4 3 2 1 (Spanish Edition)

4 3 2 1 (Spanish Edition)

4 3 2 1 (Spanish Edition)

4 3 2 1 (Spanish Edition)


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Overview

Una novela magistral sobre el poder del destino llamada a coronar la obra de Paul Auster.

El único hecho inmutable en la vida de Ferguson es que nació el 3 de marzo de 1947 en Newark, Nueva Jersey. A partir de ese momento, varios caminos se abren ante él y le llevarán a vivir cuatro vidas completamente distintas, a crecer y a explorar de formas diferentes el amor, la amistad, la familia, el arte, la política e incluso la muerte, con algunos de los acontecimientos que han marcado la segunda mitad del siglo xx americano como telón de fondo.

¿Y si hubieras actuado de otra forma en un momento crucial de tu vida? 4 3 2 1, la primera novela de Paul Auster después de siete años, es un emotivo retrato de toda una generación, un coming of age universal y una saga familiar que explora de manera deslumbrante los límites del azar y las consecuencias de nuestras decisiones. Porque todo suceso, por irrelevante que parezca, abre unas posibilidades y cierra otras.

«Siento que he estado preparándome toda la vida para escribir este libro», reconocía el autor de La trilogía de Nueva York en una entrevista con el director de cine Wim Wenders. Acogida por los medios como «la mejor novela de Auster» (Harper's Magazine), estamos ante un ejercicio soberbio de precisión narrativa e imaginación, llamado a coronar la carrera literaria de uno de los grandes escritores de nuestra época.


Product Details

ISBN-13: 9788432233012
Publisher: Planeta Publishing Corporation
Publication date: 08/31/2017
Series: Biblioteca Formentor
Sold by: Planeta
Format: eBook
Pages: 960
Sales rank: 33,451
File size: 3 MB
Language: Spanish

About the Author

About The Author
Paul Auster es escritor, traductor y cineasta. Entre sus obras destacan La trilogía de Nueva York (1987), El libro de las ilusiones (2002), Brooklyn Follies (2005), Un hombre en la oscuridad (2008) e Invisible (2009). Ha escrito los guiones de las películas Smoke (1995) y Blue in the Face (1995), en cuya dirección colaboró con Wayne Wang, y Lulu on the Bridge (1998) y La vida interior de Martin Frost (2007), que dirigió en solitario. Ha recibido numerosos galardones, entre los que destacan el Premio Médicis por la novela Leviatán, el Independent Spirit Award por el guion de Smoke, el Premio al mejor libro del año del Gremio de Libreros de Madrid por El libro de las ilusiones, el Premio Qué Leer por La noche del oráculo y el Premio Leteo; ha sido finalista del International IMPAC Dublin Literary Award por El libro de las ilusiones y del PEN/Faulkner Award por La música del azar. En 2006 recibió el Premio Príncipe de Asturias de las Letras. Es miembro de la American Academy of Arts and Letters y Comandante de la Orden de las Artes y las Letras francesa. Su obra está traducida a más de cuarenta idiomas. Vive en Brooklyn, Nueva York.

Hometown:

Brooklyn, New York

Date of Birth:

February 3, 1947

Place of Birth:

Newark, New Jersey

Education:

B.A., M.A., Columbia University, 1970

Read an Excerpt

According to family legend, Ferguson’s grandfather departed on foot from his native city of Minsk with one hundred rubles sewn into the lining of his jacket, traveled west to Hamburg through Warsaw and Berlin, and then booked passage on a ship called the Empress of China, which crossed the Atlantic in rough winter storms and sailed into New York Harbor on the first day of the twentieth century. While waiting to be interviewed by an immigration official at Ellis Island, he struck up a conversation with a fellow Russian Jew. The man said to him: Forget the name Reznikoff. It won’t do you any good here. You need an American name for your new life in America, something with a good American ring to it. Since English was still an alien tongue to Isaac Reznikoff in 1900 he asked his older more experienced compatriot for a suggestion. Tell them you’re Rockefeller, the man said. You can’t go wrong with that. An hour passed, then another hour, and by the time the nineteen-year-old Reznikoff sat down to be questioned by the immigration official, he had forgotten the name the man had told him to give. Your name? the official asked. Slapping his head in frustration, the weary immigrant blurted out in Yiddish, Ikh hob fargessen (I’ve forgotten)! And so it was that Isaac Reznikoff began his new life in America as Ichabod Ferguson.

He had a hard time of it, especially in the beginning, but even after it was no longer the beginning, nothing ever went as he had imagined it would in his adopted country. It was true that he managed to find a wife for himself just after his twenty-sixth birthday, and it was also true that this wife, Fanny, née Grossman, bore him three robust and healthy sons, but life in America remained a struggle for Ferguson’s grandfather from the day he walked off the boat until the night of March 7, 1923, when he met an early, unexpected death at the age of forty-two – gunned down in a holdup at the leather-goods warehouse in Chicago where he had been employed as a night watchman.

No photographs survive him, but by all accounts he was a large man with a strong back and enormous hands, uneducated, unskilled, the quintessential greenhorn know-nothing. On his first afternoon in New York, he chanced upon a street peddler hawking the reddest, roundest, most perfect apples he had ever seen. Unable to resist, he bought one and eagerly bit into it. Instead of the sweetness he had been anticipating, the taste was bitter and strange. Even worse, the apple was sickeningly soft, and once his teeth had pierced the skin, the inside of the fruit came pouring down the front of his coat in a shower of pale red liquid dotted with scores of pellet-like seeds. Such was his first encounter with a Jersey tomato.

Not a Rockefeller, then, but a broad-shouldered roustabout, a Hebrew giant with an absurd name and a pair of restless feet who tried his luck in Manhattan and Brooklyn, in Baltimore and Charleston, in Duluth and Chicago, employed variously as a dockhand, an ordinary seaman on a Great Lakes tanker, an animal handler for a traveling circus, an assembly-line worker in a tin-can factory, a truck driver, a ditchdigger, a night watchman. For all his efforts, he never earned more than nickels and dimes, and therefore the only things poor Ike Ferguson bequeathed to his wife and three boys were the stories he had told them about the vagabond adventures of his youth. In the long run, stories are probably no less valuable than money, but in the short run they have their decided limitations.

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