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An Invitation for Me to Think
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An Invitation for Me to Think
168Paperback
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Overview
Katya, Masha, and I are in jail but I don’t consider that we’ve been defeated.... According to the official report, Alexander Vvedensky died on December 20, 1941. We don’t know the cause, whether it was dysentery in the train after his arrest or a bullet from a guard. It was somewhere on the railway line between Voronezh and Kazan. His principle of ‘bad rhythm’ is our own. He wrote: ‘It happens that two rhythms will come into your head, a good one and a bad one and I choose the bad one. It will be the right one.’ ... It is believed that the OBERIU dissidents are dead, but they live on. They are persecuted but they do not die.”
— Pussy Riot [Nadezhda Tolokonnikova’s closing statement at their trial in August 2012]
“I raise[d] my hand against concepts,” wrote Alexander Vvedensky, “I enacted a poetic critique of reason.” This weirdly and wonderfully philosophical poet was born in 1904, grew up in the midst of war and revolution, and reached his artistic maturity as Stalin was twisting the meaning of words in grotesque and lethal ways. Vvedensky—with Daniil Kharms the major figure in the short–lived underground avant-garde group OBERIU (a neologism for “the union for real art”)—responded with a poetry that explodes stable meaning into shimmering streams of provocation and invention. A Vvedensky poem is like a crazy party full of theater, film, magic tricks, jugglery, and feasting. Curious characters appear and disappear, euphoria keeps company with despair, outrageous assertions lead to epic shouting matches, and perhaps it all breaks off with one lonely person singing a song.
A Vvedensky poem doesn’t make a statement. It is an event. Vvedensky’s poetry was unpublishable during his lifetime—he made a living as a writer for children before dying under arrest in 1942—and he remains the least known of the great twentieth-century Russian poets. This is his first book to appear in English. The translations by Eugene Ostashevsky and Matvei Yankelevich, outstanding poets in their own right, are as astonishingly alert and alive as the originals.
Product Details
ISBN-13: | 9781590176306 |
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Publisher: | New York Review Books |
Publication date: | 04/02/2013 |
Series: | NYRB Poets |
Pages: | 168 |
Product dimensions: | 6.80(w) x 4.50(h) x 0.80(d) |
About the Author
Eugene Ostashevsky is the author of the poetry collections The Life and Opinions of DJ Spinoza and Iterature, both published by Ugly Duckling Presse. He is the editor of OBERIU: An Anthology of Russian Absurdism, the first collection of writings by Vvedensky and friends in English translation. Ostashevsky teaches in the liberal studies program at New York University.
Matvei Yankelevich is the author of the poetry collection Alpha Donut (United Artists Books) and a novella in fragments, Boris by the Sea (Octopus Books). His translations of Daniil Kharms were collected in Today I Wrote Nothing: The Selected Writings of Daniil Kharms (Overlook/Ardis). He edits the Eastern European Poets Series at Ugly Duckling Presse.
Read an Excerpt
The Joyful Man Franz
the joyful man Franz
maintained protuberance from start to finish he never came down the porch
measured stars named flowers
believed I am you
affixing number to time humming in rhyme he died and was deceased like the shotgun and the cyst frightened, he would see a skirt
as he fantasized asleep and would sail at the helm to a melancholy elm
where squads of beetles
performed about-faces showed their mustaches to gods pronounced themselves to be clocks
gods howled out of tune and tumbled down from the moon there in luxurious grass an ant was being stamped and the glowworm, unkind king lit up a large lamp
silently the lightnings flashed languid animals snorted
unhurriedly growled
the waves that lay on the sand
where? where did all this happen where did this location roam
I forgot, the sun will say sinking into the unknown all we see is the exit
from the schoolbag of Franz of the contemporary of man the psychologist of the divine this wizard announces the party begins idle stars crowd in boring people smoke
lonely thoughts run around everything is sad and pointless
God what kind of party is this it’s the christmas of death or something hens step around gulfs the hall hops with cupids and the iron steam-engine meditates upon cow-patties
Franz awoke from his nightmare why are all these things here?
the valet stood here like a palm before the meadows of eternity short as a reed the collar sleeps upon a chair a branch of kerosene overlooks the twilight answer me wizard is this a dream? I’m a fool but where is that wizard where is the psychologist of the divine he counts songs in his sleep growing bald as a tree he can’t come here where the real world stands he calmly multiplies the shades he does not shimmer in the sky
Turks give me my carriage the joyful Franz called give me the rocket of Oberth give me horsepower
I will ride around the world in this fascinating cab
I will orchestrate a race of the star with the prisoner earth touch the ceiling with my head
I’m a bluebird I’m […]
meanwhile out of the acute night
out of the abyss of the bad dream
appears a crown
and the ramified scythe you’re an irate serpent my childless death hello Franz will sadly say
each of your hairs holds more thoughts than a pot more sleep than a powder take out your saber and slice open my shirt then slice open my skin
glue me to the bed
all the same shall learning triumph
I’ll announce as I gurgle and create a grandson my substitute in the form of a lamp he will stand and glow write essays for school death said you are a flower and fled to the east
Franz remained alone to contemplate protuberance measure stars name flowers compose I and you lying in absolute silence in the empty heights
1929-1930
[Trans. Ostashevsky]
Snow Lies
snow lies earth flies lights flip in pigments night has come on a rug of stars it lies is it night or a demon?
like an inane lever sleeps the insane river it is not aware of the moon everywhere animals gnash their canines in black gold cages animals bang their heads animals are the ospreys of saints the world flies around the universe in the vicinity of stars dashes deathless like a swallow seeks a home a nest there’s no nest a hole the universe is alone maybe rarely in flight time will pass as poor as night or a daughter in a bed will grow sleepy and then dead then a crowd of relations will rush in and cry alas in steel houses will howl loudly she’s gone and buried hopped to paradise big-bellied
God God have pity good God on the precipice but God said Go play and she entered paradise there spun any which way numbers houses and seas the inessential exists in vain, they perceived there God languished behind bars with no eyes no legs no arms so that maiden in tears sees all this in the heavens sees various eagles appear out of night and fly inane and flash insane this is so depressing the dead maiden will say serenely surprised
God will say what’s depressing what’s depressing, God, life what are you talking about what O noon do you know you press pleasure and Paris to your breast like two pears you swell like music you’re swell like a statue then the wood howled in final despair it spies through the tares a meandering ribbon little ribbon a crate curvy Lena of fate
Mercury was in the air spinning like a top and the bear sunned his coat people also walked around bearing fish on a platter bearing on their hands ten fingers on a ladder while all this went on that maiden rested rose from the dead and forgot yawned and said you guys, I had a dream what can it mean dreams are worse than macaroni they make crows double over
I was not at all dying
I was gaping and lying undulating and crying
I was so terrifying a fit of lethargy was had by me among the effigies let’s enjoy ourselves really let’s gallop to the cinema and she sped off like an ass to satisfy her innermost lights glint in the heaven is it night or a demon
January 1930
[Trans. Ostashevsky]