No Room of Their Own: Gender and Nation in Israeli Women's Fiction

No Room of Their Own: Gender and Nation in Israeli Women's Fiction

by Yael Feldman
ISBN-10:
0231111479
ISBN-13:
9780231111478
Pub. Date:
12/31/1999
Publisher:
Columbia University Press
ISBN-10:
0231111479
ISBN-13:
9780231111478
Pub. Date:
12/31/1999
Publisher:
Columbia University Press
No Room of Their Own: Gender and Nation in Israeli Women's Fiction

No Room of Their Own: Gender and Nation in Israeli Women's Fiction

by Yael Feldman

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Overview

Unlike the literary traditions of the United States, England, and France, the first century of Hebrew literature was lacking in women novelists; women tended to write poetry, while prose fiction was mainly the domain of male writers. Since the 1980s, however, there has been a virtual explosion of commercially successful Hebrew fiction by women that includes many traditionally male genres, such as the historical novel, fictional autobiography, and the mystery novel.

No Room of Their Own is a comparative analysis of recent Israeli fiction by women and some of its Western models, from Virginia Woolf and Simone de Beauvoir to Marilyn French and Marie Cardinal. Feldman shows the richness and subtleties of Israeli women's fiction as she explores the themes of gender and nation, as well as the (non)representation of the "New Hebrew Woman" in five authors—the "foremothers" of the contemporary boom in Israeli Women's fiction: Amalia Kahana-Carmon (Up on Montifer, With Her on Her Way Home), Shulamith Hareven (City of Many Days, Thirst, The Vocabulary of Peace), Netiva BenYehuda (The Palmach Trilogy), Ruth Almog (Women, The Story of a [Writer's] Block, Roots of Air), and Shulamit Lapid (Gei Oni).

Product Details

ISBN-13: 9780231111478
Publisher: Columbia University Press
Publication date: 12/31/1999
Series: Gender and Culture Series
Edition description: New Edition
Pages: 248
Product dimensions: 6.02(w) x 8.98(h) x 0.75(d)
Age Range: 18 Years

About the Author

Yael S. Feldman is Abraham I. Katsch Professor of Hebrew Culture and Education at New York University.

Table of Contents

Introduction
I. "Running with She-Wolves"?
II. The "New Hebrew Woman"
III. The Subject of Postmodernism
IV. Isreal and the European "Woman Question"
One: Emerging Subjects
I. The Masked Autobiography: Genre and Gender
II. What Does a Woman Want? Shulamit Lapid and the Feminist Romance
Two: Alterity Revisited: Gender Theory and Israeli Literary Feminism
I. Beauvior's Drama of Subjectivity
II. Beauvoir's "Daughters": Otherness as Difference
III. Postmodernism's "Other": Mother's Body, Mother's Tongue
IV. Empowering the M/Other?
Three: Empowering the Other: Amalia Kahana-Carmon
I. Feminine, Feminist, or Modernist?
II. A Brotherhood of Outsiders: Women/Jews/Blacks in Up in Montifer
III. The Brotherhood That Cannot Hold
Four: Who's Afraid of Androgyny? Virginia Woolf's "Gender" avant la lettre
I. Untangling the Homoerotic Web: Between Orlando and A Room of One's Own
II. Who's Afraid of Father and Mother(hood)? Back To The Lighthouse
III. Jewish Mothers and Israeli Androgyny
Five: Israeli Androgyny Under Siege: Shulamith Hareven
I. Gendered Selves in City of Many Days: Same, Different, or Repressed?
II. Androgynous "Jewish Parents"? Not in a War Zone!
III. Trauma and Homoeroticism: Loneliness, an Israeli Story
Six: The Leaning Ivory Tower: Feminist Politics
I. Oedipal Tyrannies: Woolf's Psychopolitics in Three Guineas
II. The Leaning Israeli Tower: Feminism Reinvented
III. Monotheistic Tyrannies: Israeli Psychopolitics
Seven: 1948—Hebrew "Gender" and Zionist Ideology: Netiva Ben Yehuda
Eight: Beyond The Feminist Romance: Ruth Almog
I. From The Madwoman in the Attic to The Women's Room
II. The Sins of Their Father(s); or, A Portrait of the Artist as a Young Girl
III. Love and Work? Embracing the M/Other in Roots of Air
IV. From Hysteria to HerStory: Artistic Mending
Afterword: The Nineties—Prelude to a Postmodernist Millennium?

What People are Saying About This

The Jewish Quarterly London Ha'aretz

Rather than nailing facts or positing arguments, Feldman is telling a story: she poses riddles, she creates dynamics of suspense, irony and surprise, she seduces the reader...To this usual brew Feldman brings a contagious love for the actual literature...[A] fascinating, though-provoking and important book.

Naomi Sokoloff

This book will be a milestone in the field of modern Hebrew literature. It brings a breadth of vision and unmatched critical and theoretical sophistication to an area of literary creativity and study that has experienced rapid growth in the past decade.

Naomi Sokoloff, author of Gender and Text in Modern Hebrew and Yiddish Literature

From the Publisher

[A] most sophisticated and erudite narrative...Reading this book is an intellectual exercise for the interested scholar who is willing to free herself/himself from the restrictions of accepted notions, and is ready to surrender to the intricate tapestry Feldman has woven.

The Jewish Quarterly London - Ha'aretz

Rather than nailing facts or positing arguments, Feldman is telling a story: she poses riddles, she creates dynamics of suspense, irony and surprise, she seduces the reader...To this usual brew Feldman brings a contagious love for the actual literature...[A] fascinating, though-provoking and important book.

The Jewish Quarterly London Ha'aretz

Rather than nailing facts or positing arguments, Feldman is telling a story: she poses riddles, she creates dynamics of suspense, irony and surprise, she seduces the reader...To this usual brew Feldman brings a contagious love for the actual literature...[A] fascinating, though-provoking and important book.

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