"A book of memories about the act of remembering.In this memoir, anthropologist [Vincent] Crapanzano...uses all the tools of his trade, approaching his memories skeptically and psychoanalytically, as a set of data where the truth is wrapped in self-protective layers. Crapanzano's self-conscious, self-analytical style makes this a unique and interesting search for lost time." —Kirkus
"[A]...thoughtful, intellectually engaging book that looks at how we organize our memories, understand ourselves and the world around us, and create and recreate meaning in our lives...An intriguing, perceptive memoir that encourages readers to think more deeply about their own lives." —Book Reporter
"[An] elegant probing of identity, nostalgia, memory, and loss." —Publishers Weekly
"[A] stylish, splendidly literary memoir." —Times Literary Supplement
“In what he so thrillingly reveals to be the echo-chamber of autobiographical self-invention—a vertiginous terrain of memory, reflection, inescapable figuration—Vincent Crapanzano creates a uniquely compelling sequence of immediate experience and profound insight into how we each construct the story of our lives. A lifetime of anthropological as well as literary interpretation by one of our most subtle interpreters of human expression and behavior here turns upon Crapanzano himself, in the telling of his own story. In so doing, he gives us a vivid speculative adventure, part detective story, part Augustinian-Sartrean meditation, always hovering between origins and ends, the known and the unknowable. Skeptical, alluring, wrenching, exhilarating, always riveting, Recapitulations is a tour de force—a genuinely philosophical investigation of a remarkable life, which also teaches us how to seize that freedom distilled by every profound encounter both with others, and with that paradoxical other we call the self.” —Peter Sacks, Harvard Univeristy
"With Recapitulations, the anthropologist Vincent Crapanzano has not only written a moving, ambitious, and compelling memoir; he has forged a new genre. Call it the meta-memoir. A brilliant storyteller, he asks himself—and us—what it means to tell, to listen, to remember, to share, to probe the imagined truths of recollection. This is a profoundly original book, and may well change the way you think about your own “recapitulations.” —Wednesday Martin, Ph.D., author of Stepmonster and Primates of Park Avenue
“Crapanzano is a compelling narrator, and his Recapitulations will be fascinating to anyone who has ever wondered what it’s like to be an anthropologist, or how an anthropologist thinks—all the more so because of his uniquely cosmopolitan vision of human experience and his wry and distinctive voice in describing his own.” —Thomas J. Csordas, Ph.D., Professor and Chair, Department of Anthropology, University of California San Diego
“This deeply candid and personal memoir opens with a question that all of us have been asking all life long: Have I learned anything? This gem of a book asks the same question of love, of people, of places, of careers, of everything. Profoundly human, the author, a scholar and writer, revisits his life not just to give an account of his past but to understand his blind spots and, in the process, to uncover what he’s always known but didn’t always care to say he knew. This is me, exactly me, we say.” —André Aciman, author of Out of Egypt: A Memoir
“Recapitulations is more than a fine and moving memoir. Using the fabric of his life as teacher, reader, listener, thinker, and traveler, Vincent Crapanzano has written a remarkable, wide-ranging book about anthropology and what it can tell us about all aspects of modern life, thought, and memory.” —Caroline Moorehead, author of A Train in Winter
“Crapanzano’s evocative and intense prose takes away one’s breath. Rejecting the fast—and so often false—intimacy and revelatory conventions of autobiography, he invites the reader to partake in a mode of reflection that exquisitely moves between the ironic and the uncertain, the considered and the serendipitous, the delicate and the raw. With luminous insight, Recapitulations conveys a life lived with an ethnographic sensibility so finely tuned and deeply embraced that one can’t help but feel one has been given a gift—folded in love and loss, wrapped in keen perception and the pleasures of paradox.” —Ann Laura Stoler, author of Along the Archival Grain
“Vincent Crapanzano is not only a thoughtful man who writes eloquently about his rich and adventurous life, but he is also a worldly emissary who advises us never to take for granted our own vision of the world: there is much to learn from people we do not understand and who do not understand us.” —Gay Talese, author of A Writer’s Life and other books
"Vincent Crapanzano's astonishing memoir, Recapitulations, is the most fascinating and intelligent book I've read in a long time. A true marvel!" —Louis Begley, author most recently of Memories of a Marriage
Praise for Waiting: The Whites of South Africa
"What Mr. Crapanzano has to say about the state of white South Africa, when he writes as interpreter and commentator, is so interesting, [and] so insightful into the processes of self-deception, yet without loss of human warmth." —J.M. Coetzee, New York Times
2015-01-08
A book of memories about the act of remembering.In this memoir, anthropologist Crapanzano (Comparative Literature and Anthropology/CUNY Graduate Center; The Harkis: The Wound that Never Heals, 2011, etc.) uses all the tools of his trade, approaching his memories skeptically and psychoanalytically, as a set of data where the truth is wrapped in self-protective layers. He considers all the key events of his life: growing up on the grounds of a New Jersey mental institution—where his father was a psychiatrist— then losing his father at an early age, which led to estrangement from his mother; a peripatetic foreign and domestic education at Harvard, followed by marriage to New Yorker writer Jane Kramer and a long career at CUNY. Crapanzano knew Margaret Mead and Jacques Lacan, and he saw the rise and fall of Paul de Man—the literary theorist later outed as a Nazi collaborator—but the book is more concerned with what he's learned along the way. Memoirists, he writes, always want the big picture; they "have to give their life a raison d'etre that transcends it." He never takes the straight route. Like Vonnegut's Billy Pilgrim, Crapanzano becomes unstuck in time, recalling events as they occur to him, casually going from present to near present to far past to many places in between, always weighing what he felt then against what he knows now. He can be rough (or ruthlessly honest) regarding old friends, but he never stops interrogating himself. "What was my style? What were my styles?" he asks of his younger self. "Was I like everyone else at Harvard?" Later, he questions his desire to settle old scores: "Am I being discreet in writing this? Am I avenging myself?" Crapanzano's self-conscious, self-analytical style makes this a unique and interesting search for lost time.
