Some authors fit the stereotype of artists toiling at their craft in silence. Others just can’t keep their pens to themselves, stirring up trouble by tossing their opinions around on every subject under the sun. Both groups produce some amazing work, but boy is it a lot more fun to read about the second. Nothing […]
The Golden Age is the concluding volume in Gore Vidal's celebrated and bestselling Narratives of Empire series-a unique pageant of the national experience from the United States' entry into World War Two to the end of the Korean War.
The historical novel is once again in vogue, and Gore Vidal stands as its undisputed American master. In his six previous narratives of the American empire-Burr, Lincoln, 1876, Empire, Hollywood, and Washington, D.C.-he has created a fictional portrait of our nation from its founding that is unmatched in our literature for its scope, intimacy, political intelligence, and eloquence. Each has been a major bestseller, and some have stirred controversy for their decidedly ironic and unillusioned view of the realities of American power and of the men and women who have exercised that power.
The Golden Age is Vidal's crowning achievement, a vibrant tapestry of American political and cultural life from 1939 to 1954, when the epochal events of World War Two and the Cold War transformed America, once and for all, for good or ill, from a republic into an empire. The sharp-eyed and sympathetic witnesses to these events are Caroline Sanford, Washington, D.C., newspaper publisher turned Hollywood pioneer producer-star, and Peter Sanford, her nephew and publisher of the independent intellectual journal The American Idea. They experience at first hand the masterful maneuvers of Franklin Roosevelt to bring a reluctant nation into World War Two, and later, the actions of Harry Truman that commit the nation to a decades-long twilight struggle against Communism-developments they regard with a marked skepticism, even though they end in an American global empire. The locus of these events is Washington, D.C., yet the Hollywood film industry and the cultural centers of New York also play significant parts. In addition to presidents, the actual characters who appear so vividly in the pages of The Golden Age include Eleanor Roosevelt, Harry Hopkins, Wendell Willkie, William Randolph Hearst, Dean Acheson, Tennessee Williams, Joseph Alsop, Dawn Powell-and Gore Vidal himself.
The Golden Age offers up United States history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that will also change readers' understanding of American history and power.
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The historical novel is once again in vogue, and Gore Vidal stands as its undisputed American master. In his six previous narratives of the American empire-Burr, Lincoln, 1876, Empire, Hollywood, and Washington, D.C.-he has created a fictional portrait of our nation from its founding that is unmatched in our literature for its scope, intimacy, political intelligence, and eloquence. Each has been a major bestseller, and some have stirred controversy for their decidedly ironic and unillusioned view of the realities of American power and of the men and women who have exercised that power.
The Golden Age is Vidal's crowning achievement, a vibrant tapestry of American political and cultural life from 1939 to 1954, when the epochal events of World War Two and the Cold War transformed America, once and for all, for good or ill, from a republic into an empire. The sharp-eyed and sympathetic witnesses to these events are Caroline Sanford, Washington, D.C., newspaper publisher turned Hollywood pioneer producer-star, and Peter Sanford, her nephew and publisher of the independent intellectual journal The American Idea. They experience at first hand the masterful maneuvers of Franklin Roosevelt to bring a reluctant nation into World War Two, and later, the actions of Harry Truman that commit the nation to a decades-long twilight struggle against Communism-developments they regard with a marked skepticism, even though they end in an American global empire. The locus of these events is Washington, D.C., yet the Hollywood film industry and the cultural centers of New York also play significant parts. In addition to presidents, the actual characters who appear so vividly in the pages of The Golden Age include Eleanor Roosevelt, Harry Hopkins, Wendell Willkie, William Randolph Hearst, Dean Acheson, Tennessee Williams, Joseph Alsop, Dawn Powell-and Gore Vidal himself.
The Golden Age offers up United States history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that will also change readers' understanding of American history and power.
The Golden Age (Abridged)
The Golden Age is the concluding volume in Gore Vidal's celebrated and bestselling Narratives of Empire series-a unique pageant of the national experience from the United States' entry into World War Two to the end of the Korean War.
The historical novel is once again in vogue, and Gore Vidal stands as its undisputed American master. In his six previous narratives of the American empire-Burr, Lincoln, 1876, Empire, Hollywood, and Washington, D.C.-he has created a fictional portrait of our nation from its founding that is unmatched in our literature for its scope, intimacy, political intelligence, and eloquence. Each has been a major bestseller, and some have stirred controversy for their decidedly ironic and unillusioned view of the realities of American power and of the men and women who have exercised that power.
The Golden Age is Vidal's crowning achievement, a vibrant tapestry of American political and cultural life from 1939 to 1954, when the epochal events of World War Two and the Cold War transformed America, once and for all, for good or ill, from a republic into an empire. The sharp-eyed and sympathetic witnesses to these events are Caroline Sanford, Washington, D.C., newspaper publisher turned Hollywood pioneer producer-star, and Peter Sanford, her nephew and publisher of the independent intellectual journal The American Idea. They experience at first hand the masterful maneuvers of Franklin Roosevelt to bring a reluctant nation into World War Two, and later, the actions of Harry Truman that commit the nation to a decades-long twilight struggle against Communism-developments they regard with a marked skepticism, even though they end in an American global empire. The locus of these events is Washington, D.C., yet the Hollywood film industry and the cultural centers of New York also play significant parts. In addition to presidents, the actual characters who appear so vividly in the pages of The Golden Age include Eleanor Roosevelt, Harry Hopkins, Wendell Willkie, William Randolph Hearst, Dean Acheson, Tennessee Williams, Joseph Alsop, Dawn Powell-and Gore Vidal himself.
The Golden Age offers up United States history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that will also change readers' understanding of American history and power.
The historical novel is once again in vogue, and Gore Vidal stands as its undisputed American master. In his six previous narratives of the American empire-Burr, Lincoln, 1876, Empire, Hollywood, and Washington, D.C.-he has created a fictional portrait of our nation from its founding that is unmatched in our literature for its scope, intimacy, political intelligence, and eloquence. Each has been a major bestseller, and some have stirred controversy for their decidedly ironic and unillusioned view of the realities of American power and of the men and women who have exercised that power.
The Golden Age is Vidal's crowning achievement, a vibrant tapestry of American political and cultural life from 1939 to 1954, when the epochal events of World War Two and the Cold War transformed America, once and for all, for good or ill, from a republic into an empire. The sharp-eyed and sympathetic witnesses to these events are Caroline Sanford, Washington, D.C., newspaper publisher turned Hollywood pioneer producer-star, and Peter Sanford, her nephew and publisher of the independent intellectual journal The American Idea. They experience at first hand the masterful maneuvers of Franklin Roosevelt to bring a reluctant nation into World War Two, and later, the actions of Harry Truman that commit the nation to a decades-long twilight struggle against Communism-developments they regard with a marked skepticism, even though they end in an American global empire. The locus of these events is Washington, D.C., yet the Hollywood film industry and the cultural centers of New York also play significant parts. In addition to presidents, the actual characters who appear so vividly in the pages of The Golden Age include Eleanor Roosevelt, Harry Hopkins, Wendell Willkie, William Randolph Hearst, Dean Acheson, Tennessee Williams, Joseph Alsop, Dawn Powell-and Gore Vidal himself.
The Golden Age offers up United States history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that will also change readers' understanding of American history and power.
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Product Details
BN ID: | 2940169495607 |
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Publisher: | Penguin Random House |
Publication date: | 09/19/2000 |
Edition description: | Abridged |
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