Doll Bones

Doll Bones

by Holly Black

Narrated by Nick Podehl

Unabridged — 5 hours, 11 minutes

Doll Bones

Doll Bones

by Holly Black

Narrated by Nick Podehl

Unabridged — 5 hours, 11 minutes

Audiobook (Digital)

$18.00
FREE With a B&N Audiobooks Subscription | Cancel Anytime
$0.00

Free with a B&N Audiobooks Subscription | Cancel Anytime

START FREE TRIAL

Already Subscribed? 

Sign in to Your BN.com Account


Listen on the free Barnes & Noble NOOK app


Related collections and offers

FREE

with a B&N Audiobooks Subscription

Or Pay $18.00

Overview

A doll that may be haunted leads three friends on a thrilling adventure in this delightfully creepy novel from the New York Times bestselling cocreator of the Spiderwick Chronicles.

Zach, Poppy, and Alice have been friends forever. And for almost as long, they've been playing one continuous, ever-changing game of pirates and thieves, mermaids and warriors. Ruling over all is the Great Queen, a bone-china doll cursing those who displease her. But they are in middle school now. Zach's father pushes him to give up make-believe, and Zach quits the game. Their friendship might be over, until Poppy declares she's been having dreams about the Queen-and the ghost of a girl who will not rest until the bone-china doll is buried in her empty grave.

Zach and Alice and Poppy set off on one last adventure to lay the Queen's ghost to rest. But nothing goes according to plan, and as their adventure turns into an epic journey, creepy things begin to happen. Is the doll just a doll or something more sinister? And if there really is a ghost, will it let them go now that it has them in its clutches?

Editorial Reviews

The Washington Post - Mary Quattlebaum

…a compelling, chill-at-the-nape tale with dynamics and emotional depth reminiscent of the fraught, funny coming-of-age film Stand by Me…The novel's eerie vibe and eek-worthy plot may keep readers turning pages into the wee hours, but it's the vivid characters and skillfully developed themes of identity, friendship and loss that linger long in the mind…

The New York Times Book Review - Lauren Oliver

…for the 10-to-12-year-old reader, dreaming of boys while still cuddling a teddy bear at night, or privately wishing to revert to the simplicity of childhood while enjoying the sensation of growing up, Doll Bones may be perfect. And if at times there is an uneasy tension between narrative elements, that's probably due to the book's ambitions: tackling themes of familial loss, the disintegration of friendships, the disillusionments of age and what it means to believe, this story is—despite its emphasis on adventure and a strong narrative that propels the book forward—the opposite of fluff. It's a deep, strange and compelling book, at times lovely, at other times heartbreaking and deliciously weird.

Publishers Weekly - Audio

When Zach’s father insists that the games he—and friends Poppy and Alice—play with dolls must end, the three friends refuse to let their imaginations die. Instead, they set out on an epic adventure involving a china doll that just might be made from the bones of a murdered girl. And along the way, they discover that there could be more to what was once a simple backyard game. Narrator Nick Podehl delivers a fun-filled reading that will delight this audiobook’s young-adult target audience. Podhel delivery is simple, his pacing steady, and his performance one that skillfully captures all the action of this imaginative tale. Ages 10-14. A Margaret K. McElderry paperback. (May)

Publishers Weekly

Zach plays with dolls. Never mind that they’re action figures, heroes in a wild, improvisational saga he acts out with friends Poppy and Alice. Never mind that he’s a solid student and rising basketball star. Zach is 12, and his father has decided this must stop. While Zach’s at school, the dolls go to the dump, and Zach is left with only rage. He quits the game, but Alice and Poppy haul him out for one more quest: a bus trip to lay to rest the Queen, a bone china doll that Poppy swears is made from the bones of a murdered girl. Another crazy quest from Poppy’s fertile brain? Or could this ghost story be real? The wonderfully eerie doll, the realism of the kids’ improbable logic, and the ache underlying every character’s actions create as much a state of existential anxiety as narrative tension. Black captures the adolescent sense that things are about to explode before they get explained. And it’s a darn good adventure, too. Ages 10–14. Author’s agent: Barry Goldblatt, Barry Goldblatt Literary. Illustrator’s agent: Jennifer Rofé, Andrea Brown Literary Agency. (May)

Library Media Connection

Hand this book to any middle schooler and they will immediately relate to that tween feeling of moving from childhood to adolescence.

