Puss in Boots

Add to Wishlist

Puss in Boots

$16.95

View All Available Formats & Editions

$16.95

View All Available Formats & Editions

SHIP THIS ITEM

Ships in 1-2 days
PICK UP IN STORE

Your local store may have stock of this item.

Available within 2 business hours

Want it Today?
Check Store Availability

Related collections and offers

Overview

When the old miller dies, his youngest son has no way to earn a living. All he has inherited is a cat. But what a cat! Decked out in an elegant pair of red boots that add necessary swagger, and using quick wits and a nimble tongue, the daring Puss talks them both into a fortune.

The ingenuity and sheer shamelessness of Perrault's feline hero has delighted readers ever since his first appearance three centuries ago. Giuliano Lunelli's interpretation captures the insouciant charm of the original in illustrations as clever and cunning as Puss himself.
Giuliano Lunelli was born in Trento, Italy. His first book for North-South was The Special Gifts, written by Peter Grosz.

Product Details
About the Author

Product Details

ISBN-13:	9783899557275
Publisher:	Gestalten
Publication date:	09/16/2014
Pages:	32
Product dimensions:	5.80(w) x 6.90(h) x 0.40(d)
Age Range:	4 - 6 Years

About the Author

Charles Perrault (1628-1703) is widely recognized as the father of the fairy tale. He created the genre by adapting stories from classic folk tales. His works include Sleeping Beauty, Blue Beard, Puss in Boots, Little Tom Thumb, and The Tales of Mother Goose. He was born and died in Paris.

C.H. Lawrence, a very talented illustrator of children's books, was active in American publishing in the early part of the 20th century. Their story has been lost to time, but their work lives on, to be enjoyed by children and adults alike, in Laughing Elephant's Puss in Boots.

From the B&N Reads Blog

Page 1 of

Editorial Reviews

Lewis and Eidrigevicius here take on a more familiar tale than in their Johnny Longnose , and they give it a distinctly adult look. Lewis's translation of the Perrault classic is smooth and accessible, but Eidrigevicius's trademark surreal paintings are uniformly overcast, even murky. Though some of the illustrations are dramatic (e.g., the cat's paw extends into one frame to grab a rabbit) and others wryly amusing (a shirt forms the river that Puss's master swims in), the somber tone seems at odds with the story, in which ingenuity triumphs. This enterprise is aimed at a group far different than that addressed by the Fred Marcellino version--and one of which few children will be members. Ages 5-8. (May)

Publishers Weekly - Publisher's Weekly

PreS-Gr 3-This version is particularly accessible to the youngest readers while maintaining the integrity of the story. It is narrated in a straightforward manner, without embellishments, and the scarier elements are softened, e.g., Puss wins the castle from a magician rather than an ogre. Children may question whether he deserves his unfortunate fate, but the illustrations suggest that perhaps he is not the nicest magician on the block. In the end, the resourceful cat is forbidden to tell any more lies "...and so (like all Ministers of State) he never told anything but the truth." While older readers will appreciate the tongue-in-cheek humor, the illustrations, rendered in strong clear colors, are the highlight here. Puss's red boots are particularly snazzy, but, throughout, Lunelli balances soft muted tones with splashes of vivid yellow, green, and blue. His remarkable use of light and shadow give an overall sunny cast to the book. The smooth narrative and bright, attractive pictures make this a good choice for read-alouds. Older children may prefer Fred Marcellino's more sophisticated illustrations (Farrar, 1990), but Lunelli's style should appeal to them as well.-Donna L. Scanlon, Lancaster County Library, PA Copyright 1999 Cahners Business Information.

Library Journal

Gr 2-4-Clever Puss is back, but he's a very different feline from the one found in Marcellino's Caldecott Honor book (Farrar, 1990). The text, ably translated by Lewis, is immediately familiar and, like the Marcellino edition, reads like a traditional fairy tale. It is Eidrigevicius's dark and somber illustrations that make this such a striking book. His flat, eerily symbolic pictures, while artistically intriguing, are also deeply disturbing. The unique style, filled with ``brooding figures and enigmatic landscapes,'' worked beautifully in Johnny Longnose (1990) and The Hungry One (1993, both North-South), but here it creates a visual interpretation that seems ill-suited to Perrault's elegant, acerbic tale. Fans of the artist will no doubt welcome this effort, and libraries with comprehensive folk and fairy-tale collections will want to add it for its unusual artistic vision. Libraries interested in more traditional treatments will find Marcellino's version still their best bet.-Linda Boyles, Alachua County Library District, Gainesville, FL

School Library Journal

Of the many recent editions of Perrault's conniving cat tale, this ranks as the strangest. Following her brief, scholarly introduction, Lewis' translation of the text is graceful, readable, and concise. The artwork, however, seems disconnected from the story to the point that, separated from the title and text, only two or three of the dozen paintings would be recognizable as Puss-in-Boots illustrations. While the artist's rather menacing, inscrutable vision may be a valid interpretation of the story, few parents or teachers would choose this version to read aloud to primary-grade children, given the excellent editions already on the shelves. However, the dark, enigmatic scenes could intrigue older children enough that they will compare how the same events are interpreted by different artists. Recommended for libraries with a call for different interpretations of the same tale.

Carolyn Phelan

11/24/2014
Lush illustrations will draw readers into this gently funny adaptation of Perrault’s story, part of the publisher’s World Classics series, about the youngest of three sons lucking his way into a wife and a castle. Kim pictures the son’s inherited cat as a gray tabby with ornate red boots, shrewd facial expressions, and claws that mean business (when the cat threatens to bite and scratch field workers if they don’t tell the king who they work for, there’s little doubt he’ll make good on the threat). There’s a hint of Bruegel to Kim’s rural landscapes, as well as some understated humor—the supposedly fierce giant who owns the fields and castle the cat steals is first seen reclining lazily on a carpet, smoking a hookah. Simultaneously available: Rapunzel, The Wolf and the Seven Kids, Thumbelina, and The Emperor’s New Clothes. Ages 4–8. (Jan.)

Publishers Weekly

"Lush illustrations will draw readers into this gently funny adaptation of Perrault's story." —Publishers Weekly

From the Publisher

Related collections and offers

Overview

Product Details

About the Author

Related Subjects

Customer Reviews