Narrator Andrew Wincott delivers on all accounts as he performs this satire of contemporary America and the UK. Set in an alternative world some 50 years after a variety of mammals (and a couple of insects) underwent a “spontaneous anthropomorphizing event,” this audiobook is a clever and astute look at racial prejudice, fear of immigrants, and the effects of a bullying national leadership. Wincott’s spot-on characterizations are full of personality. Two contrasting examples are Peter Knox, a human who has risen from unquestioning civil servant to unlikely civil rights advocate, and the fear-mongering Senior Group Leader, Mr. Ffoxe, a sentient orange fox who looks for legal loopholes and demands loyalty. An absurd premise and an abundance of humor provide relief from darker truths. C.B.L. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
“Playful, biting, and timely, this is a must-read.”-Publishers Weekly, starred review
England, 2022. There are 1.2 million human-size rabbits living in the UK.
They can walk, talk, and drive cars, the result of an inexplicable Spontaneous Anthropomorphizing Event fifty-five years earlier.
A family of rabbits is about to move into Much Hemlock, a cozy little village where life revolves around summer fetes, jam making, gossipy corner stores, and the oh-so-important Spick & Span awards for the best-kept village.
Citing imaginary threats of overbreeding and a radical vegan agenda, the villagers decide the rabbits must go, and soon. But the Rabbit family aren't easily moved-and strike up an unlikely alliance with neighbor Peter Knox, who knew Mrs. Rabbit three decades earlier at university.
With the ruling United Kingdom Anti-Rabbit Party's plans to forcibly rehome all rabbits to Wales, Peter finds himself drawn deeper into the Rabbit Way, and is about to question everything he has ever thought about his friends, his nation, and his species.
Sometimes, it'll take a rabbit to teach a human about humanity . . .
“Playful, biting, and timely, this is a must-read.”-Publishers Weekly, starred review
England, 2022. There are 1.2 million human-size rabbits living in the UK.
They can walk, talk, and drive cars, the result of an inexplicable Spontaneous Anthropomorphizing Event fifty-five years earlier.
A family of rabbits is about to move into Much Hemlock, a cozy little village where life revolves around summer fetes, jam making, gossipy corner stores, and the oh-so-important Spick & Span awards for the best-kept village.
Citing imaginary threats of overbreeding and a radical vegan agenda, the villagers decide the rabbits must go, and soon. But the Rabbit family aren't easily moved-and strike up an unlikely alliance with neighbor Peter Knox, who knew Mrs. Rabbit three decades earlier at university.
With the ruling United Kingdom Anti-Rabbit Party's plans to forcibly rehome all rabbits to Wales, Peter finds himself drawn deeper into the Rabbit Way, and is about to question everything he has ever thought about his friends, his nation, and his species.
Sometimes, it'll take a rabbit to teach a human about humanity . . .
![The Constant Rabbit: A Novel](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.12.6)
The Constant Rabbit: A Novel
Narrated by Andrew Wincott
Jasper FfordeUnabridged — 12 hours, 26 minutes
![The Constant Rabbit: A Novel](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.12.6)
The Constant Rabbit: A Novel
Narrated by Andrew Wincott
Jasper FfordeUnabridged — 12 hours, 26 minutes
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Overview
“Playful, biting, and timely, this is a must-read.”-Publishers Weekly, starred review
England, 2022. There are 1.2 million human-size rabbits living in the UK.
They can walk, talk, and drive cars, the result of an inexplicable Spontaneous Anthropomorphizing Event fifty-five years earlier.
A family of rabbits is about to move into Much Hemlock, a cozy little village where life revolves around summer fetes, jam making, gossipy corner stores, and the oh-so-important Spick & Span awards for the best-kept village.
Citing imaginary threats of overbreeding and a radical vegan agenda, the villagers decide the rabbits must go, and soon. But the Rabbit family aren't easily moved-and strike up an unlikely alliance with neighbor Peter Knox, who knew Mrs. Rabbit three decades earlier at university.
With the ruling United Kingdom Anti-Rabbit Party's plans to forcibly rehome all rabbits to Wales, Peter finds himself drawn deeper into the Rabbit Way, and is about to question everything he has ever thought about his friends, his nation, and his species.
Sometimes, it'll take a rabbit to teach a human about humanity . . .
