A Tinderbox in Three Acts
Selected by Aracelis Girmay, A Tinderbox in Three Acts is at once elegy and exegesis, fact and invention. 

In her fourth poetry collection, Cynthia Dewi Oka performs a lyric accounting of the anti-Communist genocide of 1965, which, led by the Indonesian military and with American assistance, erased and devastated millions of lives in Indonesia. Under the New Order dictatorship that ruled by terror for over three decades in the aftermath, perpetrators of the killings were celebrated as national heroes while survivors were systemically silenced. Drawing on US state documents that were only declassified in recent years, Oka gives form and voice to the ghosts that continue to haunt subsequent generations despite decades of state-produced amnesia and disinformation.

In service of recovering what must not be remembered, A Tinderbox in Three Acts repurposes the sanitized lexicon of official discourse, imagines an emotional syntax for the unthinkable, and employs synesthetic modes of perception to convey that which exceeds language. Here, the boundary between singular and collective consciousness is blurred. Here, history as an artifact of the powerful is trumped by the halting memory of the people whom power sought to destroy. Where memory fails, here is poetry to honor the dishonored, the betrayed, the lost and still-awaited.
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A Tinderbox in Three Acts
Selected by Aracelis Girmay, A Tinderbox in Three Acts is at once elegy and exegesis, fact and invention. 

In her fourth poetry collection, Cynthia Dewi Oka performs a lyric accounting of the anti-Communist genocide of 1965, which, led by the Indonesian military and with American assistance, erased and devastated millions of lives in Indonesia. Under the New Order dictatorship that ruled by terror for over three decades in the aftermath, perpetrators of the killings were celebrated as national heroes while survivors were systemically silenced. Drawing on US state documents that were only declassified in recent years, Oka gives form and voice to the ghosts that continue to haunt subsequent generations despite decades of state-produced amnesia and disinformation.

In service of recovering what must not be remembered, A Tinderbox in Three Acts repurposes the sanitized lexicon of official discourse, imagines an emotional syntax for the unthinkable, and employs synesthetic modes of perception to convey that which exceeds language. Here, the boundary between singular and collective consciousness is blurred. Here, history as an artifact of the powerful is trumped by the halting memory of the people whom power sought to destroy. Where memory fails, here is poetry to honor the dishonored, the betrayed, the lost and still-awaited.
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A Tinderbox in Three Acts

A Tinderbox in Three Acts

by Cynthia Dewi Oka
A Tinderbox in Three Acts

A Tinderbox in Three Acts

by Cynthia Dewi Oka

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Overview

Selected by Aracelis Girmay, A Tinderbox in Three Acts is at once elegy and exegesis, fact and invention. 

In her fourth poetry collection, Cynthia Dewi Oka performs a lyric accounting of the anti-Communist genocide of 1965, which, led by the Indonesian military and with American assistance, erased and devastated millions of lives in Indonesia. Under the New Order dictatorship that ruled by terror for over three decades in the aftermath, perpetrators of the killings were celebrated as national heroes while survivors were systemically silenced. Drawing on US state documents that were only declassified in recent years, Oka gives form and voice to the ghosts that continue to haunt subsequent generations despite decades of state-produced amnesia and disinformation.

In service of recovering what must not be remembered, A Tinderbox in Three Acts repurposes the sanitized lexicon of official discourse, imagines an emotional syntax for the unthinkable, and employs synesthetic modes of perception to convey that which exceeds language. Here, the boundary between singular and collective consciousness is blurred. Here, history as an artifact of the powerful is trumped by the halting memory of the people whom power sought to destroy. Where memory fails, here is poetry to honor the dishonored, the betrayed, the lost and still-awaited.

Product Details

ISBN-13: 9781950774715
Publisher: BOA Editions, Ltd.
Publication date: 10/11/2022
Series: American Poets Continuum Series , #195
Pages: 104
Sales rank: 1,090,464
Product dimensions: 6.80(w) x 8.90(h) x 0.40(d)

About the Author

Cynthia Dewi Oka is the author of Fire Is Not a Country (2021) and Salvage (2017) from Northwestern UniversityPress, and Nomad of Salt and Hard Water (2016) from Thread Makes Blanket Press. A recipient of the Amy Clampitt Residency, Tupelo Quarterly Poetry Prize, and the Leeway Transformation Award, her writing appears in The Atlantic, POETRY, Academy of American Poets, Poetry Society of America, Hyperallergic, Guernica, The Rumpus, and elsewhere. Her experimental poem, Future Revisions, was exhibited at the Rail Park billboard in Philadelphia in summer 2021. An alumnus of the Warren Wilson MFA Program for Writers, she has taught creative writing at Bryn Mawr College, New Mexico State Universityand Voices of Our Nations (VONA). She is originally from Bali, Indonesia. 

Table of Contents

Foreword 9

Apologia 15

Ghosts in order of their appearance 17

Act 1

Rules of the Interrogation 21

Satria 22

Diplomacy 23

Window #083 25

Problems of the Renaissance 29

Telegram 31

Jaya 32

Math in the Post-Colony 33

Window #074 36

Like a Virgin, My Way: An Anti-Communist Anthem 39

Telegram 41

Dewi 43

Flora and Fauna 44

Window #016 45

Fauna Is Flora 48

Telegram 50

Window #033 52

Act 2

Nonik 57

Budi 59

Whereabouts 60

Window #024 62

Mao's "Combat Liberalism" Adapted for the New Order 65

Telegram 67

Iman 70

Aspirations 71

Window #045 72

The Sound of Music 76

Telegram 77

Hwi Siang 79

Fire 80

Window #027 82

The New Order 85

Memorandum 86

Window #033 87

Act 3

March in the Garden of Ghosts 95

Acknowledgments 111

About the Author 112

Colophon 120

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