As the sprawling magnitude of its cheeky title suggests,
69 Love Songs is
Stephin Merritt's most ambitious as well as most fully realized work to date, a three-disc epic of classically chiseled
pop songs that explore both the promise and pitfalls of modern romance through the jaundiced eye of an irredeemable misanthrope. A true A-to-Z catalog of touchingly bittersweet love songs that runs the gamut from tender
ballads to pithy
folk tunes to bluesy vamps, the sheer scope of the record allows all of
Merritt's musical personas to converge -- the regular use of guest vocalists recalls his work as
the 6ths, the romantic fatalism suggests the
Gothic Archies project, and the stately melodies evoke
the Future Bible Heroes. The whole is much greater than the sum of its parts, however -- for all of
Merritt's scathing wit and icy detachment, there's a depth and sensitivity to these songs largely absent from his past work, and each one of these 69 tracks approaches l'amour from refreshing angles, galvanizing the love song form with rare sophistication and elegance. The second disc is considerably more eccentric than the first, opening with the
a cappella "Roses" and heading directly into the faux-
bop "Love Is Like Jazz"; at times the music strays too far off course, but each time
Merritt pulls back the reins with another superb
pop gem like the lovely piano
ballad "Very Funny" or the remarkable
"Asleep and Dreaming," perhaps the most convincing and honest love song he's ever composed. Still, even though each of
69 Love Songs' three discs is available separately, it was nevertheless conceived as a whole and is best absorbed as such, with all of its twists and turns taken in stride; despite its three-hour length the music boasts the craftsmanship and economy that remain the hallmarks of classic American
pop songwriting, a tradition
Merritt upholds even as he subverts the formula in new and brilliant ways. ~ Jason Ankeny
