Advance Praise
“The most talked-about author of her generation returns with a hotly awaited fourth book . . . With a Joycean tang to the prose, it continues the deepening of her style since the crystalline insouciance of her 2017 debut Conversations with Friends.”
—Anthony Cummins, The Guardian
“Stylistically daring, emotionally explosive, and endlessly wise, this is Rooney’s best work yet.”
—Charley Burlock, Oprah Daily (Best of Fall)
“[Intermezzo] might be her best yet: a tale of depth and grand sweep, an understated study of characters caught circling the margin of some great and unknown thing, and a diversion of pure enjoyment, too. Rooney’s title tells us these brothers, in their love and fury for one another, are at an in-between moment, as she carefully, brilliantly writes them out of it.”
—Booklist (starred review)
“Bestseller Rooney returns with a boldly experimental and emotionally devastating story of estrangement . . . The novel’s deliberate pacing veers from the propulsiveness of Normal People and the deep character work contrasts with the topicality of Beautiful World, but in many ways this feels like Rooney’s most fully realized work, especially as she channels the modernist styles of James Joyce and Virginia Woolf . . . Even the author’s skeptics are liable to be swept away by this novel’s forceful currents of feeling.”
—Publishers Weekly (starred review)
“Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves . . . The characters remain reach-out-and-touch-them real . . . Her grandmaster status remains intact.”
—Kirkus Reviews
2024-07-04
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.