…an amazingly rich, emotionally detailed story that addresses [Chabon's] perennial themes—about fathers and sons, husbands and wives, and the consolations of art—while reaching outward to explore the relationship between time past and time present, the weight (or lightness, as the case may be) of history, and the possibility of redemption and forgiveness…Mr. Chabon can write about just about anything…And write about it not as an author regurgitating copious amounts of research, but with a real, lived-in sense of empathy and passion…for the most part he does such a graceful job of ventriloquism with his characters that the reader forgets they are fictional creations. [Chabon's] people become so real to us, their problems so palpably netted in the author's buoyant, expressionistic prose, that the novel gradually becomes a genuinely immersive experience—something increasingly rare in our ADD age.
Virtuosity” is the word most commonly associated with Chabon, and if Telegraph Avenue, the latest from the Pulitzer Prize–winning author of The Yiddish Policeman’s Union, is at first glance less conceptual than its predecessors, the sentences are no less remarkable. Set during the Bush/Kerry election, in Chabon’s home of Berkeley, Calif., it follows the flagging fortunes of Brokeland Records, a vintage record store on the titular block run by Archy Stallings and Nat Jaffe, currently threatened with closure by Pittsburgh Steeler’s quarterback-turned-entrepreneur Gibson “G Bad” Goode’s plans to “restore, at a stroke, the commercial heart of a black neighborhood” with one of his Dogpile “Thang” emporiums. The community mobilizes and confronts this challenge to the relative racial harmony enjoyed by the white Jaffe; his gay Tarantino-enthusiast son, Julie; and the African-American Archy, whose partner, Gwen Shanks, is not only pregnant but finds the midwife business she runs with Aviva, Jaffe’s wife, in legal trouble following a botched delivery. Making matters worse is Stallings’s father, Luther, a faded blaxploitation movie star with a Black Panther past, and the appearance of Titus, the son Archy didn’t know he had. All the elements of a socially progressive contemporary novel are in place, but Chabon’s preference for retro—the reader is seldom a page away from a reference to Marvel comics, kung fu movies, or a coveted piece of ’70s vinyl—quickly wears out its welcome. Worse, Chabon’s approach to race is surprisingly short on nuance and marred by a goofy cameo from a certain charismatic senator from Illinois. 15-city author tour. Agent: Mary Evans. (Sept. 11)
An amazingly rich, emotionally detailed story….[Chabon’s] people become so real to us, their problems so palpably netted in the author’s buoyant, expressionistic prose, that the novel gradually becomes a genuinely immersive experience—something increasingly rare in our ADD age.” — Michiko Kakutani, New York Times
“Chabon is an extraordinarily generous writer. He is generous to his characters, to his landscapes, to syntax, to words, to his readers—there is a real joy in his work….Both ambitious and lighthearted, the novel is a touching, gentle, comic meditation.” — Cathleen Schine, New York Review of Books
“Astounding....steamrolls the barrier that has kept the Great American Novel at odds with the country it’s supposed to reflect....[A] huge-hearted, funny, improbably hip book.” — John Freeman, Boston Globe
“Forget Joycean or Bellovian or any other authorial allusion. Telegraph Avenue might best be described as Chabonesque. Exuberantly written, generously peopled, its sentences go off like a summer fireworks show, in strings of bursting metaphor.” — Jess Walter, San Francisco Chronicle
“Chabon has made a career of routing big, ambitious projects through popular genres, with superlative results….The scale of Telegraph Avenue is no less ambitious….Much of the wit...inheres in Chabon’s astonishing prose. I don’t just mean the showy bits…I mean the offhand brilliance that happens everywhere.” — Jennifer Egan, New York Times Book Review (cover review)
“The writing - stylized, humorous and often dazzling - is inflected with tones of jazz and funk. But it’s Chabon’s ear for the sounds of the human soul that make this book a masterpiece, as his vividly drawn characters learn to live at the intersection of disappointment and hope.” — Robin Micheli, People (4 out of 4 stars)
