Table of Contents
Preface xi
Illustrations and Online Resources xiii
Introduction: Nose-Smells 1
Popular Culture and Cultural Revolution Culture: Theory, Practice, and Experience 3
Art as Propaganda 7
(Subjective) Receptions of Propaganda 11
(Objective) Forms of Propaganda 17
Variety and Availability: Art as Education 18
Propaganda and Pop: Art for Entertainment 21
Continuity and Repetition: Art in History 25
Propaganda as Art 27
Part I Ears-Sounds 33
Prologue 35
1 From Mozart to Mao to Mozart: Musical Revolutions in China 39
Prelude: Chinese Music and New Chinese Music 39
Exposition: China and Mozart 41
Development: Mao 46
Excursion 1 Chinese Opera as a Genre of Change: A View from History 50
"To Wield through the Old to Create the New"($$$) : Musical Traditions in the Model Works 53
"To Wield through the Foreign to Create a Chinese National Art"($$$): Approaches to Foreign Music in the Model Works 64
Serving the People($$$): The Politics of Model Music and Performance 78
Excursion 2 Chinese Opera Reform: A View from History 87
The Artistic Success of the Model Works 89
Recapitulation: Mozart and China 92
Coda: Foreign Music and Foreign-Style Chinese Music 96
2 The Sounds Amidst the Fury: Cultural Revolution Songs From Xian Xinghai to Cui Jian 97
"Red Is the East"$$$ 100
The "Internationale"$$$ 112
Medley: Mixing Sounds from amidst the Fury 117
Coda 125
Part II Mouth-Words 129
Prologue 131
3 Destroying the Old and Learning from Black Material: The Political Fate of a Famous School Primer 139
Old and New: The Three Character Classic before and after the Cultural Revolution 141
Black Material: The Three Character Classic and the Cultural Revolution 156
Rethinking Confucius before the Cultural Revolution 165
Rethinking Confucius during the Cultural Revolution 173
Memories: Reconfiguring Confucius after the Cultural Revolution 185
4 The Foolish Old Man Who Moved the Mountains: Superscribing a Foundational Myth 189
Prelude: Depicting the Power of Words 189
The Story 196
The (Hi)Story behind the Story 199
Quoting the Story during the Cultural Revolution 208
(Hi)Story and Quotation beyond the Cultural Revolution 230
Coda: Rethinking the Power of Words 249
Part III Eyes-Images 257
Prologue 259
5 Mao Wherever You Go: The Art of Repetition in Revolutionary China 267
Repeating Mao: MaoArt and Its Implied Audience 269
Repetition? 270
Not to Be Repeated! Part 1: Modernisms? 280
Not to Be Repeated! Part 2: Traditionalisms? 290
Repetition Squared: Repeating the Repeated 295
Repetition Reconsidered 303
Receiving Mao: The Actual Audience of MaoArt 304
Ubiquity! 304
Ubiquity? 307
Deity! 313
Deity? 317
Revisiting Mao: MaoArt Then and Now 324
6 Chain(Ed) Pictures and Chained By Pictures: Comics and Cultural Revolutions in China 331
Heroes, Villains, and Sexuality 335
Readers, Readings, and Popularity 353
Monkeys, Demons, and Continuity 365
Conclusion: Hands-Touch 371
Cultural Revolution Culture and Popular Culture: Theorizing Practice and Experience 373
Propaganda's Grammar 373
Propaganda's Space 377
Propaganda's Time 380
Turning the Pages of History? 384
Appendixes
1 List of Interviewees 389
2 Interview Questions 391
3 Chronology of the Model Works 394
Reference Matter
Works Cited 395
Index of Names, Titles, and Slogans 437
Subject Index 469