Editorial Reviews
★ 07/27/2020
Fforde (Early Riser) invokes John le Carré, George Orwell, and Beatrix Potter in this tongue-in-cheek political satire of systemic injustice, bureaucratic corruption, and human foibles. Peter Knox, one of the rare humans who can differentiate between individual humanoid rabbits created in the Spontaneous Anthropomorphising Event of 1965, works as a spotter in the English village of Much Hemlock. In this role, Peter secretly identifies rabbits for the United Kingdom Anti-Rabbit Party’s Rabbit Compliance Taskforce. But when Peter’s university crush, Connie, a rabbit herself, moves in next door right when the Taskforce is cooking up a plan to rehome the rabbits in a work camp, Peter falls into a tangled web of seduction, espionage, and betrayal as he’s torn between his career and a chance to do the right thing. Amid a rapid-fire barrage of literary allusions, Fforde displays his signature quick wit on a furious tour through modern British right-wing politics. Playful, biting, and timely, this is a must-read. Agent: Will Francis, Janklow & Nesbit Assoc. (Oct.)
"Fforde invokes John le Carré, George Orwell, and Beatrix Potter in this tongue-in-cheek political satire of systemic injustice, bureaucratic corruption, and human foibles. . . . Amid a rapid-fire barrage of literary allusions, Fforde displays his signature quick wit on a furious tour through modern British right-wing politics. Playful, biting, and timely, this is a must-read."
—Publishers Weekly (starred review)
"A political satire cloaked in Fforde’s trademark bizarre whimsy, the novel reads like a crazed cross between Watership Down and Nineteen Eighty-Four."
—Eric Brown, The Guardian
"Wonderfully absurd. . . . Is there anyone who can write satire quite like Fforde? . . . Brilliant. . . . An astonishingly well-crafted work of social and political satire."
—Kirkus Reviews (starred review)
"For all its parallels to real-world issues (race, immigration, vegan fundamentalism), The Constant Rabbit feels a bit more Bojack Horseman than Planet of the Apes, and it’s nowhere near as heavy-hoofed as Animal Farm. It’s a dystopia, but a cute one.”
—The Philadelphia Inquirer
"The Constant Rabbit is designed to shake readers out of that complacency: to recognise that merely holding liberal values is not enough to prevent the quickening advance of racism and xenophobia in this country. One must act."
—Financial Times
"A serious minded comedy."
―Mail on Sunday
"Sheer inventiveness, wit, complexity, erudition, unexpectedness and originality."
―The Times (UK)
"The Constant Rabbit is Jasper Fforde’s most chilling and realistic book yet. . . . Fun and slightly bonkers. . . . Fforde’s love of wordplay, cultural references and silliness shines through in every sentence."
—Elizabeth Flux, The Guardian
"Jasper Fforde’s entertaining, surprisingly thoughtful yet fleet-footed new book—a standalone novel with a climax so dramatic, irrevocable, perfect yet unpredictable that it seems impossible to extend the book to a series—is the comedic master’s foray into this thematic realm. It is, as one might expect, by turns droll and hilarious, poignant and cruel, hopeful and despairing. In other words, a true comedy in depth, a form that is not mere mindless japes and slapstick, but one which counsels us that if we don’t laugh, we must cry."
—Locus
"This standalone novel from the author of the Thursday Next series is set in England, circa 2022, a country filled with over a million walking, talking, literate, car-driving, human-sized rabbits. The humans have gone so far as to vote the Anti-Rabbit Party into power, but their furry neighbors won’t go down without a fight."
—Gizmodo
"Fforde's engaging writing has created a story that is a clever blend of the biting allegorical satire we expect from Orwell's greatest hits and the good-natured adventures of Michael Bond's naïve and kind-hearted Paddington Bear."
―SciFi Now
"Huge fun . . . with all the inventive wordplay, impeccable worldbuilding and fiendish plotting that Fforde's 'Constant Readers' have come to expect."
―SFX
"As he did in Early Riser (2019), Fforde presents a milquetoast cog in an absurdly bureaucratic wheel, this time cleverly skewering Brexit, conservative politics, and white supremacy in this surprisingly uplifting tale of one man doing his best, even if it is the bare minimum."
—Booklist
"Fuelled by Fforde's trademark wit, imagination and brilliantly bizarre world-building. . . . You won't read anything quite like this in 2020—or beyond that too."