“Telegraph Avenue is so exuberant, it’s as if Michael Chabon has pulled joy from the air and squeezed it into the shape of words....His sentences spring, bounce, set off sparklers, even when dwelling in mundane details….Fantastic.” — Carolyn Kellogg, Los Angeles Times Book Review
“Witty and compassionate and full of more linguistic derring-do than any other writer in American could carry off.” — Ron Charles, Washington Post
“An exhilarating, bighearted novel.” — O magazine
“A genuinely moving story about race and class, parenting and marriage…Chabon is inarguably one of the greatest prose stylists of all time, powering out sentences that are the equivalent of executing a triple back flip on a bucking bull while juggling chain saws and making love to three women.” — Benjamin Percy, Esquire
“A jam that grooves, entertains, entrances and sticks in your head with infectious melodies….[Chabon] is a hypnotizing master of language, crafting fresh descriptors for familiar functions, poetic detours that never sacrifice narrative flow, well-oiled metaphorical machinations, and seamless time travelling that makes the phrase ‘flashback’ seem obsolete.” — Jake Austen, Chicago Tribune
“Chabon’s hugely likable characters all face crises of existential magnitude, rendered in an Electra Glide flow of Zen sentences and zinging metaphors that make us wish the needle would never arrive at the final groove.” — Elle
“[Chabon] is a truly gifted writer of prose: He writes long, luxurious sentences that swoop and meander before circling back in on themselves, not infrequently approximating the improvisational jazz that Archy and Nat hold so dear.” — Associated Press
“As always, Chabon’s gorgeous prose astonishes, particularly in the Joycean chapter ‘A Bird of Wide Experience’….Like that colorful bird, Telegraph Avenue dazzles and soars.” — Cliff Froehlich, St. Louis Post-Dispatch
“Spectacular.” — Mike Fischer, Milwaukee Journal Sentinel
“A moving, sprawling, modern-day tale that uses the improvisational shifts and rhythms of jazz and soul to tell the story of two couples….With seeming ease, Chabon shifts from high-wire flourishes…to moments of crystalline simplicity.” — Robert Bianco, USA Today (4 out of 4 stars)
“Fresh, unpretentious, delectably written….For all his explorations into the contentious dynamics of family, race and community, Mr. Chabon’s first desire is simply to enchant with words. Eight novels in, he still uses language like someone amazed by a newly discovered superpower.” — Sam Sacks, Wall Street Journal
“A beautiful, prismatic maximalism of description and tone, a sly meditation on appropriation as the real engine of integration, and an excellent rationale for twelve-page sentences.” — Kelsey Dake, GQ
“He writes with such warmth and humor and sheer enthusiasm - for his characters, for the rhythms and atmosphere of Oakland, for geek culture, for the mysterious power of music, which he captures with uncommon descriptive virtuosity - that by the end it’s hard to resist this charmingly earnest book.” — Rob Brunner, Entertainment Weekly
“This is a novel rich in story and character, rich in its dialogue and descriptions, rich in spirit and invention - and full of sharp, funny writing….The spirit of Telegraph Avenue is one of union and reconciliation, a welcome, exuberant voice in our fractious times.” — David Walton, Cleveland Plain Dealer
“A buoyant novel, written with the author’s typical stylistic elegance and empathetic imagination….His prose is as energizing as ever, in part because he’s always willing to try high-risk maneuvers up on the figurative balance beam.” — Troy Patterson, Slate
“An end-of-an era epic....A Joyce-an remix with a hipper rhythm track.” — Kirkus Reviews (starred review)
“One of Chabon’s great gifts is an ability to beguile us with prose that exudes warmth into seeing ourselves in others, to even know them as ourselves. It’s a feat that parlays Telegraph Avenue , with its diverse population, into an All-American novel, one of the great ones.” — Sherryl Connelly, Daily News
