When We Were Orphans

A masterful novel from one of the most admired writers of our time, performed by John Lee.

Christopher Banks, an English boy born in early-20th-century Shanghai, is orphaned at age nine when his mother and father disappear under suspicious circumstances. He grows up to become a renowned detective, and more than 20 years later, returns to Shanghai to solve the mystery of their disappearances.

Within the layers of the narrative told in Christopher's precise, slightly detached voice are revealed what he can't, or wont, see: that the simplest desires-a child's for his parents, a man's for understanding-may give rise to the most complicated truths.

A feat of narrative skill and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his brilliant best.

1100150980
When We Were Orphans

A masterful novel from one of the most admired writers of our time, performed by John Lee.

Christopher Banks, an English boy born in early-20th-century Shanghai, is orphaned at age nine when his mother and father disappear under suspicious circumstances. He grows up to become a renowned detective, and more than 20 years later, returns to Shanghai to solve the mystery of their disappearances.

Within the layers of the narrative told in Christopher's precise, slightly detached voice are revealed what he can't, or wont, see: that the simplest desires-a child's for his parents, a man's for understanding-may give rise to the most complicated truths.

A feat of narrative skill and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his brilliant best.

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When We Were Orphans

When We Were Orphans

by Kazuo Ishiguro

Narrated by John Lee

Unabridged — 10 hours, 53 minutes

When We Were Orphans

When We Were Orphans

by Kazuo Ishiguro

Narrated by John Lee

Unabridged — 10 hours, 53 minutes

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Overview

A masterful novel from one of the most admired writers of our time, performed by John Lee.

Christopher Banks, an English boy born in early-20th-century Shanghai, is orphaned at age nine when his mother and father disappear under suspicious circumstances. He grows up to become a renowned detective, and more than 20 years later, returns to Shanghai to solve the mystery of their disappearances.

Within the layers of the narrative told in Christopher's precise, slightly detached voice are revealed what he can't, or wont, see: that the simplest desires-a child's for his parents, a man's for understanding-may give rise to the most complicated truths.

A feat of narrative skill and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his brilliant best.


Editorial Reviews

bn.com

Our Review
Missing persons, unsolved mysteries, and shanghaied histories come together in Kazuo Ishiguro's captivating new audiobook exploring the nature of memory and the fate it propels us toward. The acclaimed and prize-winning author of The Remains of the Day and An Artist of the Floating World, Ishiguro weaves a complex tale of alienation and detachment at the dawn of the Second World War, in When We Were Orphans.

Born in Shanghai in the early 20th century, Christopher Banks spent his youth in the safety of the International Settlement, under the constant eyes of his parents, his amah, and the servants who watched him and his Japanese playmate, Akira. Though guarded from the economic turbulence his father's company is steeped in, and the destructive opium trade that his mother passionately speaks out against, Christopher's security is shattered at the age of nine, when both his parents, on separate occasions, vanish without a trace, and he is forced to move to England to live with his aunt. Intent on one day returning to Shanghai to solve the mysteries of his parents' disappearance, his goal of becoming a great detective is no Sherlock Holmes pipe-dream -- it is a mission.

Christopher's childhood, however, is recalled only through memory, and in fact, our glimpses of him come much later, in the 1930s, when he is hobnobbing amid London high society, where he is an outsider who is nevertheless gaining renown. Though he has been mocked his whole life for clinging to an apparently childish fantasy of sleuthing, it has done nothing to diminish the fervor with which he pursues his vocation, and he soon becomes one of the most renowned detectives of his time. But as the rumblings of another World War threaten the Far East and the shores of England alike, Christopher feels even more urgently the pressures of his mission, and he is drawn even closer to finally facing his fate.

