An Absolute Gentleman: A Novel

by R. M. Kinder

Overview

A spine-chilling first novel loosely based on the author's real-life relationship with a convicted murderer, An Absolute Gentleman delves, with subtlety and tremendous psychological insight, into a serial killer's mind.

Meet Arthur Bloom: charming guy, small-town English professor, struggling writer, and occasional murderer. In this beautifully articulated debut novel, R. M. Kinder brilliantly channels Arthur's voice to reveal the aberrant thought processes of a surprisingly sympathetic serial killer. Horror arises as it does in real life, in brief hints and disclosures that gradually reveal the complex nature of an all-too-human narrator.

Product Details

ISBN-13:	9781582433882
Publisher:	Catapult
Publication date:	10/01/2007
Pages:	294
Product dimensions:	5.50(w) x 8.20(h) x 0.75(d)
Age Range:	14 - 18 Years

About the Author

R. M. Kinder is the author of three prizewinning collections of short fiction, including A Near-Perfect Gift, winner of the University of Michigan Press Literary Fiction Award, and Sweet Angel Band, winner of Helicon Nine Editions's Willa Cather Fiction Prize. She has also published two novels, An Absolute Gentleman and The Universe Playing Strings. Her prose has appeared in Passages North, Other Voices, North American Review, The New York Times, and elsewhere.

Editorial Reviews

You may never look quite the same way at that punctilious little man down the street after reading this chilling first novel from Kinder, author of two well-received short story collections (A Near-Perfect Giftand Sweet Angel Band). Inspired by her own brush with a serial killer-back in the late '80s her neighbor Robert Weeks was sentenced to life in prison for two murders and suspected of more-Kinder deftly limns the deadly odyssey of Arthur Blume, a middle-aged creative writing professor who manages to be both the most ordinary and the most monstrous of creatures. The well-paced action cuts between Blume's Missouri present and horrific past in Georgia as the child of a psychotic teenage mother (which forms his view of treachery as the natural order and women as innately deceptive). Along the way, his slyly dropped clues-or are they red herrings?-add to the intrigue. Though one wishes that Kinder had gone lighter on some of the Southern-fried Freud, this artfully told tale of psychological suspense is as gripping as the spider webs Blume is so fond of studying. (Oct.)

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Publishers Weekly

In this absorbing study of a serial killer, told in the first person, Kinder offers a rather sympathetic view of a man who outwardly possesses the characteristics of a highly functional citizen. In fact, it's difficult not to like Arthur Blume: He's even-tempered, bright, and a well-respected teacher of creative writing. In fact, for a novel featuring a murderer, very little violence takes place. Instead, Kinder relates the latest chapter in Arthur's peripatetic life, which has him searching for elusive tenure and hoping to rekindle the creative magic he exhibited in his only novel, published 20 years ago. Besides his being remarkably laid-back, Arthur's dominant character trait is his insistence that everyone be treated fairly. This philosophy, and Arthur's reluctance to offer the smallest bit of information about himself, both frustrates and fascinates his new lover, Grace, a fellow professor who ultimately learns more than she wants to know. Kinder based much of this first novel on her experiences with a real-life serial killer named Robert Weeks, and her handling of her fictional character shows a sophisticated understanding of a madman's thought processes. For most general fiction collections.
—Kevin Greczek

Library Journal

A creative-writing instructor must choose between his serial killer instinct and the tenure track. In a chilling afterword, Kinder (A Near-Perfect Gift, 2005, etc.) says she intended to write about Robert Weeks, whom she actually identified "from an episode of Unsolved Mysteries" and whom her ex-husband, a homicide detective, arrested. The fictional Arthur Blume, whose persona she inhabits instead, has many standard serial-killer traits. He trained by abusing animals. He had an inventively cruel, sporadically psychotic mother, alternately nurturing and withholding of love and (despite her wealth) financial support. Blume, now 50, has gotten a job at a second-rate university in Mason, Mo. His initially innocuous-seeming ruminations on departmental politics alternate with memories of his childhood and adolescence on his mother's farm in Georgia. Occasionally, always in detached, offhand fashion, he mentions women that, years after the alleged slight, he had to dispatch because they had offended, in some trivial way, another male. Blume is immediately attuned to female turmoil in the English department. Queen-bee secretary Margaret has it in for Nada, an elderly woman who works as an underpaid factotum, den mother and gofer to the professors, yearning for mentorship. (Nada's written stacks of unpublished and mostly unread manuscripts-fiction, songs and poetry.) Grace, a faculty colleague, comes on to Blume as does Justinia, a student and part-time stripper. Grace hopes to enlist him as a fellow bourgeois bohemian, but he's an isolate who prefers his Victoriana-cozy apartment, where he obsessively massages the long-overdue successor to his "one-hit-wonder" first novel. Nada, althoughpestering him for validation (she crashes his advanced-writing seminar) is the closest thing he has to a true friend, until one icy day during spring break when the beast within must be fed. Blume's personality disorder makes him a prissy, fastidious monster, critical of other serial killers' cruder methods, but a monster nonetheless. The juxtaposition of the marginal "adjunct nomad" experience with the casuistry of the sociopathic mind will genteelly horrify even non-English majors.

Kirkus Reviews