“A magnificently crafted, exuberantly alive, emotionally lustrous, and socially intricate saga....Bubbling with lovingly curated knowledge about everything from jazz to pregnancy…Chabon’s rhapsodically detailed, buoyantly plotted, warmly intimate cross-cultural tale of metamorphoses is electric with suspense, humor, and bebop dialogue….An embracing, radiant masterpiece.” — Booklist , starred review
“If any novelist can pack the entire American zeitgeist into 500 pages, it’s Chabon....Ambitious, densely written, sometimes very funny, and fabulously over the top, here’s a rare book that really could be the great American novel.” — Library Journal (starred review)
“’Virtuosity’ is the word most commonly associated with Chabon, and if Telegraph Avenue , the latest from Pulitzer Prize-winning author of The Yiddish Policeman’s Union , is at first glance less conceptual than its predecessors, the sentences are no less remarkable.” — Publishers Weekly
“A stylized, rapturous novel….Telegraph Avenue entertains with a riotous mashup of comics, kung fu, ‘70s jazz and family strife, but at the core lie some startlingly sober revelations.” — Zane Jungman, Austin American-Statesman
“Chabon has a near effortless ability to reveal the huge universal human truths that scaffold absurdly specific circumstances, and he does so on nearly every page here.” — Emily SImon, Buffalo News
“A sparkling, mesmerizing read….That’s what Chabon’s books do, sentence after sentence, page after page: they force you to bring your game up to his level….His writer’s eye makes the world a more vivid, vital place to live.” — Michael Bourne, The Millions
“An achingly poignant vibe of sweet and soulful idealism makes itself heard throughout Telegraph Avenue ….It’s a dream worth imagining, and Chabon does so with skill, charm, and no small amount of virtuosic writing.” — Diane Cole, Jewish Week
“[Telegraph Avenue ] has a Great American Novel heft to it—probably because, all caps aside, it is a great American novel.” — Kathryn Schulz, New York magazine
“Chabon not only knows how [his characters] feel, but how they talk. His dialogue is a thing to behold, the plot unrelenting. And I can’t imagine any writer, male or female, ever delivering a more breathtaking description of a woman giving birth. Some midwife, this Chabon.” — Dan Cryer, Newsday
“Displays both his sense of ordinary people’s inner lives and his rich, freewheeling prose….A dense, flavorful book about race, class, politics, culture and sexuality, as expansive and ambitious as anything Chabon has published to date….An essential, unforgettable read.” — Ben Pfeiffer, Kansas City Star
“His most mature, accessible fiction to date…An engrossing, well-crafted drama of family and friendship….Chabon’s storytelling gifts seem to know no bounds, and the dexterity with which he crafts his beautiful prose is often breathtaking.” — Jeremy Garber, The Oregonian
“A dazzling star turn of a novel that showcases Chabon’s writing talents like a digital TV screen above Times Square….Chabon does love popular culture, but he loves humanity more, and that love is the power behind this sweeping novel.” — Bob Hoover, Minneapolis Star Tribune
“Chabon’s inventiveness requires language dazzling and deft enough to put it across, and like most of his later work, Telegraph Avenue reads easy - I downed 300 pages flying back from Denmark, stopping only to eat and nap.” — Robert Christgau, barnesandnoble.com
“A dazzling display of sheer writing ability from the prodigiously talented Chabon.” — Philadelphia Inquirer
“Michael Chabon is the Michael Jordan of American novelists….Telegraph Avenue could serve as a master class on how to write a novel.” — John Broening, Denver Post
“As ever, Chabon is a performing magician. He can take any topic and stage it so the crowd smiles and even oohs its amazement….Chabon makes a grab for the entire world in a single bighearted book.” — Darin Strauss, New York Times Book Review
An exhilarating, bighearted novel.
Chabon has made a career of routing big, ambitious projects through popular genres, with superlative results….The scale of Telegraph Avenue is no less ambitious….Much of the wit...inheres in Chabon’s astonishing prose. I don’t just mean the showy bits…I mean the offhand brilliance that happens everywhere.
