A Bull of a Man: Images of Masculinity, Sex, and the Body in Indian Buddhism
The androgynous, asexual Buddha of contemporary popular imagination stands in stark contrast to the muscular, virile, and sensual figure presented in Indian Buddhist texts. In early Buddhist literature and art, the Buddha’s perfect physique and sexual prowess are important components of his legend as the world’s “ultimate man.” He is both the scholarly, religiously inclined brahman and the warrior ruler who excels in martial arts, athletic pursuits, and sexual exploits. The Buddha effortlessly performs these dual roles, combining his society’s norms for ideal manhood and creating a powerful image taken up by later followers in promoting their tradition in a hotly contested religious marketplace.
In this groundbreaking study of previously unexplored aspects of the early Buddhist tradition, John Powers skillfully adapts methodological approaches from European and North American historiography to the study of early Buddhist literature, art, and iconography, highlighting aspects of the tradition that have been surprisingly invisible in earlier scholarship. The book focuses on the figure of the Buddha and his monastic followers to show how they were constructed as paragons of masculinity, whose powerful bodies and compelling sexuality attracted women, elicited admiration from men, and convinced skeptics of their spiritual attainments.
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A Bull of a Man: Images of Masculinity, Sex, and the Body in Indian Buddhism
The androgynous, asexual Buddha of contemporary popular imagination stands in stark contrast to the muscular, virile, and sensual figure presented in Indian Buddhist texts. In early Buddhist literature and art, the Buddha’s perfect physique and sexual prowess are important components of his legend as the world’s “ultimate man.” He is both the scholarly, religiously inclined brahman and the warrior ruler who excels in martial arts, athletic pursuits, and sexual exploits. The Buddha effortlessly performs these dual roles, combining his society’s norms for ideal manhood and creating a powerful image taken up by later followers in promoting their tradition in a hotly contested religious marketplace.
In this groundbreaking study of previously unexplored aspects of the early Buddhist tradition, John Powers skillfully adapts methodological approaches from European and North American historiography to the study of early Buddhist literature, art, and iconography, highlighting aspects of the tradition that have been surprisingly invisible in earlier scholarship. The book focuses on the figure of the Buddha and his monastic followers to show how they were constructed as paragons of masculinity, whose powerful bodies and compelling sexuality attracted women, elicited admiration from men, and convinced skeptics of their spiritual attainments.
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A Bull of a Man: Images of Masculinity, Sex, and the Body in Indian Buddhism
The androgynous, asexual Buddha of contemporary popular imagination stands in stark contrast to the muscular, virile, and sensual figure presented in Indian Buddhist texts. In early Buddhist literature and art, the Buddha’s perfect physique and sexual prowess are important components of his legend as the world’s “ultimate man.” He is both the scholarly, religiously inclined brahman and the warrior ruler who excels in martial arts, athletic pursuits, and sexual exploits. The Buddha effortlessly performs these dual roles, combining his society’s norms for ideal manhood and creating a powerful image taken up by later followers in promoting their tradition in a hotly contested religious marketplace.
In this groundbreaking study of previously unexplored aspects of the early Buddhist tradition, John Powers skillfully adapts methodological approaches from European and North American historiography to the study of early Buddhist literature, art, and iconography, highlighting aspects of the tradition that have been surprisingly invisible in earlier scholarship. The book focuses on the figure of the Buddha and his monastic followers to show how they were constructed as paragons of masculinity, whose powerful bodies and compelling sexuality attracted women, elicited admiration from men, and convinced skeptics of their spiritual attainments.
John Powers is Professor in Asian Studies at the College of Asia and the Pacific, The Australian National University.
Table of Contents
Contents Preface ix 1. The Ultimate Man 1 2. A Manly Monk 00 3. Sex and the Single Monk 00 4. The Problem with Bodies 000 5. The Company of Men 000 6. The Greater Men of the Greater Vehicle 000 7. Adepts and Sorcerers 000 8. Conclusion 000 Appendix 1: The Major and Minor Physical Characteristics of a Great Man 000 Appendix 2: Epithets of the Buddha 000 Notes 000 Bibliography 000 Index 000
What People are Saying About This
Whereas for years Western scholars have propagated a disembodied view of Buddhism, John Powers makes a powerful case for the Indian tradition's obsession with gender, sexuality, and the body. Engagingly written and packed with fascinating details, A Bull of a Man is a major contribution to Buddhist studies and a must read for anyone in interested in the interaction between gender and religion.
Charles S. Prebish
A Bull of a Man is one of the most creative and remarkable manuscripts on an Indian-Buddhist related topic that I have read in the past quarter-century. No other publication on embodiment in Buddhism even approaches its sophistication. It is an exciting, essential volume for all in Buddhist studies. — Charles S. Prebish, Utah State University
Christopher E. Forth
Whereas for years Western scholars have propagated a disembodied view of Buddhism, John Powers makes a powerful case for the Indian tradition's obsession with gender, sexuality, and the body. Engagingly written and packed with fascinating details, A Bull of a Man is a major contribution to Buddhist studies and a must read for anyone interested in the interaction between gender and religion. — Christopher E. Forth, author of Masculinity in the Modern West
