The New York Times Book Review - Diksha Basu
At first it feels as though we've read this tale before: one in which girls are hated from the minute they're conceived, women are valued only for their wombs, men are drunk and philandering, sadness piled on top of depression sitting atop cruelty. But then Subramanian surprises us. Moments of genuine joy…burst through. The women are not there for our pity; they are there to be listened to, even when they speak softly. The story moves from all that is done to the girls to all that the girls do. One is transgender, one navigates her blindness, one discovers a family secret, another an unexpected sexuality, one might just be a future Banksy. The men and their cruelties fade into the peripheries. How simple, how refreshing.
Publishers Weekly
11/26/2018
In Subramanian’s strong debut, five teenage girls come of age in a Bangalore slum and work alongside their mothers to thwart city officials’ efforts to destroy their homes. Initially narrated by an unspecified member of the group of friends, the novel begins in first person plural and moves into third person to tell the stories of Rukshana, Joy, Deepa, Banu, and Padma—five girls who have been friends since childhood in fictional Swargahalli, Bangalore. In a culture that prizes male heirs, the girls have little opportunity and face abuse, blindness, poverty, and questions about gender and sexual identity; these issues are compounded as the girls grow up without the guarantee of an education. Making matters worse, the government has ramped up efforts to tear down Heaven, the girls’ neighborhood, in order to build a shopping complex. As the project moves forward, the girls take on adult responsibilities and must learn hard truths as they help their mothers stop the building plans. Jumping around in time, the book looks in at pivotal moments in their lives, including their infancy, when their mothers banded together to keep the children healthy, and their adolescence, with dances, temporary teachers, and the rapid evolution of “a bunch of blue tarps strung up into haphazard tents” into an urbanized commercial area. Subramanian’s evocative novel weaves together a diverse, dynamic group of girls to create a vibrant tapestry of a community on the brink. (Mar.)
From the Publisher
"Subramanian foregrounds the stuff that makes these girls human, rather than a mass of lumpen slum-dwellers . . . A People's History of Heaven does not reduce its characters to dozens of fists raised in the air, but instead gives a full account of the extraordinary lives that stand shoulder-to-shoulder in the wreckage of a wealthy city, ready to fight against the bulldozers upon the horizon."
--The Believer
"The power of these fierce young women shines in spite of their circumstances, and they prove just how beautiful and influential a strong, unconditionally accepting community is. Subramanian is a remarkable writer whose vibrant words carry a lot of heart. This inspiring novel is sure to draw in readers with its lyrical prose and endearing characters."
--Booklist "A vibrant novel . . . a beautiful story of love, loyalty, and female friendship." --HelloGiggles "[A] colorful, dramatic coming of age story."--Ms. Magazine "Spending time with this fearsome five is . . . just plain fun. Slum life is never romanticized. The narrator, an unnamed member of the girls' inner circle, delivers enough cynical wisdom and pithy commentary to show just how wise these girls are to their plight without dismissing how insidious cultural messages are. What crystalizes is the sure knowledge that none of them are powerless . . . A People's History of Heaven forefronts human dignity and the intelligence it takes to survive at the intersection of so much society uses to set people apart, while also making it clear that, 'in Heaven, anger is not about any one person. It's about the whole world.'"
--Foreword Reviews "Subramanian's observations are sharp, witty, and incisive; her writing is consistently gorgeous. She is passionate about the plight of Indian girls subjected to a patriarchal system that ruthlessly oppresses and devalues them . . . In depicting the societal ills that oppress India's women, Subramanian refuses to acquiesce to the plot that fate seems to have written for these girls."
--The Washington Independent Review of Books "Everything about A People's History of Heaven is wonderful: the lyrical, light touch of the narrator, the story, the humor, and most of all, the girls. Faced with bigotry and bulldozers, these girls know exactly what to do: stick together and help each other learn, love, see, fight. These are girls who save the world."
--Minal Hajratwala, award-winning author of Leaving India "How can a novel about a group of daughters and mothers on the verge of losing their homes in a Bangalore slum be one of the most joyful and exuberant books I've read? Subramanian writes without a shred of didacticism or pity, skillfully upending expectations and fiercely illuminating her characters' strength, intelligence, and passionate empathy. A People's History of Heaven should be a case study in how to write political fiction. Each page delighted and amazed me."
--Heather Abel, author of The Optimistic Decade "Wonderful . . . The stories of these young women . . . are full of emotion and drama, and also fierce power and hope. Their relationships and support for one another is inspiring, making this a beautiful testament to friendship and individuality. More LGBTQ+ novels about people of color, please!"
--BookRiot "It has the heart-on-its-sleeve melodrama of some of the most successful teen novels and films, though it will likely also appeal to adults wanting to tuck in to a novel which is like the brainy big sister of a Lifetime movie. A girl power-fueled story that examines some dark social issues with a light . . . touch."
--Kirkus Reviews "Poetic . . . Subramanian's rich imagery conjures up the bustle of a diverse city where children live in poverty mere blocks from three-story homes where their mothers work as maids. With its heroic young cast, A People's History of Heaven has huge YA crossover potential, and its social commentary makes it a wonderful book club selection. As colorful as a Rangoli design, this bittersweet coming-of-age story will linger in the reader's mind."
--Shelf Awareness "Subramanian sets her story within the harsh reality of Indian slum life but neither sentimentalizes the poverty of the girls nor dwells on it. Instead, she shows their potential and the joy that they can find with each other."
--Real Change News "Perfect for readers who want to learn more about Indian and South Asian culture, or for readers who love stories featuring strong female friendships."
--Reading Women podcast "What a thrill to read a novel as daring and urgent as A People's History of Heaven. It's a story about defiance in the face of erasure, about the survival tactics of an unforgettable group of girls. I can't remember the last time I encountered a voice of such moral ferocity and compassion."
--Tania James, author of The Tusk That Did the Damage
JUNE 2019 - AudioFile
Jeed Saddy brings to life the four buoyant women who educate us on the power within the downtrodden. Her range as a narrator is put to good use as she switches between Deepa, Joy, Rokshana, and Padma. The girls, and their mothers, work together to keep the city of Bangalore from demolishing their only home. Ironically named Heaven, the slum is all they have—except for each other. Saddy paints a rich vocal picture of the girls, who are a mix of religions and lifestyles. She switches smoothly from female to male characters, and her changes in pitch and tone help listeners distinguish between the old and the young. This is a story of friendship and survival told with great style. M.R. © AudioFile 2019, Portland, Maine