—CultureFly
"Wrapped in the author’s trademark sense of wry humor and sarcastic wit."
—Library Journal
08/01/2020
The Spontaneous Anthropomorphic Event of 1965 results in an England where six-foot-tall intelligent rabbits can be one's friends and neighbors. Or could be if it weren't for all of the anti-Rabbit sentiment, phobia, and persecution that Rabbits face in everyday life. Peter Knox, human, casually lepirophobic, and employed by the Rabbit Control Board that criminalizes and subjugates Rabbits, confronts his own prejudices when his old college friend Constance Rabbit moves in next door with her family and her connections to the Rabbit Underground. Forced to finally choose a side, Peter discovers that Rabbits are more intelligent, compassionate, and downright human than anyone he's ever met. Meanwhile, the Rabbit community decides that, in fact, they are much too good for humans, who are not nearly ready to be rehabilitated. This title, like last year's Early Riser, makes one huge change in order to comment on contemporary life, particularly racial relations, and to examine how easily average people can be led to accept the unacceptable and enable the worst but loudest members of society. The message can be a bit heavy-handed but is still wrapped in the author's trademark sense of wry humor and sarcastic wit. VERDICT Recommended for readers who have already fallen in love with this author, and libraries where his works are popular.—Marlene Harris, Reading Reality, LLC, Duluth, GA
Narrator Andrew Wincott delivers on all accounts as he performs this satire of contemporary America and the UK. Set in an alternative world some 50 years after a variety of mammals (and a couple of insects) underwent a “spontaneous anthropomorphizing event,” this audiobook is a clever and astute look at racial prejudice, fear of immigrants, and the effects of a bullying national leadership. Wincott’s spot-on characterizations are full of personality. Two contrasting examples are Peter Knox, a human who has risen from unquestioning civil servant to unlikely civil rights advocate, and the fear-mongering Senior Group Leader, Mr. Ffoxe, a sentient orange fox who looks for legal loopholes and demands loyalty. An absurd premise and an abundance of humor provide relief from darker truths. C.B.L. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
★ 2020-06-17
Rabbits, foxes, weasels, and other creatures live as humans, among humans in Fforde’s wonderfully absurd new novel.
Fifty-five years ago, the Spontaneous Anthropormorphizing Event resulted in 18 rabbits, “six weasels, five guinea pigs, three foxes, a Dalmatian, a badger, nine bees and a caterpillar” inexplicably becoming, well, anthropomorphized. As time went on, the animals continued to reproduce—especially the rabbits—causing a bit of a political crisis for humans, who are loathe to extend human rights to human-adjacent creatures. Rabbits in particular are subject to cruelty and suspicion because of their rapid reproductive rate, causing political parties like the United Kingdom Anti-Rabbit Party and hate groups like TwoLegsGood (because humans, unlike animals, have two legs, get it?) to rise to immense power. Racism as we know it still exists in this world, as does Brexit. Indeed, "the consequences of the Event seemed to highlight areas of the human social experience that perhaps needed greater exploration, understanding and some kind of concerted action...although once a fringe idea, the notion that the event might have been satirically induced was gaining wider acceptance.” And is there anyone who can write satire quite like Fforde? Perhaps the sharpest, most searing aspect of this brilliant satire is the choice of Peter Knox as narrator. An unassuming human who thinks himself a well-meaning cog in a regrettably evil machine, Knox finds himself at the very center of the rabbit resistance. Not only must he make the choice to atone for the part he has played in the violent government organization RabCoT (Rabbit Compliance Taskforce) and put himself in danger for a greater good, but he learns to embrace a supporting role in a struggle that is not about him at all.
An astonishingly well-crafted work of social and political satire.
Product Details
BN ID: | 2940177393506 |
---|---|
Publisher: | Penguin Random House |
Publication date: | 09/29/2020 |
Edition description: | Unabridged |
Read an Excerpt
Speed Librarying
Somebody once said that the library is actually the dominant life form on the planet. Humans simply exist as the reproductive means to achieve more libraries.
'Still on the Westerns, Baroness Thatcher?' I asked, moving slowly down the line of volunteers who were standing at readiness outside our library, a smallish mock-mock-Tudor building in the middle of Much Hemlock, itself more or less in the middle of the county of Hereford, which in turn was pretty much in the middle of the UK.
