Paperback(Mass Market Paperback - Reprint)

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Overview

On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged.

Product Details

ISBN-13: 9780451531964
Publisher: Penguin Publishing Group
Publication date: 10/04/2011
Edition description: Reprint
Pages: 928
Product dimensions: 4.20(w) x 6.70(h) x 1.60(d)
Age Range: 18 Years

About the Author

George Eliot was born Mary Ann Evans in 1819. Her father was the land agent of Arbury Hall in Warwickshire, in the library of which Eliot embarked upon a brilliant self-education. She moved to London in 1850 and shone in its literary circles. It was, however, her novels of English rural life that brought her fame, starting with Adam Bede, published under her new pen name in 1859, and reaching a zenith with Middlemarch in 1871. It is indicative of the respect and love that she inspired in her most devoted readers that Queen Victoria was one of them. She died in 1880.

Read an Excerpt

WHO that cares much to know the history of man, and how the mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa,' has not smiled with some gentleness at the thought of the little girl walking forth one morning hand - in - hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide - eyed and helpless - looking as two fawns, but with human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child - pilgrimage was a fit beginning. Theresa's passionate, ideal nature demanded an epic life: what were many - volumed romances of chivalry and the social conquests of a brilliant girl to her. Her flame quickly burned up that light fuel; and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self - despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order.
(Continues…)



Excerpted from "Middlemarch"
by .
Copyright © 2011 George Eliot.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

ContentsNote on the TextSelect BibliographyA Chronology of George EliotMIDDLEMARCHExplanatory Notes

What People are Saying About This

From the Publisher

Middlemarch, the magnificent book which with all its imperfections is one of the few English novels written for grown-up people.”
—Virginia Woolf

“The most profound, wise and absorbing of English novels . . . and, above all, truthful and forgiving about human behaviour.”
—Hermione Lee

"No Victorian novel approaches Middlemarch in its width of reference, its intellectual power, or the imperturbable spaciousness of its narrative...I doubt if any Victorian novelist has as much to teach the modern novelists as George Eliot...No writer has ever represented the ambiguities of moral choice so fully".
—V. S. Pritchett

"Middlemarch is probably the greatest English novel."
—Julian Barnes

"It is possible to argue that Middlemarch is the greatest English novel."
—A. S. Byatt

 
"Certainly the greatest [English] novel."
—Martin Amis

 

A. S. Byatt

It is a hugely ambitious, hugely successful, wise, and satisfying work. I never reread it without discovering something I hadn't noticed before.

Reading Group Guide

1. Discuss the relationship between religious and secular, spiritual and worldly, in the novel. Is it conflicted or not? Why?

2. What is Eliot's view of ambition in its different forms-social, intellectual, political? How is this evident in the novel?

3. In her introduction, A. S. Byatt contends that Eliot was "the great English novelist of ideas." How do you interpret this? How do you think ideas-human thought-inform the plot of Middlemarch?

4. George Eliot is a pseudonym for Mary Ann Evans. How does Eliot's femaleness-and her concealing of it-add resonance to the novel, if at all? Do you see Dorothea's character differently in this regard? Do you see Middlemarch as a "women's" novel?

5. Middlemarch was originally published in serial form, a single book at a time. What kinds of concerns affected Eliot's narrative in this regard? How do these discrete segments differ from the whole?

6. Discuss the convention of marriage in the novel. Do you feel it ultimately restricts the characters? Or is it the novel's provincial setting that proves more oppressive?

7. Discuss the metaphor of Dorothea as St. Theresa. What is Eliot saying here?

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