Cress Watercress

Cress Watercress

by Gregory Maguire

Narrated by Suzy Jackson

Unabridged — 3 hours, 52 minutes

Cress Watercress

Cress Watercress

by Gregory Maguire

Narrated by Suzy Jackson

Unabridged — 3 hours, 52 minutes

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Overview

"Did a fox get Papa?"
Cress Watercress is a rabbit. Home means a warren on the riverbank with Mama and Papa and baby Kip. Meals at dawn and dusk, and honey-ginger tea to help the baby with his breathing.
When Papa doesn't return from a nocturnal honey-gathering expedition, Mama assumes the worst-after all, it's a dangerous world for a rabbit. Though Cress begs to stay-what if Papa comes home and doesn't know where they've gone?-
Mama moves the family to the basement apartment of the Broken Arms, a rundown apartment tree with a menacing owl landlord, a nosy mouse super, a rowdy family of squirrels, and a pair of songbirds who broadcast everybody's business.
Could a dead tree full of annoying neighbors-and no Papa-ever be home?
With his trademark wit, whimsy, and wisdom, Gregory Maguire-best-selling author of Wicked-tells a tale of growing up and moving on in the tradition of The Wind in the Willows and Stuart Little.

Editorial Reviews

Publishers Weekly

★ 01/31/2022

Maguire (Egg and Spoon) interweaves familiar elements of the animal story—a cozy family, a treacherous woodland, mourning, and growing pains—into a surreal episodic narrative. Grieving the loss of Papa Watercress, who “went out and didn’t come back,” rabbit child Cress, her little brother Kip, and their mother abandon their warren for new digs in “an apartment tree” known as the Broken Arms, where landlord Mr. Owl demands rent paid in moths. Upstairs are superintendent mice, boisterous squirrels, and songbirds alert for predators such as legendary snake “the Final Drainpipe” and fox Monsieur Reynard. Maguire channels multiple children’s literary golden ages, with allusions to Beatrix Potter and Kenneth Grahame alongside nonsense notes of Norton Juster and Russell Hoban. Theatrical situations abound, as from conniving skunk Lady Agatha Cabbage—who wants to gain Cress as a “housemaid”—and her scene-stealing live-chinchilla stole. Super-saturated panels by Litchfield (The Bear and the Piano), which resemble backlit stained glass, picture the forest and its denizens in glowing hues and shadowy black. Suitable for sharing and reading aloud, this exuberant tale revels in the performative and the flavor of language. Ages 8–12. Author’s agent: Moses Cardona, John Hawkins and Assoc. Illustrator’s agent: Anne Moore Armstrong, Bright Agency. (Mar.)

From the Publisher

David Litchfield’s luminous illustrations beautifully flesh out these characters. . . Maguire’s descriptions of [Cress’s] dark moods, bursts of anger and fear that she will end up like her father are piercing and sensitively written. . . . the story strikes a resonant chord: Like Cress, we must all continue to seek pleasure and connections in a dangerous and uncertain world.
—The New York Times Book Review

Maguire’s narrative offers wry puns, rich vocabulary, and entertaining dialogue, and Litchfield’s glowing, slightly stylized, full-color illustrations present an enchanting, magical peek into this woodland world. . . . Warmhearted and utterly charming.
—Kirkus Reviews (starred review)

In this richly imagined woodland adventure, a grieving rabbit family—Mama, Cress, and baby Kip (with stuffed carrot “Rotty” always in tow)—must leave their comfortable warren to start over without their lost Papa. . . . Dark and shimmery full-color digital illustrations build on the text’s singular atmosphere. . . . With its brisk plot, witty details, and thought-provoking concepts, this gloriously illustrated chapter book makes an ideal family read-aloud.
—The Horn Book (starred review)

A hungry fox, a sneaky snake, a blundering bear, and “human beanpoles” add drama and suspense to Cress’ mini adventures, which are luminously depicted in Litchfield’s color illustrations. . . this novel of family and friendship will please fans of animal fantasies.
—Booklist

A surreal episodic narrative. . . . Maguire channels multiple children’s literary golden ages, with allusions to Beatrix Potter and Kenneth Grahame alongside nonsense notes of Norton Juster and Russell Hoban. Theatrical situations abound. . . . Suitable for sharing and reading aloud, this exuberant tale revels in the performative and the flavor of language.
—Publishers Weekly (starred review)

This coming-of-age story with a female rabbit as the main character will appeal to readers who enjoy gentle adventure stories with an emphasis on character development. . . . Themes of family, friends, relationships, and independence abound in this novel.
—School Library Connection

David Litchfield’s illustrations (see right) have such bright, glowing colors that even the nocturnal scenes seem bathed in light.
—The Wall Street Journal

‘Wicked’ creator Gregory Maguire offers a marvelously eccentric cast of animal characters and vivid poetry celebrating the wonders of the natural world in this beautifully written coming-of-age tale of a young rabbit. . . The glorious full-color illustrations, with the dramatic use of light reminiscent of the best movie animated classics, are by English artist David Litchfield.
—The Buffalo News