Even in less ambitious hands, When We Were Orphans could have made a compelling detective story, but Ishiguro has instead created a story about the fractured internal life of a detective in search of himself. Through John Lee's gentle British voice, Christopher's narrative tone comes across pitch-perfect in this audio -- polite but formal, clearly detached from his experience, but simultaneously attempting to be honest about it. As the somewhat mundane events of his daily life in London trigger an avalanche of memories, now fading, of his life in Shanghai, the reader is drawn into a story of mounting psychological suspense, heartbreaking complexity, and profound revelation. A moving triumph by a masterful writer, When We Were Orphans sets itself the task of solving the most confounding mysteries of the human spirit and discovering locked secrets of the heart.

Elise Vogel is a freelance writer living in New York City.

Guardian

Ishiguro shows immense tenderness for his characters. [The novel] confirms Ishiguro as one of Britain's mist formally daring and challenging novelists.

Sunday Times

You seldom read a novel that so convinces you it is extending the possibilities of fiction. Ishiguro's abandonment of realism is not a defection from reality, but the contrary.

Publishers Weekly - Publisher's Weekly

Set in Shanghai on the eve of World War II, Ishiguro's Booker-nominated novel follows the surreal predicament of Christopher Banks, an English expatriate whose overwrought state is perfectly rendered by narrator John Lee. After his parents are mysteriously kidnapped, nine-year-old Christopher is shipped off to England, where he grows up to become the Sherlock Holmes of his times--a man able to right wrongs, restore order. After 18 years, Banks returns to Shanghai with the bizarre notion that if he can find his parents, he can prevent the world war. Banks's search drags him through the era's Chinese-Japanese war in a masterful sequence where past and present, reality and imagination, good and evil become indistinguishable. Lee seamlessly renders Banks's complex psychology, but he employs an exaggerated nasal voice for the characters of several pompous Brits, and his Chinese and Japanese accents are often off-putting. But listeners probably won't let these small blemishes keep them from Ishiguro's much-acclaimed tale of abandonment, nostalgia and self-delusion. Based on the Knopf hardcover (Forecasts, July 10). (Sept.) Copyright 2000 Cahners Business Information.

Library Journal

Atmosphere, historical detail, suspense: Ishiguro's new book has it all, and if the parts finally don't add up, the author should still be credited with providing another great read. He should also be credited with originality, for though he investigates the polarities of insider-outsider, English-foreign, as he has done before (e.g., The Remains of the Day, The Unconsoled), he is hardly writing the same book again and again. Here, Christopher Banks is an Englishman born in early 20th-century Shanghai whose parents disappear mysteriously when he is nine. He is escorted to England, grows up to be a famed detective, and returns to Shanghai, convinced that his parents are still alive and that he must find them. The reader is less convinced that Banks is a real detective and wonder how he can entertain the romantic notion that his parents have been held hostage in Shanghai for decades, but the truth behind their disappearance comes as a satisfying surprise. And the writing is just wonderful, at once rich and taut. More writers should take style lessons from Ishiguro. For most collections. [Previewed in Prepub Alert, LJ 5/1/00.]--Barbara Hoffert, "Library Journal" Copyright 2000 Cahners Business Information.\

New York Times Book Review

When We Were Orphans is [Ishiguro's] fullest achievement yet... with When We Were Orphans, Ishiguro appears to have found his synthesis, not only in its expansive yet finely modulated narrative but also in the way it bends the hallucinatory world of its immediate predecessor [The Unconsoled] toward the surface verisimilitude of the butler's story [in The Remains of the Day].

