Thirteen Reasons Why

Thirteen Reasons Why

by Jay Asher

Narrated by Debra Wiseman, Joel Johnstone

Unabridged — 6 hours, 25 minutes

Thirteen Reasons Why

Thirteen Reasons Why

by Jay Asher

Narrated by Debra Wiseman, Joel Johnstone

Unabridged — 6 hours, 25 minutes

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Overview

THE #1*NEW YORK TIMES*AND INTERNATIONAL BESTSELLER

**SOON TO BE A NETFLIX ORIGINAL SERIES**

“Eerie, beautiful, and devastating.” -Chicago Tribune

“A stealthy hit with staying power. . . . thriller-like pacing.”*-The New York Times

Thirteen Reasons Why*will leave you with chills long after you have finished reading.” -Amber Gibson, NPR's “All Things Considered”
*

You can't stop the future.*

You can't rewind the past.
The only way to learn the secret . . . is to press play.

Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker-his classmate and crush-who committed suicide two weeks earlier. Hannah's voice tells him that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he'll find out why.*
****************
Clay spends the night crisscrossing his town with Hannah as his guide. He becomes a firsthand witness to Hannah's pain, and as he follows Hannah's recorded words throughout his town, what he discovers changes his life forever.

Editorial Reviews

DEC 07/ JAN 08 - AudioFile

Hannah Baker is determined to have the last word—but she doesn’t get it. Before committing suicide, she sends a tape of 13 joined stories to those who she believes were instrumental in her death. One of the recipients is Clay Jenkins, who once had a crush on Hannah; he would have helped her if he could and listens brokenhearted. The novel makes a perfect transformation to audio. Debra Wiseman narrates Hannah’s story with a blend of dispassion, disgust, and defeat. Joel Johnstone portrays the grieving Clay, who chimes in uncertainly from time to time to protest Hannah’s words, his comments marked with desperation. The interplay of the two is perfectly choreographed in this powerful audio. S.W. © AudioFile 2007, Portland, Maine

Jay Asher’s brilliant first novel is a moving, highly original story that focuses on a set of audiotapes made by a girl before she committed suicide, and which explain to 13 people the reasons why she decided to end her life. Told in a highly effective duel narrative -- alternating between the girl’s voice and the thoughts of a boy who is listening -- this honest, poignant story reveals how other people's actions shape, and by extension can ruin, an individual's faith in people. Intensely powerful and painfully real, Thirteen Reasons Why reveals how brutal high school can be, the consequences of spreading rumors, and the lasting effects of suicide on those left behind.

Booklist

...compelling reading

School Library Journal

Gr 7 Up High school senior Clay Jensen receives seven audiotapes in the mail. They contain the story of why Hannah Baker, a girl he adored, committed suicide. Each side is devoted to a person in her life and a reason for her death. Clay also has a map of places featured on the recordings. He spends a torturous night listening and wandering, unearthing the depth and causes of Hannah's unhappiness. His torment is private-how did he hurt a girl he treasured from afar-and empathic-her hurts and betrayals tear him apart. Clay's pain is palpable and exquisitely drawn in gripping, casually poetic prose. The complex and soulful characters expose astoundingly rich and singularly teenage inner lives, with emotions as raw as cut wrists. The mood is more serious than somber, and Clay's thoughtful synthesis of Hannah's increasingly explosive narrative saves the novel from melodrama. In fact, Hannah's and Clay's narratives are woven together so seamlessly that the characters appear to converse naturally from opposite sides of mortality. Compounded, the tapes build the plot in increasingly tense increments-Hannah's story is a freight train of despair and suspense that picks up speed as it moves to her final undoing. Like the protagonist in John Green's Looking for Alaska (Dutton, 2005), Hannah is an animate ghost; Clay's bereaved voice bears witness to her tragedy. The episodic structure is nicely suited to reluctant readers, but the breakneck pace and dizzying emotion are the true source of this novel's irresistible readability at all levels.-Johanna Lewis, New York Public Library

From the Publisher

Heavy but compelling. . . . Asher’s novel asks us to look at how petty cruelty can deal crushing blows.” Miami Herald

“Wonderfully realistic in his writing, Asher offers teens and parents alike a great story on an important topic.” Green Bay Press-Gazette

“It is a brilliant debut that will leave readers feeling a sense of remorse for Hannah, guilt for Clay, and hope for the lasting lesson of the story.” Bookazine

“Breakneck pace and dizzying emotion.”School Library Journal

“[Hannah’s] pain is gut-wrenchingly palpable. . . . Asher has created an entrancing character study and a riveting look into the psyche of someone who would make this unfortunate choice. A brilliant and mesmerizing debut from a gifted new author.” Kirkus Reviews, starred review and Editor’s Choice

“Readers won’t be able to pull themselves away.” Publishers Weekly

“Asher's ability to convey the anguish of someone who was left behind is truly remarkable.”Book Page


