Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987
On August 4, 1983, Captain Thomas Sankara led a coalition of radical military officers, communist activists, labor leaders, and militant students to overtake the government of the Republic of Upper Volta. Almost immediately following the coup’s success, the small West African country—renamed Burkina Faso, or Land of the Dignified People—gained international attention as it charted a new path toward social, economic, cultural, and political development based on its people’s needs rather than external pressures and Cold War politics. James E. Genova’s Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987 recounts in detail the revolutionary government’s rise and fall, demonstrating how it embodied the critical transition period in modern African history between the era of decolonization and the dawning of neoliberal capitalism. It also uncovers one of the revolution’s most enduring and significant aspects: its promotion of film as a vehicle for raising the people’s consciousness, inspiring their efforts at social transformation, and articulating a new self-generated image of Africa and Africans. Foregrounding film and drawing evocative connections between Sankara’s political philosophy and Frantz Fanon, Making New People provides a deeply nuanced explanation for the revolution’s lasting influence throughout Africa and the world.
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Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987
On August 4, 1983, Captain Thomas Sankara led a coalition of radical military officers, communist activists, labor leaders, and militant students to overtake the government of the Republic of Upper Volta. Almost immediately following the coup’s success, the small West African country—renamed Burkina Faso, or Land of the Dignified People—gained international attention as it charted a new path toward social, economic, cultural, and political development based on its people’s needs rather than external pressures and Cold War politics. James E. Genova’s Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987 recounts in detail the revolutionary government’s rise and fall, demonstrating how it embodied the critical transition period in modern African history between the era of decolonization and the dawning of neoliberal capitalism. It also uncovers one of the revolution’s most enduring and significant aspects: its promotion of film as a vehicle for raising the people’s consciousness, inspiring their efforts at social transformation, and articulating a new self-generated image of Africa and Africans. Foregrounding film and drawing evocative connections between Sankara’s political philosophy and Frantz Fanon, Making New People provides a deeply nuanced explanation for the revolution’s lasting influence throughout Africa and the world.
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Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987

Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987

by James Genova
Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987

Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987

by James Genova

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Overview

On August 4, 1983, Captain Thomas Sankara led a coalition of radical military officers, communist activists, labor leaders, and militant students to overtake the government of the Republic of Upper Volta. Almost immediately following the coup’s success, the small West African country—renamed Burkina Faso, or Land of the Dignified People—gained international attention as it charted a new path toward social, economic, cultural, and political development based on its people’s needs rather than external pressures and Cold War politics. James E. Genova’s Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983-1987 recounts in detail the revolutionary government’s rise and fall, demonstrating how it embodied the critical transition period in modern African history between the era of decolonization and the dawning of neoliberal capitalism. It also uncovers one of the revolution’s most enduring and significant aspects: its promotion of film as a vehicle for raising the people’s consciousness, inspiring their efforts at social transformation, and articulating a new self-generated image of Africa and Africans. Foregrounding film and drawing evocative connections between Sankara’s political philosophy and Frantz Fanon, Making New People provides a deeply nuanced explanation for the revolution’s lasting influence throughout Africa and the world.

Product Details

ISBN-13: 9781611864397
Publisher: Michigan State University Press
Publication date: 11/01/2022
Pages: 268
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)

About the Author

JAMES E. GENOVA is professor of history and film studies at Ohio State University at Marion. He is the author of Colonial Ambivalence, Cultural Authenticity, and the Limitations of Mimicry in French-Ruled West Africa, 1914-1956 (2004) and Cinema and Development in West Africa (2013).

Table of Contents

Preface ix

Acknowledgments xxv

List of Abbreviations xxvii

Chapter 1 Politics and Culture in Upper Volta (1960s-1982) 1

Chapter 2 Dual Power and the Triumph of the Burkinabe Revolution (1982-1983) 33

Chapter 3 Building Revolutionary Structures and Making New People (1983-1984) 61

Chapter 4 Cultural Revolution, Economic Reform, and Global Engagement (1984-1985) 89

Chapter 5 Recalibration of the Burkinabe Revolution (1985-1986) 121

Chapter 6 Twilight of the Revolution and Sankara's Murder (1986-1987) 151

Conclusion 183

Notes 195

Bibliography 239

Index 247

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