Joyce Carol Oates

When We Were Orphans will linger in the mind as an often fascinating, imaginative work of surpassing intelligence and taste.
Times Literary Supplement

Kirkus Reviews

An eerie, oddly beautiful tale from the internationally acclaimed author revolves around an enigmatic ordeal essentially similar to that undergone in Ishiguro's The Unconsoled (1995). This narrator, Christopher Banks, is a prominent English detective whose ratiocinative skills are severely tested by mysteries lodged in his own haunted past. Born in Shanghai, where his father was employed in the early 1900s by a powerful global trading company, Christopher spent most of his first decade sheltered in that otherwise turbulent city's secure International Settlement, only dimly aware of his mother's outspoken criticism of the ruinous opium trade (in which her husband's employer was heavily invested): a courageous stance that presumably led to the separate "disappearances" of both Banks parents, and their son's return to live with relatives in England. Twenty-some years later (in 1937), the eminent detective, now the beneficiary of a family legacy and the adoptive father of an(other) orphan, returns to Shanghai determined to rediscover the personal history taken from him long ago. But China is now imperiled by an increasingly violent Japanese military presence; old acquaintances assume inexplicably "foreign" shapes; every step taken toward recapturing his past confirms the indigenous axiom that "our childhood becomes like a foreign land once we have grown." The disturbing climax, set in an unsettled urban hell far from the placid environs of the International Settlement, leads to a bitterly ironic revelation of what was sacrificed in order that Christopher Banks might live, and the chastened realization that he is one of those(unconsoled?)"whose fate is to face the world as orphans, chasing through long years the shadows of vanished parents." Elegiac, meditative, ultimately emotionally devastating, and the purest expression yet of the author's obsessive theme: the buried life unearthed by its contingent interconnection with the passions, secrets, and priorities of unignorable other lives. First printing of 75,000

From the Publisher

"Swift, compelling, moving, irresistible."
The Baltimore Sun

"Goes much further than even The Remains of the Day in its examination of the roles we've had handed to us... His fullest achievement yet."
The New York Times Book Review

"You seldom read a novel that so convinces you it is extending the possibilities of fiction."
Sunday Times (London)

"Poignant... When We Were Orphans may well be Ishiguro's most capacious book so far."
—Pico Iyer, The New York Review of Books

"[A]n imaginative work of surpassing intelligence and taste."
—Joyce Carol Oates, Times Literary Supplement

"With his characteristic finesse, Mr. Ishiguro infuses what seems like a classic adventure story with an ineffable tinge of strangeness."
The Wall Street Journal

DEC/JAN 01 - AudioFile

Christopher Banks, the great London detective who narrates Ishiguro's fifth novel, speaks with an elegance and reserve that personifies the 1930s, when great detectives were celebrated and revered figures. But Banks has a mystery in his own past the disappearance of his parents in Shanghai 20 years earlier, when he was only 9. John Lee conveys both Banks's intelligence and his uneasy depths in this fine performance, which far surpasses the print version as a reading experience. Lee's witty multi-accented reading of tony British and pidgin Chinese brings to life a sometimes stodgy narrative, and gives an edge to Ishiguro's sometimes too subtle humor. The reserved, punctiliously grammatical narrator, a first cousin to the butler-narrator of THE REMAINS OF THE DAY, here again offers a dramatic contrast to the backdrop of the times--the Japanese siege of Shanghai in 1937; the growing unrest and uncertainty of a world moving toward war; and the romance, courage, and resolve so identified with that era. D.A.W.

Product Details

BN ID: 2940173845931
Publisher: HarperCollins Publishers
Publication date: 06/21/2005
Edition description: Unabridged
Sales rank: 1,012,567

Read an Excerpt

Chapter One

It was the summer of 1923, the summer I came down from Cambridge, when despite my aunt's wishes that I return to Shropshire, I decided my future lay in the capital and took up a small flat at Number 14b Bedford Gardens in Kensington. I remember it now as the most wonderful of summers. After years of being surrounded by fellows, both at school and at Cambridge, I took great pleasure in my own company. I enjoyed the London parks, the quiet of the Reading Room at the British Museum; I indulged entire afternoons strolling the streets of Kensington, outlining to myself plans for my future, pausing once in a while to admire how here in England, even in the midst of such a great city, creepers and ivy are to be found clinging to the fronts of fine houses.