The Washington Post

"Compelling, chill-at-the-nape tale with dynamics and emotional depth... The novel’s eerie vibe and eek-worthy plot may keep readers turning pages into the wee hours, but it’s the vivid characters and skillfully developed themes of identity, friendship and loss that linger long in the mind."

The Wall Street Journal

"[An] eerie, tender novel".

Horn Book

"Black poignantly and realistically captures how adolescence inherently brings change; how growing up affects the ways children play; and the inevitable tests friendships face."

Shelf Awareness, starred review - Jennifer M. Brown

"It's as psychologically haunting as the ghost girl's physical haunting....Black begins with an ordinary experience of childhood and gives it a wicked twist to reveal the truth at the center of the impulse for storytelling."

Rebecca Stead

"A little bit scary and full of heart, this story grabbed me and wouldn't let go."

starred review Booklist

"Tightly focused, realistic tale—bladed with a hint of fairy-tale darkness.... Stories about the importance of stories...don’t come much more forthright and affecting than this one."

Jeff Kinney

"Nobody does spooky like Holly Black. Doll Bones is a book that will make you sleep with the lights on."

Lauren Oliver

"For the 10-12 year-old reader...Doll Bones may be perfect....It’s a deep, strange and compelling book, at times lovely, at times heartbreaking and deliciously weird.

starred review BCCB

*"Black manages a careful balancing act of reality and fantasy, using the effectively creepy ghost story as the backdrop to a poignant exploration of what is lost along the way to adulthood...Keenly felt."

starred review School Library Journal

*"This novel is a chilling ghost story, a gripping adventure, and a heartwarming look at the often-painful pull of adulthood."

From the Publisher

"A little bit scary and full of heart, this story grabbed me and wouldn't let go."

"Nobody does spooky like Holly Black. Doll Bones is a book that will make you sleep with the lights on."

"Tightly focused, realistic tale—bladed with a hint of fairy-tale darkness.... Stories about the importance of stories...don’t come much more forthright and affecting than this one."

"Every encounter redraws the blurry lines between childishness and maturity, truth and lies, secrecy and honesty, magic and madness. Spooky, melancholy, elegiac and ultimately hopeful; a small gem."

*"A darn good adventure."

"It's as psychologically haunting as the ghost girl's physical haunting....Black begins with an ordinary experience of childhood and gives it a wicked twist to reveal the truth at the center of the impulse for storytelling."

"For the 10-12 year-old reader...Doll Bones may be perfect....It’s a deep, strange and compelling book, at times lovely, at times heartbreaking and deliciously.”

"[An] eerie, tender novel".

JULY 2013 - AudioFile

Urged on by the ghost of a girl whose ashes are hidden inside a porcelain doll, fantasy role players and best friends Zack, Poppy, and Alice embark on a real-life quest from Pennsylvania to Ohio to give the doll a proper burial. Nick Podehl demonstrates a remarkable ability to mimic the range of emotions in middle schoolers—from Zack’s heartbreak and anger when his dad throws out his action figures to Poppy’s unwavering and bossy determination. Podehl also captures Alice’s metamorphosis from fear and anxiety to resolve. The spookiness of the story is heightened by the matter-of-fact tone of the adults when they refer to the kids’ doll as a live person. M.F.T. © AudioFile 2013, Portland, Maine

Kirkus Reviews

A middle-grade fantasy dons the cloak of a creepy ghost tale to deliver bittersweet meditations on the nature of friendship, the price of growing up and the power of storytelling. The lifelong friendship of Zach, Poppy and Alice revolves around their joint creation, an epic role-playing saga of pirates and perils, queens and quests. But now they are 12, and their interests are changing along with their bodies; when Zach's father trashes his action figures and commands him to "grow up," Zach abruptly quits the game. Poppy begs him to join her and Alice on one last adventure: a road trip to bring peace to the ghost possessing her antique porcelain doll. As they travel by bus and boat (with a fateful stop at the public library), the ghost seems to take charge of their journey--and the distinctions between fantasy and reality, between play and obligation, begin to dissolve....Veteran Black packs both heft and depth into a deceptively simple (and convincingly uncanny) narrative. From Zach's bitter relationship with his father to Anna's chafing at her overprotective grandmother to Poppy's resignation with her ramshackle relations, Black skillfully sketches their varied backgrounds and unique contributions to their relationship. A few rich metaphors--rivers, pottery, breath--are woven throughout the story, as every encounter redraws the blurry lines between childishness and maturity, truth and lies, secrecy and honesty, magic and madness. Spooky, melancholy, elegiac and ultimately hopeful; a small gem. (Fantasy. 10-14)

