…Mr. Cunningham's voice [is] devilish and off-kilter. He tells his stories with the same louche, ominous disdain of the M.C. in Cabaret…It's positively delectable…But this is still Michael Cunningham we're talking about. He can't help but write movingly, even as he's setting fire to our most cherished childhood texts. This book is studded with unexpected moments of grace.

The novelist Michael Cunningham's reimagined fairy tales in A Wild Swan, beautifully illustrated by Yuko Shimizu in a style that recalls Aubrey Beardsley with a touch of Maurice Sendak, are fractured in more ways than one…"I dig out beautiful caves behind my characters," [Virginia] Woolf wrote in the diary entry Cunningham used as an epigraph to The Hours. "I think that gives exactly what I want: humanity, humor, depth." Cunningham has performed a similar operation on the 10 tales he has selected for transformation. Andersen and the Brothers Grimm were notably sparing in character motivation. For the stories in A Wild Swan, Cunningham has dug out caves of humanity, humor and depth behind some well-known characters.

01/25/2016
Taylor and Hough dramatize these newfangled tales with youthful charm and subtle savagery, easily swinging from the author’s gentle humor into darker recesses. Cunningham meshes ancient tales with modern interpretations, offering psychological background for each of our bedtime familiars. He creates post fairy-tale scenarios and seeks answers to questions never asked: Why is Rumpelstiltskin so obsessed with the queen’s baby? What happens to Rumpelstiltskin after she names him? What is life like for the 11 swans revived as men? How does the 12th, the one-armed, one-winged ex-swan, handle his disability? Why is the wicked witch relieved to be shoved in the oven? Cunningham has created a new and wonderful way of bending our minds around the myths that loomed large in our childhoods, and Taylor and Hough do him justice. A Farrar, Straus and Giroux hardcover. (Nov.)

09/07/2015
The latest from Cunningham (The Snow Queen) offers elegant, sardonic retellings of 10 iconic fairy tales, including “Beauty and the Beast,” “Jack and the Beanstalk,” and “Rapunzel.” Using present-day details and distinctly adult observations to imagine what happens before, after, and behind the familiar narratives, Cunningham explores the often disastrous transformations wrought by love and need. Having expected “ruin to arrive in a grander and more romantic form,” the title character in “Crazy Old Lady” is undone by loneliness long before a tattooed pair of siblings (“those young psychopaths, those beaten children”) arrive on her candy doorstep. An unnamed but recognizable Snow White conducts a bedtime negotiation with a partner still erotically fixated on her past; in “Little Man,” a gnome spins straw into gold to win the child he desperately longs for, something “readily available to any drunk and barmaid who link up for three minutes in one of the darker corners of any dank and scrofulous pub.” Though grounded in the inevitable disenchantment of human life—“Most of us can be counted on to manage our own undoings,” the introduction notes wryly—Cunningham’s tales enlarge rather than reduce the haunting mystery of their originals. Striking black-and-white images from illustrator Shimizu add a fitting visual counterpoint to a collection at once dark and delightful. (Nov.)

"Delicious, shivery, sophisticated fairy stories as spat from the pen of a Pulitzer Prize–winning author. 'Most of us are safe,' Cunningham writes in his astonishing preface. 'If you’re not a delirious dream the gods are having, if your beauty doesn’t trouble the constellations, nobody’s going to cast a spell on you.' But Cunningham will, and does. In a market oversaturated by reworked fairy tales, his are the best." —Katy Waldman, Slate

"[A Wild Swan is] positively delectable. I had no idea Mr. Cunningham had it in him . . . He can't help but write movingly, even as he's setting fire to our most cherished childhood texts. The book is studded with unexpected moments of grace." —Jennifer Senior, The New York Times

Five out of five stars. "While there was darkness in the original tales--blood, butchery and much else--Cunningham's collection brings emotional light and shade where there was none . . . The comedy in these stories works brilliantly, but it does not uncut the tragedy of its lonely and quietly tormented outsiders . . . These tales, short, contemporary, disturbing, and alluring, would make perfect vending-machine fodder: a transporting and enthralling read all the way home." —Arifa Akbar, The Independent

"Michael Cunningham and Yuko Shimizu's A Wild Swan is an enchantment." —Alissa Schappell, Vanity Fair

"[Cunningham] has reimagined, and wickedly modernized, a batch of fairy tales (Yuko Shimizu's illustrations resemble the work of Aubrey Beardsley.) . . . Readers will savor Cunningham's wise, generous musings about (superbly) recognizable types." —Joan Frank, San Francisco Chronicle

"'I dig out beautiful caves behind my characters,'" [Virginia] Woolf wrote in the diary entry Cunningham used as an epigraph to The Hours: 'I think that's exactly what I want: humanity, humor, depth.' Cunningham has performed a similar operation on the 10 tales he has selected for transformation . . . For the stories in A Wild Swan, Cunningham has dug out caves of humanity, humor and depth behind some well-known characters." —Christopher Benfey, The New York Times Book Review

"A rollicking and memorable tribute to stories we know.. . . [Cunningham’s] prose brings back much of the original swagger and sharpness. . . . [He] is extremely funny and psychologically observant. . . . Beautiful, imaginative illustrations by Yuko Shimizu, complement the stories, spurring the feeling that this is not just a book to read, but also a special object.” —The Economist

“Remixing myths and fairy tales in this new collection - beautifully illustrated by Yuko Shimizu - Cunningham stands magic on its head. . . . Cunningham never condescends to his characters. Instead, he inhabits them.” —Kit Reed, Miami Herald

