Table of Contents

Introduction: Collaborative Intimacies
Evangelos Chrysagis and Panas Karampampas

PART I: SOUND, MEANING AND SELF-AWARENESS

Chapter 1. Being in Sound: Reflections on Recording while Practicing Aikido and Shakuhachi
Tamara Kohn and Richard Chenhall

Chapter 2. Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London
Yuki Imoto

PART II: PEDAGOGIES OF BODILY MOVEMENT

Chapter 3. Kinaesthetic Intimacy in a Choreographic Practice
Brenda Farnell and Robert N. Wood

Chapter 4. The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman
Bethany Whiteside

PART III: MUSIC PRACTICES AND ETHICAL SELFHOOD

Chapter 5. The Animador as Ethical Mediator:  Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles
James Butterworth

Chapter 6. A Sense of Togetherness: Music Promotion and Ethics in Glasgow
Evangelos Chrysagis

PART IV: BODIES DANCING IN TIME AND ACROSS SPACE

Chapter 7. Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience
Ruxandra Ana

Chapter 8. Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’: Exploring Dance in Korydallos, Attica, Greece
Mimina Pateraki

PART V: MOTION, IRONY AND THE MAKING OF LIFEWORLDS

Chapter 9. Performing Irony on the Dance Floor: The Many Faces of Goth Irony in the Athenian Goth Scene
Panas Karampampas

Chapter 10. The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)
Borut Telban

Index