Product Details

BN ID: 2940170312917
Publisher: Penguin Random House
Publication date: 05/07/2013
Edition description: Unabridged
Age Range: 8 - 11 Years

Read an Excerpt

Doll Bones
CHAPTER ONE

POPPY SET DOWN ONE OF THE MERMAID DOLLS CLOSE to the stretch of asphalt road that represented the Blackest Sea. They were old—bought from Goodwill—with big shiny heads, different-colored tails, and frizzy hair.

Zachary Barlow could almost imagine their fins lashing back and forth as they waited for the boat to get closer, their silly plastic smiles hiding their lethal intentions. They’d crash the ship against the shallows if they could, lure the crew into the sea, and eat the pirates with their jagged teeth.

Zachary rummaged through his bag of action figures. He pulled out the pirate with the two cutlasses and placed him gently at the center of the boat-shaped paper they’d weighed down with driveway gravel. Without gravel, the Neptune’s Pearl was likely to blow away in the early autumn wind. He could almost believe he wasn’t on the scrubby lawn in front of Poppy’s ramshackle house with the sagging siding, but aboard a real ship, with salt spray stinging his face, on his way to adventure.

“We’re going to have to lash ourselves to the mast,” Zach said, as William the Blade, captain of the Neptune’s Pearl. Zach had a different way of speaking for each of his figures. He wasn’t sure that anyone but him could tell his voices apart, but he felt different when he talked in them.

Alice’s braids spilled in front of her amber eyes as she moved a G.I. Joe Lady Jaye figure closer to the center of the boat. Lady Jaye was a thief who’d begun traveling with William the Blade after she’d been unsuccessful in picking his pocket. She was loud and wild, almost nothing like Alice, who chafed under the thumb of her overprotective grandmother, but did it quietly.

“You think the Duke’s guards will be waiting for us in Silverfall?” Alice made Lady Jaye ask.

“He might catch us,” said Zach, grinning at her. “But he’ll never hold us. Nothing will. We’re on a mission for the Great Queen and we won’t be stopped.” He hadn’t expected to say those words until they came out of his mouth, but they felt right. They felt like William’s true thoughts.

That was why Zach loved playing: those moments where it seemed like he was accessing some other world, one that felt real as anything. It was something he never wanted to give up. He’d rather go on playing like this forever, no matter how old they got, although he didn’t see how that was possible. It was already hard sometimes.

Poppy tucked windblown strands of red hair behind her ears and regarded Zach and Alice very seriously. She was tiny and fierce, with freckles thick enough to remind Zach of the stars at night. She liked nothing better than being in charge of the story and had a sense of how to make a moment dramatic. That was why she was the best at playing villains.

“You can knot ropes to keep you safe, but no boat can pass through these waters unless a sacrifice is given to the deep,” Poppy made one of the mermaids say. “Willingly or unwillingly. If one of your crew doesn’t leap into the sea, the sea will choose her own sacrifice. That’s the mermaid’s curse.”

Alice and Zach exchanged a look. Were the mermaids telling the truth? Really, Poppy wasn’t supposed to make up rules like that—ones that no one else had agreed to—but Zach objected only when he didn’t like them. A curse seemed like it could be fun.

“We’ll all go down together before we lose a single member of this crew,” he fake-shouted in William’s voice. “We’re on a mission for the Great Queen, and we fear her curse more than yours.”

“But just then,” said Poppy ominously, moving one of the mermaids to the edge of the ship, “webbed fingers grab Lady Jaye’s ankle, and the mermaid pulls her over the side of the boat. She’s gone.”

“You can’t do that!” Alice said. “I was lashed to the mast.”

“You didn’t specify that you were,” Poppy told her. “William suggested it, but you didn’t say whether or not you did it.”

