A Critical Introduction to Phonology: Of Sound, Mind, and Body

A Critical Introduction to Phonology: Of Sound, Mind, and Body

ISBN-10:
0826486614
ISBN-13:
9780826486615
Pub. Date:
02/08/2006
Publisher:
Bloomsbury Academic
ISBN-10:
0826486614
ISBN-13:
9780826486615
Pub. Date:
02/08/2006
Publisher:
Bloomsbury Academic
A Critical Introduction to Phonology: Of Sound, Mind, and Body

A Critical Introduction to Phonology: Of Sound, Mind, and Body

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Overview

Continuum Critical Introductions to Linguistics present core areas of the subject from refreshing new perspectives. This book takes an interdisciplinary approach to phonology which departs from the mainstream tradition. Daniel Silverman introduces the key aspects of phonology, and argues that the nature of linguistic sound systems can only be understood in the context of how they are actually used by speakers and listeners. Using sound samples from a large corpus of data, Daniel Silverman introduces phonology as a practical subject to be used and enjoyed, rather than as a theoretical minefield with no bearing on the reality of how people speak. A Critical Introduction to Phonology is engagingly written and uses anecdotes and examples drawn from popular culture to illustrate each point. The book provides comprehensive coverage of all the key areas of the subject, and contains chapter summaries to help the reader navigate the text. Throughout the book Daniel Silverman prompts critical thinking about this core area of linguistics, and this will therefore be essential reading for students on introductory phonology courses both at undergraduate and postgraduate level.

Product Details

ISBN-13: 9780826486615
Publisher: Bloomsbury Academic
Publication date: 02/08/2006
Series: Continuum Critical Introductions to Linguistics
Edition description: Older Edition
Pages: 272
Product dimensions: 6.14(w) x 9.21(h) x 0.57(d)

About the Author

Dr Daniel Silverman is the author of Phasing and Recoverability (New York: Garland, 1997)

Table of Contents

Introduction Part I: I speak with my mouth 1. Three Types of Sound Substitution 2. Contrastive Sound Substitution Part II: I speak my mind 3. Neutralizing Sound Substitution 4. Allophonic Sound Substitution 5 Variation and Probability 6. The Pull of Phonetics; the Push of Phonology Part III: I speak therefore you are 7 Parlo Ergo Es Appendix: Primer of Phonetic Rudiments

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