A Place Called No Homeland

by Kai Cheng Thom

Overview

This powerful poetry collection seeks to map the emotional and spiritual territory of diaspora, violence, abuse, and exile. Kai Cheng incorporates autobiographical details from her own childhood and adult life with the rhythms of the oral storytelling tradition and fairytale motifs, poignantly depicting the plight of trans women of color.

Product Details

ISBN-13:	9781551526805
Publisher:	Arsenal Pulp Press, Limited
Publication date:	04/17/2017
Sold by:	Barnes & Noble
Format:	eBook
Pages:	96
File size:	3 MB

About the Author

Kai Cheng Thom: Kai Cheng Thom is a writer and performance artist. Her essays, poetry, and fiction have been published or widely in print and online in such publications as Buzzfeed, Asian American Literary Review, xoJane, and Matrix. She is currently a feature writer at Everyday Feminism.

Editorial Reviews

02/26/2018
This thought-provoking, beautiful, and painstakingly candid poetic debut follows Thom’s first novel, Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir. The collection consists mostly of one- to two-page poems rich in sensory detail, from sun-dried orange peel candy and red bean paste buns described in the opening poem to the knuckle-against-bone descriptions of violence and abuse that come later. Thom meditates on points of origin, some literal (Vancouver is seen in “downtown beastside”) and others figurative: “our beauty is a secret that stands up to scream,/our beauty is becoming and becoming.” Thom is hyperaware yet simultaneously serene about the limited time of each life, unafraid to acknowledge that there will be a future after she and her readers are gone. She takes on hypocrisy within LGBTQ community (in “queer tribe”), being othered versus embracing otherness (in “its name was the Boy Without a Penis”), and storytelling itself (in “book fetish”). Nightclubs serve as second homes, mythology and ancestry inform the urban present, and the racism that is lurking all over is called out. In Thom’s work, queerness is sensational but not sensationalized, and beauty, memory and desire are done right, sublime in their specificity. (May)

Publishers Weekly