Prolific essayist, novelist (Burr et al.), screenwriter (Suddenly, Last Summer), playwright (The Best Man), and sometime political candidate Vidal quotes the definition of palimpsest as " `a parchment which has been written upon twice; the original having been rubbed out.' " This particular memoir of his first 39 years (1926-65), says Vidal, has "many rubbings-out and puttings-in," which may explain its many-layered nature and the bare nod to chronology, with flashbacks and flashforwards and curious juxtapositions of friend and foe. In it he blithely skewers both family and friends (or ex-friends)-particularly his alcoholic mother, the Auchinclosses, John and Jackie Kennedy, Anas Nin and other literati, and too many more to recount-with nasty revelations. But Vidal is still a stylish writer, and those not put off by the mean-spiritedness of these self-serving memoirs and fascinated by the literary, political, and entertainment worlds of the 1940s, 1950s, and 1960s may want to read this. [Previewed in Prepub Alert, LJ 6/1/95; BOMC and Quality Paperback selections; New Yorker serial, Oct. 2.]-Francine Fialkoff, "Library Journal"

Vidal employs his characteristic wit and the gift for turning an elegant story in a candid memoir of the first 40 years of his life. His story comes complete with a difficult family, talented friends, and interesting enemies. The cast includes Tennessee Williams, the Kennedys, Eleanor Roosevelt, Truman Capote, Joanne Woodward, Jane and Paul Bowles, and Anais Nin, among others. B&w photos. Annotation c. Book News, Inc., Portland, OR (booknews.com)

As host of the crowded cocktail party that is his memoir, Gore Vidal is mostly on his best behavior. He seldom scandalizes his guests and rarely flings a martini into anyone’s face. Courtly but gossipy, chummy but not overfamiliar, he proudly points out all the notables he has managed to attract to his soirée. . . . Vidal is a first-rate essayist, one of America’s finest.”
—Time

“This is Vidal at his most devastating, connoisseurs of which will find enough in Palimpsest to satisfy if not fully slake their thirst.”
—The Washington Post

“The book is the product of a mind fully immersed in both the frivolities and sinister undercurrents of its era. Best of all, it keeps readers conscious of how much the past is an ever-evolving, often illusory product of the present. . . . Vidal’s portraits of fellow writers find him at his wittiest.”
—The Atlanta Journal-Constitution

“Among the writers of his midcentury vintage, Gore Vidal stands apart. . . . [An] entertaining, gossipy memoir.”
—The Boston Globe

“As absolutely everyone with a taste for literary candy has no doubt already discovered . . . Palimpsest is a trick-or-treater’s El Dorado. . . . While his own life may not fascinate him . . . treating it as history certainly does. Nothing engages his imagination like telling the truth.”
—The Village Voice

“Invigoratingly high-plumed cynicism . . . I knew Vidal would have me frowning and nodding and smiling and smirking—with admiration, with exasperation, with scandalized dissent. I never dreamed Vidal would have me wiping my eyes, and staring wanly out the window, and emitting strange sighs (many of them frail and elderly in timbre).”
—Martin Amis, The Sunday Times (London)

“Provocative . . . it is autobiography at its best. . . . Loaded with vintage Gore . . . here he lays himself bare, tells us as much about himself as he does about those friends and enemies who have populated his early work. Vidal’s take on twentieth-century history is remarkable—and right up close.”
—Minneapolis Star-Tribune

“Witty, literate, perceptive, didactic; in short, vintage Vidal. . . . Always entertaining, in so erudite a way.”
—The Detroit News

“Reveals the intellectual pugilist in a different light. . . . Here is a man who has known much of the literary and political history of the twentieth century through personal experience, who has strong opinions about politics and the arts and who can articulate his ideas without falling into the traps of ideology and party lines.”
—San Francisco Chronicle

“In this memoir, Vidal takes a great risk. He sets aside his public persona and opens his heart, allowing us to see a rare vulnerability. . . . While Vidal’s writing is consistently entertaining, it is the meeting of brittle, worldly humor with a tender teenage love story that lifts Palimpsest above the level of gossip to an emotionally fulfilling experience.”
—Milwaukee Journal Sentinel

“True to the rhythms of real life. . . . Palimpsest is the story of a rich life, and an ode to loss. . . . A bittersweet backward glance.”
—The Virginian-Pilot

“The first chapters here are recalled with a rapture which matches some of the great literary memoirs of childhood, such as Nabokov’s Speak, Memory.”
—Financial Times