Witty and compassionate and full of more linguistic derring-do than any other writer in American could carry off.
The writing - stylized, humorous and often dazzling - is inflected with tones of jazz and funk. But it’s Chabon’s ear for the sounds of the human soul that make this book a masterpiece, as his vividly drawn characters learn to live at the intersection of disappointment and hope.
A genuinely moving story about race and class, parenting and marriage…Chabon is inarguably one of the greatest prose stylists of all time, powering out sentences that are the equivalent of executing a triple back flip on a bucking bull while juggling chain saws and making love to three women.
Astounding....steamrolls the barrier that has kept the Great American Novel at odds with the country it’s supposed to reflect....[A] huge-hearted, funny, improbably hip book.
Forget Joycean or Bellovian or any other authorial allusion. Telegraph Avenue might best be described as Chabonesque. Exuberantly written, generously peopled, its sentences go off like a summer fireworks show, in strings of bursting metaphor.
Telegraph Avenue is so exuberant, it’s as if Michael Chabon has pulled joy from the air and squeezed it into the shape of words....His sentences spring, bounce, set off sparklers, even when dwelling in mundane details….Fantastic.
An amazingly rich, emotionally detailed story….[Chabon’s] people become so real to us, their problems so palpably netted in the author’s buoyant, expressionistic prose, that the novel gradually becomes a genuinely immersive experience—something increasingly rare in our ADD age.
Chabon is an extraordinarily generous writer. He is generous to his characters, to his landscapes, to syntax, to words, to his readers—there is a real joy in his work….Both ambitious and lighthearted, the novel is a touching, gentle, comic meditation.
A dazzling star turn of a novel that showcases Chabon’s writing talents like a digital TV screen above Times Square….Chabon does love popular culture, but he loves humanity more, and that love is the power behind this sweeping novel.
A dazzling display of sheer writing ability from the prodigiously talented Chabon.
A sparkling, mesmerizing read….That’s what Chabon’s books do, sentence after sentence, page after page: they force you to bring your game up to his level….His writer’s eye makes the world a more vivid, vital place to live.
An achingly poignant vibe of sweet and soulful idealism makes itself heard throughout Telegraph Avenue ….It’s a dream worth imagining, and Chabon does so with skill, charm, and no small amount of virtuosic writing.
Chabon’s hugely likable characters all face crises of existential magnitude, rendered in an Electra Glide flow of Zen sentences and zinging metaphors that make us wish the needle would never arrive at the final groove.
A jam that grooves, entertains, entrances and sticks in your head with infectious melodies….[Chabon] is a hypnotizing master of language, crafting fresh descriptors for familiar functions, poetic detours that never sacrifice narrative flow, well-oiled metaphorical machinations, and seamless time travelling that makes the phrase ‘flashback’ seem obsolete.
As always, Chabon’s gorgeous prose astonishes, particularly in the Joycean chapter ‘A Bird of Wide Experience’….Like that colorful bird, Telegraph Avenue dazzles and soars.
[Chabon] is a truly gifted writer of prose: He writes long, luxurious sentences that swoop and meander before circling back in on themselves, not infrequently approximating the improvisational jazz that Archy and Nat hold so dear.
[Telegraph Avenue ] has a Great American Novel heft to it—probably because, all caps aside, it is a great American novel.
A moving, sprawling, modern-day tale that uses the improvisational shifts and rhythms of jazz and soul to tell the story of two couples….With seeming ease, Chabon shifts from high-wire flourishes…to moments of crystalline simplicity.
This is a novel rich in story and character, rich in its dialogue and descriptions, rich in spirit and invention - and full of sharp, funny writing….The spirit of Telegraph Avenue is one of union and reconciliation, a welcome, exuberant voice in our fractious times.
A beautiful, prismatic maximalism of description and tone, a sly meditation on appropriation as the real engine of integration, and an excellent rationale for twelve-page sentences.