Much Hemlock was, in pretty much every meaning of the word, middling.
'Westerns are the best when they're not really Westerns at all,' said Baroness Thatcher, 'like when more akin to the Greek Epics. True Grit, for example.'
'Shane is more my kind of thing,' said Stanley Baldwin, who I think fancied himself as a softly spoken man of understated power and influence. Winston Churchill opined they were both wrong and that The Ox-Bow Incident was far better with its generally positive themes of extrajudicial violence. Neville Chamberlain tried to keep the peace and find some middle ground on the issue while David Lloyd George simply sat there in quiet repose, mentally preparing for the adrenaline-fuelled six minutes of Speed Librarying that lay before us.
Perhaps I should explain. The UKARP Government's much-vaunted Rural Library Strategic Group Vision Action Group had kept libraries open as per their election manifesto, but reduced the librarian staffing levels in Herefordshire to a single, solitary example working on greatly reduced hours - which meant that each of the county's twelve libraries could be open for precisely six minutes every two weeks.
And this is where my hand-picked team of faux politicians entered the picture. Using a mixture of careful planning, swiftness of foot, a robust understanding of the Dewey Decimal Book Categorisation System and with strict adherence to procedure, we could facilitate a fortnight's worth of returns, loans, reserves and extensions in the three hundred and sixty seconds available to us. It was known to all and sundry as a Buchblitz.
My name is Peter Knox, but for the next six minutes I'll be your John Major.
'Ready, Stanley?' I asked Mr Baldwin, who oversaw returns and reservations but was actually retired Wing Commander Slocombe, a former RAF officer who famously lost an ear while ejecting out of a Hawker Hunter over Aden. Remarkably, a solitary ear was retrieved from the wreckage of the aircraft and reattached. Even more remarkably, it wasn't his.
'Three times ready, Team Leader.'
'Mr Major?' asked Mrs Griswold, who usually ran the Much Hemlock village shop, post office, gossip exchange and pub combined. 'I can't remember if I'm Winston Churchill or David Lloyd George.'
'You're David Lloyd George,' I said. 'You select the books from the shelves to be given to Mr Chamberlain, who takes them to the counter and to Mrs Thatcher, who offers them up to the Sole Librarian to be stamped. It's really very simple.'
'Right,' said Mrs Griswold, 'David Lloyd George. Got it.'
I had devised an Emergency Code system for Speed Librarying, and Mrs Griswold was definitely a Code 3-20: 'Someone who village diplomacy dictated should be on the Blitzer team, but was, nonetheless, useless'. Sadly, no one but myself knew what a 3-20 was, as the system hadn't reached the levels of awareness I thought it deserved - a state of affairs that had its own code, a 5-12: 'Lack of enthusiasm over correct procedures'.
The church clock signalled 10.45 and the chatter gave way to an expectant hush. We had seen the Sole Librarian rummaging around prior to the opening, and while she would permit us to reshelf, log reservations and even use the card index, her stamps were sacrosanct: hers and hers alone. Because of this it was Mrs Thatcher's responsibility to ensure that books and library cards were placed before the Sole Librarian so that her stamping time was most effectively spent. The steady rhythm of rubber on paper was the litmus test of an efficient Blitz.
Speed Librarying was also fast becoming a spectator sport - no TV rights offers yet, sadly, but there was usually a group of local onlookers at every Blitz, eager to offer us moral support and ensure that tea and seedcake and a rub-down with a towel would be forthcoming once the Blitz was over. Not all onlookers were so helpful. Norman and Victor Mallett were the de facto elders of the village, and dominated every committee from Parish Council to Steeple Fund to coordinating Much Hemlock's entry in the All Herefordshire Spick & Span Village Awards. They were not themselves huge fans of libraries, regarding them as 'just one more pointless drain on the nation's resources'.
They had turned up ostensibly to support the current Neville Chamberlain, who happened also to be Victor Mallett's wife, to complain bitterly about anything that contravened their narrow worldview - and for Norman to take possession of his reserved copy of The Glory and Triumph of the British Colonial System Illustrated.
At two minutes to opening Mr Churchill - in charge of extensions, audiobooks and swapping tired periodicals for slightly less tired periodicals - indicated she needed a toilet break and would be unlikely to return within fifteen minutes. This was unfortunate but not a fatal blow, as Mr Beeton, a long-standing friend and next-door neighbour, was my all-parts understudy.