It was on one such leisurely walk that I encountered quite by chance an old schoolfriend, James Osbourne, and discovering him to be a neighbour, suggested he call on me when he was next passing. Although at that point I had yet to receive a single visitor in my rooms, I issued my invitation with confidence, having chosen the premises with some care. The rent was not high, but my landlady had furnished the place in a tasteful manner that evoked an unhurried Victorian past; the drawing room, which received plenty of sun throughout the first half of the day, contained an ageing sofa as well as two snug armchairs, an antique sideboard and an oak bookcase filled with crumbling encyclopaedias—all of which I was convinced would win the approval of any visitor. Moreover, almost immediately upon taking the rooms, I had walked over to Knightsbridge and acquired there a Queen Anne tea service, several packets of fineteas, and a large tin of biscuits. So when Osbourne did happen along one morning a few days later, I was able to serve out the refreshments with an assurance that never once permitted him to suppose he was my first guest.

For the first fifteen minutes or so, Osbourne moved restlessly around my drawing room, complimenting me on the premises, examining this and that, looking regularly out of the windows to exclaim at whatever was going on below. Eventually he flopped down into the sofa, and we were able to exchange news—our own and that of old schoolfriends. I remember we spent a little time discussing the activities of the workers' unions, before embarking on a long and enjoyable debate on German philosophy, which enabled us to display to one another the intellectual prowess we each had gained at our respective universities. Then Osbourne rose and began his pacing again, pronouncing as he did so upon his various plans for the future.

"I've a mind to go into publishing, you know. Newspapers, magazines, that sort of thing. In fact, I fancy writing a column myself. About politics, social issues. That is, as I say, if I decide not to go into politics myself. I say, Banks, do you really have no idea what you want to do? Look, it's all out there for us"—he indicated the window—"Surely you have some plans."

"I suppose so," I said, smiling. "I have one or two things in mind. I'll let you know in good time."

"What have you got up your sleeve? Come on, out with it! I'll get it out of you yet!"

But I revealed nothing to him, and before long got him arguing again about philosophy or poetry or some such thing. Then around noon, Osbourne suddenly remembered a lunch appointment in Piccadilly and began to gather up his belongings. It was as he was leaving, he turned at the door, saying:

"Look, old chap, I meant to say to you. I'm going along tonight to a bash. It's in honour of Leonard Evershott. The tycoon, you know. An uncle of mine's giving it. Rather short notice, but I wondered if you'd care to come along. I'm quite serious. I'd been meaning to pop over to you long ago, just never got round to it. It'll be at the Charingworth."

When I did not reply immediately, he took a step towards me and said:

"I thought of you because I was remembering. I was remembering how you always used to quiz me about my being 'well connected.' Oh, come on! Don't pretend you've forgotten! You used to interrogate me mercilessly. 'Well connected? Just what does that mean, well connected?' Well, I thought, here's a chance for old Banks to see 'well connected' for himself." Then he shook his head, as though at a memory, saying: "My goodness, you were such an odd bird at school."

I believe it was at this point I finally assented to his suggestion for the evening—an evening which, as I shall explain, was to prove far more significant than I could then have imagined—and showed him out without betraying in any part the resentment I was feeling at these last words of his.

My annoyance only grew once I had sat down again. I had, as it happened, guessed immediately what Osbourne had been referring to. The fact was, throughout school, I had heard it said repeatedly of Osbourne that he was "well connected." It was a phrase that came up unfailingly when people talked of him, and I believe I too used it about him whenever it seemed called for. It was indeed a concept that fascinated me, this notion that he was in some mysterious way connected to various of the higher walks of life, even though he looked and behaved no differently from the rest of us. However, I cannot imagine I "mercilessly interrogated" him as he had claimed. It is true the subject was something I thought about a lot when I was fourteen or fifteen, but Osbourne and I had not been especially close at school and, as far as I remember, I only once brought it up with him personally.
It was on a foggy autumn morning, and the two of us had been sitting on a low wall outside a country inn. My guess is that we would have been in the Fifth by then. We had been appointed as markers for a cross-country run, and were waiting for the runners to emerge from the fog across a nearby field so that we could point them in the correct direction down a muddy lane. We were not expecting the runners for some time yet, and so had been idly chatting. It was on this occasion, I am sure, that I asked Osbourne about his "well connectedness." Osbourne, who for all his exuberance, had a modest nature, tried to change the subject. But I persisted until he said eventually:

"Oh, do knock it off, Banks. It's all just nonsense, there's nothing to analyse. One simply knows people. One has parents, uncles, family friends. I don't know what there is to be so puzzled about." Then quickly realising what he had said, he had turned and touched my arm. "Dreadfully sorry, old fellow. That was awfully tactless of me."

This faux pas seemed to cause Osbourne much more anguish than it had me. Indeed, it is not impossible it had remained on his conscience for all those years, so that in asking me to accompany him to the Charingworth Club that evening, he was in some way trying to make amends. In any case, as I say, I had not been at all upset that foggy morning by his admittedly careless remark. In fact, it had become a matter of some irritation to me that my schoolfriends, for all their readiness to fall into banter concerning virtually any other of one's misfortunes, would observe a great solemnness at the first mention of my parents' absence. Actually, odd as it may sound, my lack of parents—indeed, of any close kin in England except my aunt in Shropshire—had by then long ceased to be of any great inconvenience to me. As I would often point out to my companions, at a boarding school like ours, we had all learned to get on without parents, and my position was not as unique as all that. Nevertheless, now I look back on it, it seems probable that at least some of my fascination with Osbourne's "well connectedness" had to do with what I then perceived to be my complete lack of connection with the world beyond St. Dunstan's. That I would, when the time came, forge such connections for myself and make my way, I had no doubts. But it is possible I believed I would learn from Osbourne something crucial, something of the way such things worked.

But when I said before that Osbourne's words as he left my flat had somewhat offended me, I was not referring to his raising the matter of my "interrogating" him all those years before. Rather, what I had taken exception to was his casual judgement that I had been "such an odd bird at school."

In fact, it has always been a puzzle to me that Osbourne should have said such a thing of me that morning, since my own memory is that I blended perfectly into English school life. During even my earliest weeks at St. Dunstan's, I do not believe I did anything to cause myself embarrassment. On my very first day, for instance, I recall observing a mannerism many of the boys adopted when standing and talking—of tucking the right hand into a waistcoat pocket and moving the left shoulder up and down in a kind of shrug to underline certain of their remarks. I distinctly remember reproducing this mannerism on that same first day with sufficient expertise that not a single of my fellows noticed anything odd or thought to make fun.

In much the same bold spirit, I rapidly absorbed the other gestures, turns of phrase and exclamations popular among my peers, as well as grasping the deeper mores and etiquettes prevailing in my new surroundings. I certainly realised quickly enough that it would not do for me to indulge openly—as I had been doing routinely in Shanghai—my ideas on crime and its detection. So much so that even when during my third year there was a series of thefts, and the entire school was enjoying playing at detectives, I carefully refrained from joining in in all but a nominal way. And it was, no doubt, some remnant of this same policy that caused me to reveal so little of my "plans" to Osbourne that morning he called on me.

However, for all my caution, I can bring to mind at least two instances from school that suggest I must, at least occasionally, have lowered my guard sufficiently to give some idea of my ambitions. I was unable even at the time to account for these incidents, and am no closer to doing so today.

The earlier of these occurred on the occasion of my fourteenth birthday. My two good friends of that time, Robert Thornton-Browne and Russell Stanton, had taken me to a tea-shop in the village and we had been enjoying ourselves over scones and cream cakes. It was a rainy Saturday afternoon and all the other tables were occupied. This meant that every few minutes more rain-soaked villagers would come in, look around, and throw disapproving looks in our direction as though we should immediately vacate our table for them. But Mrs. Jordan, the proprietress, had always been welcoming towards us, and on that afternoon of my birthday, we felt we had every right to be occupying the choice table beside the bay window with its view of the village square. I do not recall much of what we talked about that day; but once we had eaten our fill, my two companions exchanged looks, then Thornton-Browne reached down into his satchel and presented to me a gift-wrapped package.