He writes with such warmth and humor and sheer enthusiasm - for his characters, for the rhythms and atmosphere of Oakland, for geek culture, for the mysterious power of music, which he captures with uncommon descriptive virtuosity - that by the end it’s hard to resist this charmingly earnest book.
Chabon has a near effortless ability to reveal the huge universal human truths that scaffold absurdly specific circumstances, and he does so on nearly every page here.
As ever, Chabon is a performing magician. He can take any topic and stage it so the crowd smiles and even oohs its amazement….Chabon makes a grab for the entire world in a single bighearted book.
A stylized, rapturous novel….Telegraph Avenue entertains with a riotous mashup of comics, kung fu, ‘70s jazz and family strife, but at the core lie some startlingly sober revelations.
Fresh, unpretentious, delectably written….For all his explorations into the contentious dynamics of family, race and community, Mr. Chabon’s first desire is simply to enchant with words. Eight novels in, he still uses language like someone amazed by a newly discovered superpower.
His most mature, accessible fiction to date…An engrossing, well-crafted drama of family and friendship….Chabon’s storytelling gifts seem to know no bounds, and the dexterity with which he crafts his beautiful prose is often breathtaking.
Chabon not only knows how [his characters] feel, but how they talk. His dialogue is a thing to behold, the plot unrelenting. And I can’t imagine any writer, male or female, ever delivering a more breathtaking description of a woman giving birth. Some midwife, this Chabon.
A magnificently crafted, exuberantly alive, emotionally lustrous, and socially intricate saga....Bubbling with lovingly curated knowledge about everything from jazz to pregnancy…Chabon’s rhapsodically detailed, buoyantly plotted, warmly intimate cross-cultural tale of metamorphoses is electric with suspense, humor, and bebop dialogue….An embracing, radiant masterpiece.
Michael Chabon is the Michael Jordan of American novelists….Telegraph Avenue could serve as a master class on how to write a novel.
Chabon’s inventiveness requires language dazzling and deft enough to put it across, and like most of his later work, Telegraph Avenue reads easy - I downed 300 pages flying back from Denmark, stopping only to eat and nap.
Spectacular.
Displays both his sense of ordinary people’s inner lives and his rich, freewheeling prose….A dense, flavorful book about race, class, politics, culture and sexuality, as expansive and ambitious as anything Chabon has published to date….An essential, unforgettable read.
One of Chabon’s great gifts is an ability to beguile us with prose that exudes warmth into seeing ourselves in others, to even know them as ourselves. It’s a feat that parlays Telegraph Avenue , with its diverse population, into an All-American novel, one of the great ones.
A buoyant novel, written with the author’s typical stylistic elegance and empathetic imagination….His prose is as energizing as ever, in part because he’s always willing to try high-risk maneuvers up on the figurative balance beam.
[Chabon] is a truly gifted writer of prose: He writes long, luxurious sentences that swoop and meander before circling back in on themselves, not infrequently approximating the improvisational jazz that Archy and Nat hold so dear.
If any novelist can pack the entire American zeitgeist into 500 pages, it’s Chabon....Ambitious, densely written, sometimes very funny, and fabulously over the top, here’s a rare book that really could be the great American novel.
Library Journal (starred review)
An end-of-an era epic....A Joyce-an remix with a hipper rhythm track.
Kirkus Reviews (starred review)
"A magnificently crafted, exuberantly alive, emotionally lustrous, and socially intricate saga....Bubbling with lovingly curated knowledge about everything from jazz to pregnancy…Chabon’s rhapsodically detailed, buoyantly plotted, warmly intimate cross-cultural tale of metamorphoses is electric with suspense, humor, and bebop dialogue….An embracing, radiant masterpiece."
"An exhilarating, bighearted novel."
A beautiful, prismatic maximalism of description and tone, a sly meditation on appropriation as the real engine of integration, and an excellent rationale for twelve-page sentences.