'Can you do Churchill?' I asked.
'We shall never surrender,' said Mr Beeton with a grin before coughing a deep, rattly cough.
'Are you sure?' said Stanley Baldwin to me in a low voice. 'He doesn't look very well to me.'
'Mr Beeton is the picture of good health,' I said in a hopeful manner with little basis in reality: Mr Beeton had so many ailments that he was less of an elderly resident and more of a walking medical conundrum, the only two ailments which he had not suffered in his long life being tennis elbow and death.
So Mr Beeton-now-Winston Churchill dutifully took his place behind a wheelbarrow containing forty-six neatly stacked books all carefully sorted by shelf order for ease of return. I nodded to David Lloyd George to acknowledge the last-minute change in the team and she nodded in return as we saw the Sole Librarian approach the front door of the library and then check her watch to make sure she didn't open a second too early.
This was, in fact, crucial. There were two Herefordshire Library Opening Times Compliance Officers in attendance armed with clipboards and stopwatches, the pair funded at great expense by the Rural Library Strategic Group Vision Action Group, which now employed just under four thousand people, coincidentally the exact same number as the librarians whose continued employment had been deemed incompatible with UKARP's manifesto pledge.
I checked my watch.
'Little hand says it's time to rock and roll.'
The Sole Librarian threw the lock and the door swung open. We moved in with military-style precision, Winston Churchill pushing before him the wheelbarrow of books to be returned while Maggie Thatcher started the stopwatch.
'Good morning,' I said to the Sole Librarian.
'Good morning, Mr Major,' she returned in a sing-song tone. 'Will we hit our target today?'
'As easy as negotiating Maastricht,' I replied, trying to exude confidence when secretly I felt we would manage returns and loans, but fall short of our renewal and reserves target. The team swiftly moved to their allotted places: Mr Churchill, Mrs Thatcher and Stanley Baldwin went straight to the front desk and presented the books to the Sole Librarian. Within a few seconds a steady thump-thump-thump filled the air, demonstrating that work was very much in progress.
At the same time, David Lloyd George and Neville Chamberlain went rapidly down the aisles transferring the pre-ordered picks to a trolley ready to be brought to the front desk once the returns, extensions and reservations were completed - and once that was done,
Mr Baldwin could reshelve the returned books, assisted by Neville Chamberlain.
'Time check,' I called.
'Ninety seconds gone, Mr Major,' replied Mrs Thatcher.
All seemed to be going well until the Sole Librarian's stamping abruptly ceased, suggesting a clog in the system, and Neville Chamberlain simultaneously announced that she couldn't find a copy of Wind, Sand and Stars.
'Try Aviation, three-eight-seven,' said the Sole Librarian, her deep knowledge of Dewey classification coming to the fore.
While Neville was dealing with the potential mis-shelving of Antoine de Saint-ExupŽry, I went to see what the logjam was with returns. The problem was a Code 2-76: Mrs Dibley had kept her copy of Henry Ford and Other Positive Role Models for Disaffected Youth for eighteen weeks longer than the permitted time, and the Sole Librarian was filling out a form for an overdue fine.
'This lady was clearly not for returning,' said Mrs Thatcher, indicating the overdue book. I grimaced. The Blitz would be tight, but so far the situation was not irredeemable.
'How is it going with Wind, Sand and Stars, Mr Chamberlain?' I called towards the shelves as David Lloyd George pushed the trolley full of picked loans towards the front desk.
'I have in my hand this piece of paper,' replied Neville Chamberlain triumphantly, holding aloft the book.
The Sole Librarian shifted from returns to loans, and moved on to the rhythmic thump-thump, thump-thump of the 'double tap', one on the library card, one on the date return slip pasted in the front of the book. The next step was reshelving, and by the time Mrs Thatcher called out 'two minutes remaining' we were well ahead of ourselves and a sense of ease descended on the small group: we would clear this Blitz with time to spare. I was just placing a copy of the worryingly popular Cecil Rhode's Greatest Speeches as Spoken by Oswald Mosley in the Talking Book section when I heard a voice from behind me.
'May I ask a question?'
