'His book is exemplary, everything we could have wished for. As well as talking to everyone and doing the legwork, he offers a critical acuity rare to this sort of book. And his conclusions are powerful.'
'It is rare to find an academic study in which there is such clearly felt affection for its subject and its protagonists. McCann takes us, in unobtrusive displays of intelligently practical criticism, through large numbers of the series’ funniest and sharpest scenes, balancing judiciously what he has to say about Prime Minister Jim Hacker as opposed to the actor, gallant and lovable Paul Eddington, and just as tactfully playing the character of Sir Humphrey Appleby off against Sir Nigel Hawthorne. Among the great pleasures of this book is simply to rediscover the splendid jokes. Shrewd and excellent book.'
'Acclaimed entertainment historian Graham McCann goes in search of the real political fiascos that inspired Yes Minister. Drawing on fresh interviews with cast, crew, politicians and admirers, he reveals how a subversive satire captured the mood of its time to become one of the most cherished sitcoms of Thatcher's Britain.'
'His book is exemplary, everything we could have wished for. As well as talking to everyone and doing the legwork, he offers a critical acuity rare to this sort of book. And his conclusions are powerful.'
'Acclaimed entertainment historian Graham McCann goes in search of the real political fiascos that inspired Yes Minister. Drawing on fresh interviews with cast, crew, politicians and admirers, he reveals how a subversive satire captured the mood of its time to become one of the most cherished sitcoms of Thatcher's Britain.'
'The delight of this book is that he places Yes Minister in the context of both satire and politics, something that has its roots back in the 17th and 18th centuries, and shows that the genius behind the show's writing was a combination of new insider sources and the way in which the two writers Anthony Jay and Jonathan Lynn complemented each other's talents.'
'It is rare to find an academic study in which there is such clearly felt affection for its subject and its protagonists. McCann takes us, in unobtrusive displays of intelligently practical criticism, through large numbers of the series’ funniest and sharpest scenes, balancing judiciously what he has to say about Prime Minister Jim Hacker as opposed to the actor, gallant and lovable Paul Eddington, and just as tactfully playing the character of Sir Humphrey Appleby off against Sir Nigel Hawthorne. Among the great pleasures of this book is simply to rediscover the splendid jokes. Shrewd and excellent book.'
The delight of this book is that he places Yes Minister in the context of both politics and satire – something that has its roots back in the 17th and 18th centuries, and shows that the genius behind the show’s writing was a combination of new insider sources, such as The Crossman Diaries, and the way in which the two writers Anthony Jay and Jonathan Lynn complemented each other’s talents.