Pewabic Pottery: The American Arts and Crafts Movement Expressed in Clay
Pewabic Pottery is a significant manifestation of the international Arts and Crafts movement in Michigan. As ceramic expert Martin Eidelberg points out in his introductory essay, it was also a striking example of the coterie of talented American female ceramists who broke with traditional norms, seeking to excel both as artists and as entrepreneurs. Founded by Mary Chase Perry and Horace James Caulkins in Detroit at the turn of the twentieth century, Pewabic produced simple objects with unique glazes rooted in ceramic history, yet freshly made their own. This chronological history of Pewabic work—the most extensive study published to date—focuses primarily on the pottery as operated by Perry and Caulkins, and then goes up through the beginning of the Pewabic Society Inc. in 1979. It offers a fascinating, in-depth exploration of the various aspects of the history of Pewabic Pottery, from the personal lives of its founders and prominent potters to discussions of tiles and glazes and finally to Pewabic Pottery’s place at Michigan State University. Authored by the most recognized scholar on Pewabic Pottery, this study relies heavily on archival sources to achieve a comprehensive history of one of Michigan’s most interesting art studios.
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Pewabic Pottery: The American Arts and Crafts Movement Expressed in Clay
Pewabic Pottery is a significant manifestation of the international Arts and Crafts movement in Michigan. As ceramic expert Martin Eidelberg points out in his introductory essay, it was also a striking example of the coterie of talented American female ceramists who broke with traditional norms, seeking to excel both as artists and as entrepreneurs. Founded by Mary Chase Perry and Horace James Caulkins in Detroit at the turn of the twentieth century, Pewabic produced simple objects with unique glazes rooted in ceramic history, yet freshly made their own. This chronological history of Pewabic work—the most extensive study published to date—focuses primarily on the pottery as operated by Perry and Caulkins, and then goes up through the beginning of the Pewabic Society Inc. in 1979. It offers a fascinating, in-depth exploration of the various aspects of the history of Pewabic Pottery, from the personal lives of its founders and prominent potters to discussions of tiles and glazes and finally to Pewabic Pottery’s place at Michigan State University. Authored by the most recognized scholar on Pewabic Pottery, this study relies heavily on archival sources to achieve a comprehensive history of one of Michigan’s most interesting art studios.
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Pewabic Pottery: The American Arts and Crafts Movement Expressed in Clay

Pewabic Pottery: The American Arts and Crafts Movement Expressed in Clay

Pewabic Pottery: The American Arts and Crafts Movement Expressed in Clay

Pewabic Pottery: The American Arts and Crafts Movement Expressed in Clay

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Overview

Pewabic Pottery is a significant manifestation of the international Arts and Crafts movement in Michigan. As ceramic expert Martin Eidelberg points out in his introductory essay, it was also a striking example of the coterie of talented American female ceramists who broke with traditional norms, seeking to excel both as artists and as entrepreneurs. Founded by Mary Chase Perry and Horace James Caulkins in Detroit at the turn of the twentieth century, Pewabic produced simple objects with unique glazes rooted in ceramic history, yet freshly made their own. This chronological history of Pewabic work—the most extensive study published to date—focuses primarily on the pottery as operated by Perry and Caulkins, and then goes up through the beginning of the Pewabic Society Inc. in 1979. It offers a fascinating, in-depth exploration of the various aspects of the history of Pewabic Pottery, from the personal lives of its founders and prominent potters to discussions of tiles and glazes and finally to Pewabic Pottery’s place at Michigan State University. Authored by the most recognized scholar on Pewabic Pottery, this study relies heavily on archival sources to achieve a comprehensive history of one of Michigan’s most interesting art studios.

Product Details

ISBN-13: 9781611863864
Publisher: Michigan State University Press
Publication date: 05/01/2021
Edition description: 1
Pages: 496
Product dimensions: 7.30(w) x 10.00(h) x 1.20(d)

About the Author

THOMAS W. BRUNK (1949-2018) was curator and archivist of Michigan State University’s Pewabic Pottery from 1974 to 1981 and cofounder of the Pewabic Society Inc. in 1979, serving as its president in 1988-1989. He was considered Detroit’s foremost chronicler of subjects such as Pewabic Pottery, the Scarab Club, and the Masonic Temple, among others.


MARTIN EIDELBERG is professor emeritus of art history at Rutgers University.

Table of Contents

Foreword: Ambitious Women Martin Eidelberg ix

Preface xxix

Acknowledgments xxxi

Introduction xxxiii

I Mary Chase Perry: Artist, China Decorator, Potter, and Educator 1

II Horace J. Caulkins and the Revelation Kilns 31

III The Stable Studio 55

IV A New Home on Jefferson Avenue 85

V The Society of Arts and Crafts 101

VI Charles Lang Freer 123

VII William B. Stratton: Architect and Potter 139

VIII Going It Alone: 1923 to the Great Depression 149

IX Surviving the Great Depression, World War II, and the Postwar Decades 155

X Tile Commissions 165

XI Artists' Own Homes: The Perry-Stratton Residences 209

XII Glazes 225

XIII Pewabic Pottery: A Comparative Analysis 241

XIV Michigan State University and Pewabic Pottery 249

Appendix 263

Notes 279

Selected Bibliography 359

Index 363

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