddaughter, Langdon begins a danger-filled quest for the culprit; but the deeper he searches, the more he becomes convinced that long-festering conspiracies hold the answer to the art lover's death.
Brown keeps the pace fast, the puzzles that lead to the Grail are exceedingly clever, and there is a flurry of surprises and betrayals before the mystery is finally solved. Whatever the reader makes of the religious theories put forth, Brown has a great deal of interest to say about the early days of Christianity, the influence of pagan religions on it and the legend of the Grail. He says the revelations about Jesus — not to be revealed here — have been whispered about for centuries, but have never overcome the opposition of organized Christianity. How much of this is fact and how much is fiction? Read the book and make up your own mind.
— The Washington Post
A murder mystery set against a religious conspiracy theory involving Leonardo Da Vinci's paintings, Jesus, Mary Magdalene, their child and the Holy Grail, The Da Vinci Code mixes page-turning suspense with art history, architecture and religious history.
— USA Today
The Da Vinci Code is a dazzling performance by Brown, a delightful display of erudition. Though his mini-lectures sometimes hijack the narrative, they're necessary to keep us informed and occasionally permit us to try to unravel puzzles with Langdon and Neveu. Brown delivers a crackling, intricate mystery, complete with breathtaking escapes and several stunning surprises. It's challenging, exciting, and a whole lot more.
— The Boston Globe
… riddle-filled, code-breaking, exhilaratingly brainy.... In this gleefully erudite suspense novel, Mr. Brown takes the format he has been developing through three earlier novels and fine-tunes it to blockbuster perfection. Not since the advent of Harry Potter has an author so flagrantly delighted in leading readers on a breathless chase and coaxing them through hoops.
— The New York Times
A murder mystery set against a religious conspiracy theory involving Leonardo Da Vinci's paintings, Jesus, Mary Magdalene, their child and the Holy Grail, The Da Vinci Code mixes page-turning suspense with art history, architecture and religious history. — Ayesha Court
Brown keeps the pace fast, the puzzles that lead to the Grail are exceedingly clever, and there is a flurry of surprises and betrayals before the mystery is finally solved. Whatever the reader makes of the religious theories put forth, Brown has a great deal of interest to say about the early days of Christianity, the influence of pagan religions on it and the legend of the Grail. He says the revelations about Jesus — not to be revealed here — have been whispered about for centuries, but have never overcome the opposition of organized Christianity. How much of this is fact and how much is fiction? Read the book and make up your own mind. — Patrick Anderson
'The Da Vinci Code' is a dazzling performance by Brown, a delightful display of erudition. Though his mini-lectures sometimes hijack the narrative, they're necessary to keep us informed and occasionally permit us to try to unravel puzzles with Langdon and Neveu. Brown delivers a crackling, intricate mystery, complete with breathtaking escapes and several stunning surprises. It's challenging, exciting, and a whole lot more. — Jim Fusilli
What if Jesus Christ had a tryst with Mary Magdalene, and the interlude produced a child? Such a possibility-yielding a so-called royal bloodline-provides the framework for Brown's latest thriller (after Angels and Demons), an exhaustively researched page-turner about secret religious societies, ancient coverups and savage vengeance. The action kicks off in modern-day Paris with the murder of the Louvre's chief curator, whose body is found laid out in symbolic repose at the foot of the Mona Lisa. Seizing control of the case are Sophie Neveu, a lovely French police cryptologist, and Harvard symbol expert Robert Langdon, reprising his role from Brown's last book. The two find several puzzling codes at the murder scene, all of which form a treasure map to the fabled Holy Grail, where proof of the Jesus bloodline supposedly can be found. As their search moves from France to England, Neveu and Langdon are confounded by two mysterious groups-the legendary Priory of Sion, a nearly 1,000-year-old secret society whose members have included Botticelli and Isaac Newton, and the conservative Catholic organization Opus Dei. Both have their own reasons for wanting to ensure that the Grail isn't found. Brown sometimes ladles out too much religious history at the expense of pacing, and Langdon is a hero in desperate need of more chutzpah. Still, Brown has assembled a whopper of a plot that will please both conspiracy buffs and thriller addicts. (Mar. 18) Copyright 2003 Cahners Business Information.
