The Tipping Point woke us to the wonders of Malcolm Gladwell; Blink, bringing us up with a start, confirmed his talents of discernment, and Outliers proved that this conscientious outsider was still watching us, picking up clues to how we all tick and synchronize our tics. In this batch of inquiries, Gladwell covers the world: from insurgent warlords to ketchup makers; from canine whisperers to ethnic profilers; from NFL signal callers to high school teachers. Most of us don't fit into any of those categories, but that doesn't lessen our interest in his observations. What the Dog Saw challenges us to think like other people and see like other species.

Gladwell is a writer of many gifts. His nose for the untold back story will have readers repeatedly muttering, "Gee, that's interesting!" He avoids shopworn topics, easy moralization and conventional wisdom, encouraging his readers to think again and think different. His prose is transparent, with lucid explanations and a sense that we are chatting with the experts ourselves. Some chapters are masterpieces in the art of the essay.
—The New York Times Book Review

This book full of short conversation pieces is a collection that plays to the author's strengths. It underscores his way of finding suitably quirky subjects (the history of women's hair-dye advertisements; the secret of Heinz's unbeatable ketchup; even the effects of women's changing career patterns on the number of menstrual periods they experience in their lifetimes) and using each as gateway to some larger meaning. It illustrates how often he sets up one premise (i.e. that crime profiling helps track down serial killers) only to destroy it.
—The New York Times

Gladwell (The Tipping Point) has gathered 22 of his pieces that have appeared in The New Yorker since 1996, arranging them into three sections: "Obsessive, Pioneers, and Other Varieties of Minor Genius," "Theories, Predictions, and Diagnoses," and "Personality, Character and Intelligence." Fans who are not familiar with Gladwell's articles will be delighted to discover that his shorter work contains the same level of insight, wit, and talent for making the mundane fascinating as they've come to expect from his longer work. Gladwell's writing here is filled with colorful characters, acute analyses, and intriguing questions. However, be warned that the organization of the articles by topic rather than by date can be confusing, especially since much of what Gladwell is discussing has since changed. For instance, although articles about the Challenger explosion, the stock market, and Enron all have postscripts about developments that occurred after the original publication of these pieces, the original publication dates are indicated neither in the table of contents nor at the start of the pieces, frustrating readers' attempts to learn what time period each article covers. VERDICT Fans of Gladwell's writing will want to add this to their bookshelves. [See Prepub Alert, LJ 6/15/09.]—April Younglove, Rochester Regional Lib. Council, NY

"Clear, provocative, and important."—New York Times

"A master essayist."—Los Angeles Times

"In What the Dog Saw, Malcolm Gladwell leads the reader on delightful side excursions, shows with insightful conversation how one path interweaves with another, and suggests meaning-he is, in short, an interpretative naturalist of American culture."

"Malcolm Gladwell triumphantly returns to his roots with this collections of his great works from The New Yorker Magazine....Do yourself a favor and curl up with What the Dog Saw this week: It is more entertaining and edifying than should be legal for any book."

"Uniformly delightful...Malcolm Gladwell can write engrossingly about just about anything...His witty, probing articles are as essential to David Remnick's New Yorker as those of Wolcott Gibbs and A.J. Liebling were to Harold Ross's...Gladwell has a gift for capturing personalities, a Borscht Belt comic's feel for timing and a bent for counterintuitive thinking. He loves to start a piece by settling you onto a cushion of received ideas, then yanking it out from under you."-

"Gladwell is a writer of many gifts. His nose for the untold back story will have readers repeatedly muttering, "Gee, that's interesting!" He avoids shopworn topics, easy moralization and conventional wisdom, encouraging his readers to think again and think different...Some chapters are masterpieces in the art of the essay."

"This evidence of a Gladwell effect helps to predict something larger: that Mr. Gladwell's new book will be as successful as his first three...This book full of short conversation pieces is a collection that plays to the author's strengths. It underscores his way of finding suitably quirky subjects (the history of women's hair-dye advertisements; the secret of Heinz's unbeatable ketchup; even the effects of women's changing career patterns on the number of menstrual periods they experience in their lifetimes) and using each as gateway to some larger meaning."

GREAT PRAISE FOR WHAT THE DOG SAW:

"[Malcolm Gladwell] is one of the brightest stars in the media firmament...Gladwell's clear prose and knack for upending conventional wisdom across the social sciences have made The Tipping Point, Blink and Outliers, as well as his lengthy magazine features on topics ranging from cool-hunting to ketchup, into must reads."

In What the Dog Saw, Malcolm Gladwell leads the reader on delightful side excursions, shows with insightful conversation how one path interweaves with another, and suggests meaning-he is, in short, an interpretative naturalist of American culture.
— The Oregonian

Malcolm Gladwell triumphantly returns to his roots with this collections of his great works from The New Yorker Magazine....Do yourself a favor and curl up with What the Dog Saw this week: It is more entertaining and edifying than should be legal for any book.
— Louisville Courier-Journal

Uniformly delightful...Malcolm Gladwell can write engrossingly about just about anything...His witty, probing articles are as essential to David Remnick's New Yorker as those of Wolcott Gibbs and A.J. Liebling were to Harold Ross's...Gladwell has a gift for capturing personalities, a Borscht Belt comic's feel for timing and a bent for counterintuitive thinking. He loves to start a piece by settling you onto a cushion of received ideas, then yanking it out from under you.—
— Bloomberg News

Ranging in subject from master salesman Ron Popeil to hair dye, pasta sauce, and how the NFL can help us hire better teachers, this collection of the author's essays from THE NEW YORKER is both entertaining and informative. Malcolm Gladwell reminds us that authors can effectively read their own books by turning in a well-crafted, subtle performance. His slightly husky upper-register voice is calm and assured, and he knows exactly where to pause, when to provide emphasis, and how to deliver a punch line. While Gladwell is not a seasoned reader and sometimes needs to vary his pitch and rhythm, he seems to relish bringing to light the ideas and people he finds fascinating. R.I.G. © AudioFile 2009, Portland, Maine