180° Behind Me

by Mounir Fatmi

Overview

"The first major solo presentation by mounir fatmi in Scandinavia comes at a very particular time. In the spring of 2018, Freemuse – an independent organization working with defending the rights and freedom of artistic expression - published its first global report assessing the global state of artistic freedom. It is an important and chilling document about censorship and violations of artistic expression experienced across the globe, including the traditionally democratic western countries. Having himself experienced the consequences of a culture of silencing, mounir fatmi is an artist dedicated to exposing and deconstructing oppressive ideological and religious dogmas in works that shed light some of our most pressing political questions today.
Seeking to illuminate the role of artists in a time of crisis, the exhibition at Göteborgs Konsthall particularly addresses the urgency of free speech and seeks to open up the political potential of language as resistance. Engaging in notions of language, and the written word – its beauty, violence and fragility – fatmi’s works expose the layers of interpretation and reinterpretation that comprise our history, but also speaks directly to a culture of censorship and silencing."

Product Details

BN ID:	2940165082542
Publisher:	Mounir Fatmi
Publication date:	10/29/2021
Sold by:	Smashwords
Format:	eBook
File size:	6 MB
Age Range:	18 Years

About the Author

mounir fatmi is a visual artist born in Tangier, Morocco in 1970. He constructs visual spaces and linguistic games. His work deals with the desecration of religious objects, deconstruction, and the end of dogmas and ideologies. He questions the world and plays with its codes and precepts under the prism of architecture, language and the machine. He is particularly interested in the idea of the role of the artist in a society in crisis. mounir fatmi's work offers a look at the world from a different glance, refusing to be blinded by convention. He brings to light our doubts, fears and desires.
He has published several books and art catalogs including: The Kissing Precise, with Régis Durand, La Muette edition, Brussels, 2013, Suspect Language, with Lillian Davies, Skira edition, Italy, 2012, This is not blasphemy, in collaboration with Ariel Kyrou, Inculte-Dernier Marge & Actes Sud edition, 2015, History is not Mine, SF Publishing, Paris, 2015, and Survival Signs, SF Publishing, Paris, 2017. He has also participated in the collective book, Letter to a young Moroccan, edition Seuil, Paris, 2009.
He has participated in several solo and collective exhibitions in museums and galleries around the world including: Mamco, Geneva, The Picasso Museum, Vallauris, Centre Georges Pompidou, Paris, The Brooklyn Museum, New York, N.B.K., Berlin, Palais de Tokyo, Paris, MAXXI, Rome, Mori Art Museum, Tokyo, Museum on the Seam, Jerusalem, Moscow Museum of Modern Art, Moscow, Mathaf Arab Museum of Modern Art, Doha, the Hayward Gallery, London, the Art Gallery of Western Australia, the Victoria & Albert Museum in London, and the Van Abbemuseum in Eindhoven.His installations have been selected in biennials such as the 52nd and the 57th Venice Biennial, the 8th biennial of Sharjah, the 5th Dakar Biennial, the 2nd Seville Biennial, the 5th Gwangju Biennial and the 10th Lyon Biennial, the 5th Auckland Triennial, Fotofest 2014, Houston, the 10th and 11th Bamako Encounters, as well as the 7th Biennale of Architecture in Shenzhen.mounir fatmi was awarded several prizes such as the Cairo Biennial Prize in 2010, the Uriöt prize, Amsterdam, the Grand Prize Leopold Sedar Senghor of the 7th Dakar Biennial in 2006 as well and he was shortlisted for the Jameel Prize of the Victoria & Albert Museum, London in 2013.