Robert Langdon, the Harvard symbologist from Brown's Angels and Demons, is back in this amazing sequel. In Paris for a lecture, Langdon is summoned in the middle of the night to meet the head of the French police at the Louvre. The museum's curator has been found dead in a secure section of the gallery, with a message by his body leading to a baffling series of clues hidden in the works of Leonardo da Vinci. In addition, the curator left a specific message to find Langdon. While the police think Langdon is their culprit, he teams up with a French cryptologist to uncover the truth about the hidden messages. The answers lead to discovery of a shocking historical fact, and certain people will do anything to keep it a secret. Brown solidifies his reputation as one of the most skilled thriller writers on the planet with his best book yet, a compelling blend of history and page-turning suspense. This masterpiece should be mandatory reading. Highly recommended for all public libraries. [Previewed in Prepub Alert, LJ 11/1/02.]-Jeff Ayers, Seattle P.L.
...riddle-filled, code-breaking, exhilaratingly brainy.... In this gleefully erudite suspense novel, Mr. Brown takes the format he has been developing through three earlier novels and fine-tunes it to blockbuster perfection. Not since the advent of Harry Potter has an author so flagrantly delighted in leading readers on a breathless chase and coaxing them through hoops. Janet Maslin
Nominated as one of America’s best-loved novels by PBS’s The Great American Read
"Read the book and be enlightened." —The Washington Post Book World
“Blockbuster perfection.... A gleefully erudite suspense novel.” —The New York Times
“A pulse-quickening, brain-teasing adventure.” —People
“Thriller writing doesn’t get any better than this.” —The Denver Post
"Dan Brown has to be one of the best, smartest, and most accomplished writers in the country. THE DA VINCI CODE is many notches above the intelligent thriller; this is pure genius."
—NELSON DeMILLE, #1 New York Times bestselling author
"Intrigue and menace mingle in one of the finest mysteries I’ve ever read. An amazing tale with enigma piled on secrets stacked on riddles."
—CLIVE CUSSLER, #1 New York Times bestseller
"Dan Brown is my new must-read. THE DA VINCI CODE is fascinating and absorbing — perfect for history buffs, conspiracy nuts, puzzle lovers or anyone who appreciates a great, riveting story. I loved this book."
—HARLAN COBEN, New York Times bestselling author of Tell No One
"The Da Vinci Code sets the hook-of-all-hooks, and takes off down a road that is as eye-opening as it is page-turning. You simply cannot put this book down. Thriller readers everywhere will soon realize Dan Brown is a master."
—VINCE FLYNN, New York Times bestselling author of Separation of Power
"I would never have believed that this is my kind of thriller, but I'm going to tell you something—the more I read, the more I had to read. In The Da Vinci Code, Dan Brown has built a world that is rich in fascinating detail, and I could not get enough of it. Mr. Brown, I am your fan."
—ROBERT CRAIS, New York Times bestselling author of Hostage
THE DA VINCI CODE is chock-full of ancient rumors, historical facts, mysterious characters, and modern plots and counterplots. It’s thought-provoking and fun and could easily be the downfall of an unwary narrator. Paul Michael handles it all with aplomb. His varied pacing and clear phrasing enliven the wealth of historical information that protagonist Robert Langdon imparts in conversation and clarify the complexity of signs, symbols, and secret codes that abound. In addition, the main characters--French, English, and American--are distinct and believable creations. The husky French-accented voice that Michael gives to Sophie Neveu is particularly noteworthy. A diverting listen that will leave you wanting more. A.C.S. © AudioFile 2003, Portland, Maine