As I set about opening it, I quickly realised the package had been wrapped in numerous sheets, and my friends would laugh noisily each time I removed one layer, only to be confronted by another. All the signs, then, were that I would find some joke item at the end of it all. What I did eventually uncover was a weathered leather case, and when I undid the tiny catch and raised the lid, a magnifying glass.

I have it here now before me. Its appearance has changed little over the years; it was on that afternoon already well travelled. I remember noting this, along with the fact that it was very powerful, surprisingly weighty, and that the ivory handle was chipped all down one side. I did not notice until later—one needs a second magnifying glass to read the engraving—that it was manufactured in Zurich in 1887.

My first reaction to this gift was one of huge excitement. I snatched it up, brushing aside the bundles of wrapping covering the table surface—I suspect in my enthusiasm I caused a few sheets to flutter to the floor—and began immediately to test it on some specks of butter smeared on the tablecloth. I became so absorbed that I was only vaguely aware of my friends laughing in that exaggerated way that signifies a joke at one's expense. By the time I looked up, finally self-conscious, they had both fallen into an uncertain silence. It was then that Thornton-Browne gave a half-hearted snigger, saying:

"We thought since you're going to be a detective, you'd be needing one of these."
At this point, I quickly recovered my wits and made a show of pretending the whole thing had been an amusing jest. But by then, I fancy, my two friends were themselves confused about their intentions, and for the remainder of our time at the tea-shop, we never quite regained our former comfortable mood.

As I say, I have the magnifying glass here now in front of me. I used it when investigating the Mannering case; I used it again, most recently, during the Trevor Richardson affair. A magnifying glass may not be quite the crucial piece of equipment of popular myth, but it remains a useful tool for the gathering of certain sorts of evidence, and I fancy I will, for some time yet, carry about with me my birthday gift from Robert Thornton-Browne and Russell Stanton. Gazing at it now, this thought occurs to me: if my companions' intention was indeed to tease me, well then, the joke is now very much on them. But sadly, I have no way now of ascertaining what they had in mind, nor indeed how, for all my precautions, they had ever gleaned my secret ambition. Stanton, who had lied about his age in order to volunteer, was killed in the third battle of Ypres. Thornton-Browne, I heard, died of tuberculosis two years ago. In any case, both boys left St. Dunstan's in the fifth year and I had long since lost touch with them by the time I heard of their deaths. I still remember, though, how disappointed I was when Thornton-Browne left the school; he had been the one real friend I had made since arriving in England, and I missed him much throughout the latter part of my career at St. Dunstan's.

The second of these two instances that comes to mind occurred a few years later—in the Lower Sixth—but my recollection of it is not as detailed. In fact, I cannot remember at all what came before and after this particular moment. What I have is a memory of walking into a classroom—Room 15 in the Old Priory—where the sun was pouring through the narrow cloister windows in shafts, revealing the dust hanging in the air. The master had yet to arrive, but I must have come in slightly late, for I remember finding my classmates already sitting about in clusters on the desk-tops, benches and window ledges. I was about to join one such group of five or six boys, when their faces all turned to me and I saw immediately that they had been discussing me. Then, before I could say anything, one of the group, Roger Brenthurst, pointed towards me and remarked:

"But surely he's rather too short to be a Sherlock."

A few of them laughed, not particularly unkindly, and that, as far as I recall, was all there was to it. I never heard any further talk concerning my aspirations to be a "Sherlock," but for some time afterwards I had a niggling concern that my secret had got out and become a topic for discussion behind my back.


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