WINNER OF
Association of Booksellers for Children’s “Best Books”
American Library Association’s “Best Books for Young Adults” and “Quick Picks for Reluctant Young Adult Readers”
Heartland Award for Excellence in Young Adult Literature
Florida Teens Read Award
California Book Award
Kentucky Bluegrass Award
Book Sense Pick
International Reading Association’s “Young Adults' Choices” Finalist
Chicago Public Library’s “Best of the Best Books”
Kansas State Reading Circle’s “Recommended Reading List”
New York Public Library’s “Book for the Teen Age”
16 State Award Master Lists
 

Thirteen Reasons Why is a mystery, eulogy, and ceremony. Twenty or thirty times, I snapped the book shut when a sentence, an image, or a line of dialogue was too beautiful and painful. But I, afraid and curious, would always return to this amazing book. I know, in years to come, I will often return to this book.” —Sherman Alexie, bestselling author of The Absolutely True Diary of a Part-Time Indian

“Every once in a while you come across a book that you can’t get out of your mind, one you have to rush back to if you must put it down for some reason. Jay Asher’s Thirteen Reasons Why is one of those books, and is at the very top of my personal Must-Read list.” —Ellen Hopkins, bestselling author of Tricks, Identical, Crank, Burned, Impulse, and Glass

“A spectacular first novel. Jay Asher tells his story with such honesty and simplicity that the tragedy feels shatteringly real.” —Gordon Korman, author of Son of the Mob and Jake, Reinvented

DEC 07/JAN 08 - AudioFile

Hannah Baker is determined to have the last word—but she doesn’t get it. Before committing suicide, she sends a tape of 13 joined stories to those who she believes were instrumental in her death. One of the recipients is Clay Jenkins, who once had a crush on Hannah; he would have helped her if he could and listens brokenhearted. The novel makes a perfect transformation to audio. Debra Wiseman narrates Hannah’s story with a blend of dispassion, disgust, and defeat. Joel Johnstone portrays the grieving Clay, who chimes in uncertainly from time to time to protest Hannah’s words, his comments marked with desperation. The interplay of the two is perfectly choreographed in this powerful audio. S.W. © AudioFile 2007, Portland, Maine

Product Details

BN ID: 2940169233834
Publisher: Penguin Random House
Publication date: 10/23/2007
Edition description: Unabridged
Sales rank: 736,371

Read an Excerpt

"Sir?" she repeats. "How soon do you want it to get there?"

I rub two fingers, hard, over my left eyebrow. The throbbing has become intense. "It doesn't matter," I say.

The clerk takes the package. The same shoebox that sat on my porch less than twenty-four hours ago; rewrapped in a brown paper bag, sealed with clear packing tape, exactly as I had received it. But now addressed with a new name. The next name on Hannah Baker's list.

"Baker's dozen," I mumble. Then I feel disgusted for even noticing it.

"Excuse me?"

I shake my head. "How much is it?"

She places the box on a rubber pad, then punches a sequence on her keypad.

I set my cup of gas-station coffee on the counter and glance at the screen. I pull a few bills from my wallet, dig some coins out of my pocket, and place my money on the counter.

"I don't think the coffee's kicked in yet," she says. "You're missing a dollar."

I hand over the extra dollar, then rub the sleep from my eyes. The coffee's lukewarm when I take a sip, making it harder to gulp down. But I need to wake up somehow.

Or maybe not. Maybe it's best to get through the day half-asleep. Maybe that's the only way to get through today.

"It should arrive at this address tomorrow," she says. "Maybe the day after tomorrow." Then she drops the box into a cart behind her.

I should have waited till after school. I should have given Jenny one final day of peace.

Though she doesn't deserve it.

When she gets home tomorrow, or the next day, she'll find a package on her doorstep. Or if her mom or dad or someone else gets there first, maybe she'll find it on her bed. And she'll be excited. I was excited. A package with no return address? Did they forget, or was it intentional? Maybe from a secret admirer?

"Do you want your receipt?" the clerk asks.

I shake my head.

A small printer clicks one out anyway. I watch her tear the slip across the serrated plastic and drop it into a wastebasket.

There's only one post office in town. I wonder if the same clerk helped the other people on the list, those who got this package before me. Did they keep their receipts as sick souvenirs? Tuck them in their underwear drawers? Pin them up on corkboards?

I almost ask for my receipt back. I almost say, "I'm sorry, can I have it after all?" As a reminder.

But if I wanted a reminder, I could've made copies of the tapes or saved the map. But I never want to hear those tapes again, though her voice will never leave my head. And the houses, the streets, and the high school will always be there to remind me.

It's out of my control now. The package is on its way. I leave the post office without the receipt.

Deep behind my left eyebrow, my head is still pounding. Every swallow tastes sour, and the closer I get to school, the closer I come to collapsing.

I want to collapse. I want to fall on the sidewalk right there and drag myself into the ivy. Because just beyond the ivy the sidewalk curves, following the outside of the school parking lot. It cuts through the front lawn and into the main building. It leads through the front doors and turns into a hallway, which meanders between rows of lockers and classrooms on both sides, finally entering the alwaysopen door to first period.

At the front of the room, facing the students, will be the desk of Mr. Porter. He'll be the last to receive a package with no return address. And in the middle of the room, one desk to the left, will be the desk of Hannah Baker.

Empty.

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