A genuinely moving story about race and class, parenting and marriage…Chabon is inarguably one of the greatest prose stylists of all time, powering out sentences that are the equivalent of executing a triple back flip on a bucking bull while juggling chain saws and making love to three women.
Astounding....steamrolls the barrier that has kept the Great American Novel at odds with the country it’s supposed to reflect....[A] huge-hearted, funny, improbably hip book.
If any novelist can pack the entire American zeitgeist into 500 pages, it's Chabon (The Yiddish Policeman's Union). Here, he deftly treads race, class, gender, and generation lines, showing how they continue to define us even as they're crossed. In 2004, in an enclave bordered by Berkeley and Oakland, Brokeland Records sells used vinyl records and serves as the de facto community center. The owners are Archy Stallings, totally down on his dad, once a blaxploitation star, and earnest, Jewish Nat Jaffe. Their wives are Gwen Shanks and Aviva Roth-Jaffe, the Berkeley Birth Partners, renowned local midwives. All's well until former NFL quarterback Gibson Goode threatens to build a megastore nearby, effectively shuttering Brokeland but promising jobs in a poor, mostly black neighborhood. Meanwhile, a complicated delivery causes trouble for the Birth Partners. And that's only a tiny sampling of what happens in this prodigious novel. VERDICT Ambitious, densely written, sometimes very funny, and fabulously over the top, here's a rare book that really could be the great American novel. Highly recommended. [See Prepub Alert, 3/5/12.]—Barbara Hoffert, Library Journal
Michael Chabon's new novel is one of the most anticipated titles of the fall season, and this superb production rewards all expectations. Set in 2004 in an interracial neighborhood in Oakland, California, the story is a narrative of voices, generations, genders, and the ambience of a particular place. Clarke Peters, best known for his performance in "The Wire," evokes the spirit and sensibility of the place as well its many diverse characters. Chabon is one of the few white writers who has a convincing ear for ethnic dialogue. He and Peters perform a magic that is something far more than mimicry. D.A.W. Winner of AudioFile Earphones Award © AudioFile 2012, Portland, Maine
SEPTEMBER 2012 - AudioFile
An end-of-an-era epic celebrating the bygone glories of vinyl records, comic-book heroes and blaxploitation flicks in a world gone digital. The novelist, his characters and the readers who will most love this book all share a passion for popular culture and an obsession with period detail. Set on the grittier side in the Bay Area of the fairly recent past (when multimedia megastores such as Tower and Virgin were themselves predators rather than casualties to online commerce), the plot involves generational relationships between two families, with parallels that are more thematically resonant than realistic. Two partners own a used record store that has become an Oakland neighborhood institution, "the church of vinyl." One of the partners, Archy Stallings, is black, and he is estranged from his father, a broken-down former B-movie action hero, as well as from the teenage son he never knew about who has arrived in Oakland from Texas to complicate the plot. The other partner is Nat Jaffe, white and Jewish, whose wife is also partners with Archy's wife in midwifery (a profession as threatened as selling used vinyl), and whose son develops a crush on Archy's illegitimate son. The plot encompasses a birth and a death against the backdrop of the encroachment of a chain superstore, owned by a legendary athlete, which threatens to squash Archy and Nat's Brokeland Records, all amid a blackmailing scheme dating back to the Black Panther heyday. Yet the warmth Chabon (The Amazing Adventures of Kavalier & Clay, 2000, etc.) feels toward his characters trumps the intricacies and implausibilities of the plot, as the novel straddles and blurs all sorts of borders: black and white, funk and jazz, Oakland and Berkeley, gay and straight. And the resolution justifies itself with an old musicians' joke: " ‘You know it's all going to work out in the end?' " says one character. " ‘No....But I guess I can probably fake it,' " replies another. The evocation of "Useless, by James Joyce" attests to the humor and ambition of the novel, as if this were a Joyce-an remix with a hipper rhythm track.