Alice groaned, as though Poppy was being especially annoying. Which she kind of was. “Well, Lady Jaye was in the middle of the boat. Even if she wasn’t lashed, a mermaid couldn’t get to her without crawling on board.”

“If Lady Jaye gets pulled over the side, I’m going after her,” Zach said, plunging William into the gravel water. “I meant it when I said no one gets left behind.”

“I didn’t get pulled over the side,” Alice insisted.

As they continued arguing two of Poppy’s brothers walked out of the house, letting the screen door slam behind them. They looked over and started to snicker. The older of the two, Tom, pointed directly at Zach and said something under his breath. His younger brother laughed.

Zach felt his face heat. He didn’t think they knew anyone at his middle school, but still. If any of his teammates found out that, at twelve, he was still playing with action figures, basketball would become a lot less fun. School could get bad too.

“Ignore them,” Poppy declared loudly. “They’re jerks.”

“All we were going to say is that Alice’s grandma called,” Tom said, his face a parody of hangdog innocence. He and Nate had the same tomato-red hair as their sister, but they weren’t much like her in any other way that Zach could see. They, along with their eldest sister, were always in trouble—fighting, cutting school, smoking, and other stuff. The Bell kids were considered hoodlums in town and, Poppy aside, they seemed intent on doing what they could to uphold that reputation. “Old lady Magnaye says that you need to be home before dark and for us to be sure to tell you not to forget or make excuses. She seems rough, Alice.” The words were supposed to be nice, but you could tell from the sickly sweet way Tom talked that he wasn’t being nice at all.

Alice stood up and brushed off her skirt. The orange glow of the setting sun bronzed her skin and turned her glossy box braids metallic. Her eyes narrowed. Her expression wavered between flustered and angry. Boys had been hassling her ever since she’d hit ten, gotten curves, and started looking a lot older than she was. Zach hated the way Tom talked to her, like he was making fun of her without really saying anything bad, but he never knew what to say to stop it either.

“Leave off,” Zach told them.

The Bell boys laughed. Tom mimicked Zach, making his voice high-pitched. “Leave off. Don’t talk to my girlfriend.”

“Yeah, leave off,” Nate squeaked. “Or I’ll beat you up with my doll.”

Alice started toward the Bell house, head down.

Great, Zach thought. As usual, he’d made it worse.

“Don’t go yet,” Poppy called to Alice, ignoring her brothers. “Call home and just see if you can spend the night.”

“I better not,” Alice said. “I’ve just got to get my backpack from inside.”

“Wait up,” Zach said, grabbing Lady Jaye. He headed for the screen door and got there just as it shut in his face. “You forgot—”

The inside of Poppy’s house was always a mess. Discarded clothes, half-empty cups, and sports equipment covered most surfaces. Her parents seemed to have given up on the house around the same time they gave up on trying to enforce any rules about dinners and bedtimes and fighting—around Poppy’s eighth birthday, when one of her brothers threw her cake with its still-lit birthday candles at her older sister. Now there were no more birthday parties. There weren’t even family meals, just boxes of macaroni and cheese, cans of ravioli, and tins of sardines in the pantry so that the kids could feed themselves long before their parents came home from work and fell, exhausted, into their bed.

Zach felt envious every time he thought of that kind of freedom, and Alice loved it even more than he did. She spent as many nights there as her grandmother allowed. Poppy’s parents didn’t seem to notice, which worked out pretty perfectly.

He opened the screen door and went inside.

Alice was standing in front of the dusty, old, locked display cabinet in the corner of the Bell living room, peering in at all the things Poppy’s mother had forbidden Poppy, on pain of death and possible dismemberment, from touching. That was where the doll they called the Great Queen of all their kingdoms was trapped, next to a blown-glass vase from Savers that had turned out to be vintage something-or-other. The Queen had been picked up by Poppy’s mother at a tag sale, and she insisted that one day she was going to go on Antiques Roadshow, sell it, and move them all to Tahiti.

The Queen was a bone china doll of a child with straw-gold curls and paper-white skin. Her eyes were closed, lashes a flaxen fringe against her cheek. She wore a long gown, the thin fabric dotted with something black that might be mold. Zach couldn’t remember when exactly they’d decided that she was the Great Queen, only that they’d all felt like she was watching them, even though her eyes were closed, and that Poppy’s sister had been terrified of her.

From the B&N Reads Blog

Customer Reviews