Charming. . . There's plenty to chew on here, with Cress' story never preachy but sure to resonate in all kinds of ways with young readers. David Litchfield's illustrations — many full-page — glow with the colors of the forest and the faces of its critters.
—The Star Tribune

The book is rife with similes and metaphors, and the chapters are short, which makes it a wonderful read-aloud. It is a tale of moving on, while remembering the past.
—The Denton-Record Chronicle

Who knew that rabbits and squirrels had so much to teach us about both the hard and tender times of life? Gregory Maguire, that’s who. Cress Watercress is a clear-eyed lesson in picking up and moving forward, living with unanswered questions, and making new friends. I will recommend this beautifully written (and perfectly illustrated!) book to everyone.
—Ann Patchett, New York Times best-selling author of The Dutch House

School Library Journal

★ 04/29/2022

Gr 3–7—When Maguire (Wicked) and illustrator Litchfield merge their creative geniuses, a spectacular woodland adventure full of quirky animal characters emerges. Cress, the "teenage" bunny of the family, along with Mama, and baby brother Kip (with his ever in tow, stuffed carrot Rotty), are sad to leave their warren without their beloved missing Papa. They arrive at Mr. Owl's rotten tree, "The Broken Arms," and attempt to start over in a tiny basement flat. The woodland setting is visually stunning, with Litchfield's enchanting full-color illustrations, bringing the motley crew of animal characters to life. There's Lady Agatha Cabbage, the snooty chinchilla-wearing skunk and Tunk the Honeybear, and they must always watch out for "Final Drainpipe," the snake. Maguire is a master of telling a fast-moving adventure full of wry humor, with memorable multidimensional characters to cheer both for and against. Young Cress encounters heart-stopping dangers and adventures, while the creative duo of Maguire and Litchfield weave symbolism and beautiful imagery throughout the text. Cress will appeal to most readers, who will be able to identify with that awkward in-between time during one's youth when they are wishing for independence from their family, while still very much needing them for comfort. VERDICT Reminiscent of Winnie the Pooh and The Wind in the Willows, this makes a scrumptious read-aloud or standalone story that will be beloved for years to come.—Michele Shaw

Kirkus Reviews

★ 2021-12-24
A young bunny copes with the death of her father and the move to a new home.

Mama moves her children, Cress and baby brother Kip, one spring evening as the moon is in the sky. Their new home is in a dead, hollow oak tree called the Broken Arms; its ramshackle state reminds Cress of the Watercress family’s loss. Natural dangers, including, most saliently, a snake nicknamed the Final Drainpipe and Monsieur Reynard the fox, feel more immediate here. As they settle in, there’s a perfect seasoning of domesticity, adventure, and contained peril, as on the day Cress and Finian, from a neighboring squirrel family, are swept over a waterfall on a raft. Cress confronts—and charms—Tunk the Honeybear with aplomb, but then she and Finny are briefly held captive by an arrogant, pretentious skunk. Maguire’s narrative offers wry puns, rich vocabulary, and entertaining dialogue, and Litchfield’s glowing, slightly stylized, full-color illustrations present an enchanting, magical peek into this woodland world. Cress’ personality is nicely realized as a child on the cusp of growing up as she deals with sorrow, crankily takes responsibility for Kip, and argues with her mother (who, like Little Women’s Marmee, puts her own anger in check to step up for her children). The anthropomorphized world feels true to itself and to the animal natures inhabiting it.

Warmhearted and utterly charming. (Animal fantasy. 7-11)

Product Details

BN ID: 2940178603116
Publisher: Recorded Books, LLC
Publication date: 03/29/2022
Edition description: Unabridged
Age Range: 8 - 11 Years

Read an Excerpt

1
The Bare Windows of Home
 
Mama yanked down her homemade drapes and stuffed them into the carryall. The windows stared squarely out into the newness of how things were now. Mama said, “I think it is time.” She pulled her apron strings tighter. She didn’t look at her children. “Is everyone ready?”
   Cress shrugged. Her mouth was dry, her words locked silent.
   “You’ll need to carry him, Cress,” said Mama. “I have my arms full. Can you manage?”
   Kip was disagreeable, all sour milk on salty soap.
   “NO GO.”
   “Don’t fuss,” said Mama. “This is hard enough. Be a good little bunny for Mama.”
   Kip threw himself in the middle of the empty warren. Gone now, the rag carpet that had made the floor soft. When Kip kicked, he hurt his feet. He cried harder.
   Mama put down the map, the parcels tied in string, the carryall, the valise full of carrots. She picked up her little Kip. Since the rocking chair was gone, too, she rocked on her heels.
   “Why won’t you settle down, cuddles?” asked Mama. “I don’t know what to do with you.”
   “He wants his stuffed carrot,” said Cress.
   “Want ROTTY,” said Kip.
   “I must have packed it and sent it ahead,” said Mama.
   “No,” said Cress. “It’s stuck in the hood of his onesie. Look, Kip! Here’s your carrot.”
   “ROTTY,” said Kip. There were more tears, and from more than one pair of eyes.
   “And now we’re ready,” said Mama. Kip went into the snuggly. Cress grabbed Mama’s paw and held on tight.
   They left their home for the last time. No one bothered to lock the door or to look back at nobody waving goodbye.
 
