Publishers Weekly - Audio
Imagine waking up every morning in a different body, with a different personality, and a different life. This is reality for A, who experiences a new beginning every day of his life. And while A has come to accept this fate, when he awakens to meet the woman of his dreams, he decides he must find a way to break the cycle. Leviathan’s entertaining and imaginative novel comes to life in this inspired reading by Alex McKenna. Despite the fact that A is a male, the female McKenna brilliantly captures the character, adding nuance and depth. The narrator’s delivery is confident, emotive, and captivating—at times it sounds as if she is reading from her own diary. The result is truly memorable listening. Ages 12–up. A Knopf hardcover. (Aug.)
Publishers Weekly
Is it possible to disregard someone’s exterior to see—and love—that person’s true, interior self? That’s just one of the provocative questions Levithan (Every You, Every Me) asks in a novel that follows “A,” who takes over the body of a different person each day at midnight. Right around A’s 6,000th day on the planet, A meets Rhiannon—girlfriend of current host body Justin—and falls in love. A is careful not to disrupt the lives of the bodies he/she inhabits (A doesn’t identify as male or female), but that starts to change as A pursues Rhiannon. Levithan sets up the rules of this thought experiment carefully: A only hops between the bodies of teenagers (who all live fairly near each other), and A can access their memories. As a result, the story unfolds smoothly (the regular shifts between bodies give the novel a natural momentum), but it’s also less ambitious. Despite the diverse teens A inhabits, A’s cerebral, wiser-than-thou voice dominates, in much the same way A directs the lives of these teens for 24 hours. Ages 12–up. Agent: Bill Clegg, William Morris Endeavor. (Aug.)
From the Publisher
School Library Journal Best of Children's Books 2012
Kirkus Reviews Best of Teen's Books 2012
Booklist Best of Children's Books 2012
"Fresh, unique, funny, and achingly honest, Levithan brilliantly explores the adolescent conundrum of not feeling like oneself, and not knowing where one belongs. I didn't just read this book — I inhaled it." —Jodi Picoult, NYT bestselling author of Lone Wolf and Between the Lines
Entertainment Weekly, August 22, 2012:
"Rich in wisdom and wit...Levithan keeps the pages turning not only with ingenious twists on his central conceit but with A's hard-earned pieces of wisdom about identity, isolation, and love. Every Day has the power to teach a bully empathy by answering an essential question: What's it like to be you and not me — even if it's just for one day?"
New York Times Book Review, August 26, 2012:
"It demonstrates Levithan's talent for empathy, which is paired in the best parts of the book with a persuasive optimism about the odds for happiness and for true love."
Los Angeles Times, September 2, 2012:
"It's the rare book that challenges gender presumptions in a way that's as entertaining as it is unexpected and, perhaps most important, that's relatable to teens who may not think they need sensitivity training when it comes to sexual orientation and the nature of true love. ‘Every Day' is precisely such a book...A story that is always alluring, oftentimes humorous and much like love itself — splendorous."
MTV Hollywood Crush, September 28, 2012:
"Thoughtful and fascinating...A study in the most real and human of concerns: the importance of empathy, the value of friends and family, and the beauty of permanence that we have the luxury of taking for granted."
Boston Globe, September 15, 2012:
"Ambitious and provocative...we’re not ready to let A go."
OUT Magazine, December 2012:
"One of the most inventive young adult novels of the year."
Romantic Times, October 2012:
"Levithan is a literary genius. His style of writing is brilliant — practically flawless... Reading A’s journey to make love last, in a world that is always changing, is an experience I hope everyone gets to share."
Starred Review, School Library Journal, September 2012:
"Every step of the narrative feels real and will elicit a strong emotional response from readers and offer them plenty of fodder for speculation, especially regarding the nature of love.”
Starred Review, Booklist, July 1, 2012:
“Levithan has created an irresistible premise that is sure to captivate readers….
[Every Day] is a study in style, an exercise in imagination, and an opportunity for readers themselves to occupy another life: that of A, himself.”
Starred Review, Kirkus Reviews, May 15, 2012:
“An awe-inspiring, thought-provoking reminder that love reaches beyond physical appearances or gender.”
Starred Review, Shelf Awareness, September 7, 2012:
"Levithan's unusual love story will make teens think about how the core of the soul never changes. A speaks of faith, love, dreams and death with a wisdom derived from thousands of lives visited over 16 years and firsthand proof of how much humans share rather than what sets them apart."
The Bulletin of the Center for Children's Books, September 2012:
"This unconventional romance considers some fascinating and unexpected questions about the nature of identity, consciousness, love, and gender...Readers will identify with A’s profound longing for connection, but they’ll also be intrigued by the butterfly effect A’s presence may have on numerous other teens who make brief but memorable appearances."
The Horn Book, November 2012:
"Brilliantly conceived...[Levithan] shapes the narrative into a profound exploration of what it means to love someone."
Letter Blocks, the BN Parents & Educators blog, August 23, 2012:
"A definite crowd-pleaser."
The L Magazine, August 29, 2012:
"The premise allows for stimulating parallels: A’s experience is both like the writer’s, who inhabits the consciousnesses of random characters, and the adolescent’s, who tries on myriad identities."
AUGUST 2012 - AudioFile
Every day, A inhabits a different teenager’s body. A has been male, female, gay, and straight, but (s)he has never been in love until (s)he meets Rhiannon. Levithan tackles sexuality and acceptance as A balances personal desire with ethical behavior. Narrator Alex McKenna chronicles A’s attempts to reconnect with Rhiannon while coping with an ever-changing physical identity. The first thing listeners will note is McKenna’s throaty vocal quality, which is akin to laryngitis. This distracting effect is a barrier that prevents full connection to the text. That problem, along with a slow start, means that listeners will be well into the story before they can appreciate McKenna’s emotional range and subtle handling of an introspective main character. Humor well delivered may help balance a problematic vocal choice. C.A. © AudioFile 2012, Portland, Maine
Kirkus Reviews
Imagine waking up in a different body every day. A is a 16-year-old genderless being who drifts from body to body each day, living the life of a new human host of the same age and similar geographic radius for 24 hours. One morning, A wakes up a girl with a splitting hangover; another day he/she wakes up as a teenage boy so overweight he can barely fit into his car. Straight boys, gay girls, teens of different races, body shapes, sizes and genders make up the catalog of A's outward appearances, but ultimately A's spirit--or soul--remains the same. One downside of A's life is that he/she doesn't have a family, nor is he/she able to make friends. A tries to interfere as little as possible with the lives of the teenagers until the day he/she meets and falls head over heels in love with Rhiannon, an ethereal girl with a jackass boyfriend. A pursues Rhiannon each day in whatever form he/she wakes up in, and Rhiannon learns to recognize A--not by appearance, but by the way he/she looks at her across the room. The two have much to overcome, and A's shifting physical appearance is only the beginning. Levithan's self-conscious, analytical style marries perfectly with the plot. His musings on love, longing and human nature knit seamlessly with A's journey. Readers will devour his trademark poetic wordplay and cadences that feel as fresh as they were when he wrote Boy Meets Boy (2003). An awe-inspiring, thought-provoking reminder that love reaches beyond physical appearances or gender. (Fiction. 14 & up)