I stopped dead, for I recognised the voice. It was one I had not heard for a long time, nor had ever thought I would again. A soft yet very distinctive West Country accent, tinged with questioning allure. I turned slowly, unsure of quite what to say or do, and there was Connie, staring at me with the same intensity I remembered from our shared late-night coffees during freshman year at the University of Barnstaple.
'Sure,' I said, not knowing whether she recognised me or not.
'It's a book question,' she replied brightly, and seemingly without a flicker of recognition. Oddly, I felt relieved. I'd been very fond of her, although unwilling to show it, and I think she might have felt the same. But after a few dates - she never called them that although I did, secretly to myself - she was asked to leave the college following a judicial review of the legal status of her attendance, and that was that. I'd always wanted to see her again, and I would see much of her over the coming weeks. I'd be at her side three months from now during the Battle of May Hill, the smell of burned rubber and cordite drifting across the land, the crack of artillery fire in the distance. I had no idea of that, of course, and neither, I imagine, did she.
'Well, it is a library,' I said, hoping my sudden consternation didn't show. 'What do you want to know?'
By rights, she shouldn't have been there at all, and not because she was a rabbit. The public, although technically allowed to enter the library during opening hours, never did. We were, after all, simply doing our civic duty by way of the community, and the community, in turn, stayed away and allowed us to carry on the work on their behalf. I deemed Connie not just an old acquaintance, but a Code 4-51: 'Unidentified public in the Librarying area'.
'I'm after Rabbit and Rabbitability,' she said. 'Like Austen's classic but more warren-based and with a greater emphasis on ears, sex, carrots, burrowing and sex.'
'You said sex twice.'
'Yes,' said Connie, blinking twice, 'I know.'
Rabbits aged better than humans so long as they got a chance to age at all, and she was pretty much unchanged in the thirty-odd years since I'd seen her last: smaller and slimmer than the norm, but Wildstock, the generic brown-furred variety. She wore a short spotted summer dress under a pale blue buttoned cardigan and her ears, long and elegant, carried four small silver ear-studs halfway up her right and three near the base of her left. Her most striking feature, then as now, was her eyes: both large and expressive, but while one was the brown of a fresh hazelnut, the other was pale bluey-violet, the colour of harebells.
'Are you OK?' she said, as I think I might have been staring.
Luckily, Neville Chamberlain chose that moment to interrupt.
'Rabbit and Rabbitability would be under six-three-two point six-six,' she said, referring to the Dewey categorisation number that related to: 'Technology/Agriculture/Pests/Disposal'. It was a predictably insulting response. She was, after all, married to Victor Mallett and the entire Mallett family's antagonism towards any social or species group not their own was well known. It was said Mallett children were encouraged to feed the ducks solely 'to see them fight'.
'Actually, Mr Chamberlain,' put in Stanley Baldwin, 'it's probably a six-three-six point nine-three.' This was a little less insulting as it referred to 'Technology/Agriculture/Domestic Animals/Rabbits', but was equally of little use. Connie wasn't after books about rabbits, but the range of British classics retold for rabbits, published when funding was more secure after the Spontaneous Anthropomorphic Event, when integration into society was still seen as guiding policy rather than the pipe-dream of idealistic liberals.
'Eight-nine-nine point nine-nine, Mr Major,' added the Sole Librarian, who didn't much care for rabbits either but hated misuse of the Dewey Decimal System a great deal more. 'Literature/Other Languages. Shelf nine.'
'Let me show you,' I said, handing the returned books to Neville, who hurried off to shelve them quickly so she could return, presumably, to air her anti-rabbit sentiments more fully. For my part I led Connie quickly towards the foreign language section.
'Hey,' she said with a giggle, 'isn't naming the team after former prime ministers a direct lift from that Kathryn Bigelow heist-gone-wrong movie?'
'I don't know what you mean.'
'Sure you do,' she said. 'The one with Patrick Swayze and Keanu Reeves. What's its name again?'
'Point Break,' I said, suddenly remembering that I'd seen it first with her at the Student Union cinema. We'd sat in the back row, a place usually reserved for lovers, but we weren't there for that reason. Rabbit cinema-goers, acutely conscious of how their often expressive ear movements can ruin a movie for anyone sitting behind, politely migrated to the back. Our upper arms had touched as we sat, which I remembered I quite liked; it was the sum total of any physical contact.
'And,' I concluded, 'it's more a homage, really.'
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