"The original tales are timeless for good reasons, and by approaching them from a fresh and astute perspective with humor and compassion, Cunningham revitalizes their profound resonance. Imaginatively illustrated by Yuko Shimizu, this is a dazzling twenty-first-century fairy-tale collection of creative verve and keen enchantment. Cunningham’s high stature and the book’s irresistible premise will attract lively media attention and reader curiosity." —Donna Seaman, Booklist

"The latest from Cunningham (The Snow Queen) offers elegant, sardonic retellings of 10 iconic fairy tales . . . Cunningham’s tales enlarge rather than reduce the haunting mystery of their originals. Striking black-and-white images from illustrator Shimizu add a fitting visual counterpoint to a collection at once dark and delightful." —Publishers Weekly

02/15/2016
Bruno Bettelheim's classic The Uses of Enchantment posited that fairy tales could help children understand their darkest fears, and Cunningham's (The Hours) reenvisioned Other Tales charges adults to challenge perspectives. Ten stories are turned every-which-way by the author, who deftly subverts with both droll charm and sardonic bite—from the last swan brother who couldn't go back to being fully human and the witch who gets shoved in the oven by young psychopaths after they eat her candy house, to the giant who gets "jacked" and the little man who splits in two when his name is called. VERDICT While listeners will miss out on Japanese artist Yuko Shimizu's gorgeously detailed black-and-white illustrations, they'll hear original music by actor/songwriter Billy Hough, who alternates narrating the stories with Lili Taylor; Taylor presents the more nuanced performance. Audiences in search of alternate tales à la Angela Carter and Gregory Maguire should listen in! ["A treat for adult readers": LJ 10/15/15 review of the Farrar hc.]—Terry Hong, Smithsonian BookDragon, Washington, DC

10/15/2015
It's easy to imagine why an accomplished writer would turn to fairy tales for material: they offer strange, even peculiar plotlines yet are completely familiar to most of us. In this brief collection, with illustrations by Japanese illustrator Shimizu, based in New York, Pulitzer Prize-winning author Cunningham modernizes a selection of tales, slanting the language toward modern life. For example, in the title story, the swan prince's brothers "married, had children, joined organizations." "The Monkey's Paw" stays faithful to the fairy-tale genre (ageless, supernatural) but is hopelessly dark. In others, the usual perspective is twisted around: "Jacked," the "Jack and the Beanstalk" tale, focuses on the misfortunes of the giant and his wife rather than on Jack's luck. "Beast" is no saccharine cartoon "Beauty and the Beast," but a succinct exploration of a marriage based on pity. Perhaps the best of the lot, "Steadfast: Tin," touches on the story of the steadfast tin soldier but doesn't inhabit it. VERDICT Cunningham's sardonic prose can condense the story of a marriage, for instance, into a few powerful pages, reflecting on loss, commitment, separation, and the changing nature of love over time. A treat for adult readers. [See Prepub Alert, 5/17/15.]—Reba Leiding, emeritus, James Madison Univ. Lib., Harrisonburg, VA

How should fairy tales sound? When it comes to Michael Cunningham’s marvelous reimagining of 11 well-known stories, they should sound exactly the way Lili Taylor and Billy Hough deliver them. Their forthright, even cheerful, American tones as they alternate the delivery of each story lull the listener and magnify the inevitable surprise. Over and over, Taylor and Hough offer up the prettiest rose for us to sniff and at just the right moment, let the thorn prick us. Their pacing is immaculate. Cunningham’s contemporary reconsiderations of these age-old stories include more wry humor and downright comedy than the originals. “Beauty and the Beast,” for instance, becomes “Beasts.” Yet they are just as morally profound, occasionally shocking, and enticing as the originals. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2015, Portland, Maine

2015-08-16
An assortment of fairy tales revised and thrust into the present day. Cunningham (The Hours, 1998; By Nightfall, 2010, etc.) lightly touched on folklore for allegorical purposes in his 2014 novel, The Snow Queen, but here he approaches the genre head-on: these stories are each inspired by a particular tale, usually updated to add a dose of grown-up realism to its relationships. "Poisoned," for instance, turns "Snow White" into a piece of flash fiction about pillow-talk role-playing, while "Steadfast; Tin" is a rewrite of "The Steadfast Tin Soldier" that opens at a frat party. Cunningham clearly admires these stories for their flexibility, the way they can, with a twist or two, make room for mature observations about love and sex: his take on "Hansel and Gretel," "Crazy Old Lady," reimagines the witch as a much-married woman exiled for her sexual appetites, "a goddess…of carnal knowingness." And in "Beasts," he considers whether it isn't so much the inner prince but outer animal that Beauty admires: "She wondered to herself why so many men seemed to think meekness was what won women's hearts." To that end, Cunningham embraces dark and sometimes-bloody characteristics of these stories as rendered most famously in the Grimm Brothers, but he also writes more open-heartedly about them, as in "A Monkey's Paw," which extends the original story (which ends with a couple wishing their zombified resurrected son to disappear) to a somber but compassionate conclusion. These rewrites are all elegantly told and nicely supplemented by illustrations by Shimizu, who gives each story a one-panel image that evokes Aubrey Beardsley in its detail and surrealistic splendor. But between the stories' brevity and borrowed plots, this collection also feels like a busman's holiday for Cunningham, who thrives in more expansive settings. A likable and occasionally provocative set of variations on kid-lit themes.