2
Dinner by Moonlight
 
The setting sun was a lumpy clementine in a net bag of string clouds. The air, so cool and damp. A few birds moaned in falling tones. “Where are we going?” asked Cress.
   “You’ll see when we get there,” said Mama crisply.
   Cress knew that was the end of talking for now.
   Kip, sucking on the tip of his stuffed carrot, fell silent. But Cress thought she heard him murmur, “Papa?”
   She couldn’t bring herself  to say, “No Papa,” so she said, “Look, Kip. There’s a little broken circle in the sky. Mama, is that the moon?”
   “You’ve seen the moon before,” said Mama. “You know the moon.”
   “I don’t remember,” said Cress. “You never let me go out at night.”
   They didn’t talk any more. The grass looked like dinner and then it tasted like dinner. Dinner by moonlight, thought Cress. Papa would love this.
   Papa would have loved this.
 
3
Where We’re Going
 
Mama had lost her map.
   On the other side of the water, the ducks slept. They were too far away to wake up for directions.
   Nearby, thorny branches tangled, a dark sword fight profiled against cliffs of silvery moon-cloud.
   The family froze when Monsieur Reynard came by with a mouthful of hen, but his jaws were busy. He couldn’t bother with Mama and her children tonight.
   “We made it,” said Cress as they hurried by, trying not to stare.
   “Just luck,” said Mama. “The fox had already chosen his meal.”
   “Do you think we should have helped that poor hen?” asked Cress.
   “She was too dead, I’m afraid,” replied Mama.
   “Oh.” Cress thought about it. “Did a fox get Papa?”
   “Hush your lips!” Mama glanced at the baby. But Kip was asleep, dreaming of dipping carrots in honey.
   Mama put her paw on Cress’s shoulder. “We may never know what happened to Papa,” she said. “But here we are, and the forest is home to more than one fox. So we must take care. If only I hadn’t lost the map.”
   “Do you know where we’re going?” asked Cress.
   “Of course I know where we’re going.” Mama paused to stroke her whiskers and look around. “I just don’t know the way.”
 
4
Agatha Cabbage
 
I wish I knew what I did with the map,” said Mama for the third time that night.
   Cress said, “You left it on the floor when you were cuddling Kip.”
   “Why didn’t you pick it up if you saw it lying there?” asked Mama.
   “I wasn’t in charge of the map,” said Cress. “I can’t be in charge of everything. I have the towels and the teaspoons. Not to mention Kip on my back.” Cress didn’t add that she had been too close to tears to speak.
   “You should have pointed out that I dropped it.” Mama tutted. Cress readied for a sound scolding. However, just then, a figure crossed their path in the moonlight, striping the horizon with black and white.
   “Oh, my pearls and pistols. What do we have here? Humble country folk out for an evening stroll?” asked a lady skunk, peering through a lorgnette. “And far from home, by the look of your shabby luggage.”
   “Good evening, madame,” said Mama.
   “The little ones are out late,” said the skunk. “I disapprove.”
   “Oh, do you?” asked Mama blandly. “Well, it can’t be helped tonight.”
   “Not how I’d raise children, if I had any,” replied the skunk. “But don’t let me keep you. I’m off to the opera. Notice my lorgnette. Notice my chinchilla.”
   Wrapped around the skunk’s neck, the chinchilla shyly lifted her head and murmured, “Howdy-do.”
   “Lady Agatha Cabbage is my name,” said the skunk. She squinted through her eyepiece at Cress. “My, what a charming little girl you are. Little frou-frou, little bunnykins, would you like to become my lady’s maid? My last maid ran off. Useless. It’s so hard to keep good help. Do come, child. I need help.”
   Cress was pretty brave but no way, no way. She pouted.
   “Oh, she couldn’t possibly,” said her mother.
   Lady Cabbage frowned and said, “I would give her sound training in manners, something you haven’t managed to do yet.”
   Cress pressed her face into her mother’s apron strings and held her breath.
   “She’s getting an education already,” said Cress’s mother. “She is homeschooled. Very well, I might add.”
   Lady Cabbage sniffed. “What could you possibly teach her at home school?”
   “What home is,” said her mother. She glanced about. “And where.”
   The skunk pushed the point. “But where is your home?”
   “We were looking for a certain Mr. Owl who is said to have rooms to let,” admitted Mama. “But we’ve lost our way.”
   “Mr. Owl? I know where that old crankcase lives,” said the skunk. “I can show you. There are some nasty spiderwebs on the path. I suppose the opera can wait.”
   “You’re too kind,” said Cress’s mother to Lady Cabbage.
   The chinchilla twisted her head and whispered to Cress, “She’s not that kind. She doesn’t even like opera. She just likes to dress up and parade about.”
   “By the way,” said Cress’s mother, “a word to the wise. We just saw a fox go by with a mouthful of hen.”
   “I am scared of no fox,” replied the skunk. “I have a powerful cologne that drives predators wild. You’ll be safe with me. Come along.”
   “Just don’t get on her stinky side,” whispered the chinchilla.

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