The great virtue of Mr. Damrosch’s biography is that, while never losing critical distance, he fully succeeds in communicating that ‘vivid presentness,’ that ‘joyful eagerness’ for life, which is what keeps us reading Casanova—and reading about him.”—Gregory Dowling, Wall Street Journal“Damrosch’s biography is undoubtedly a huge achievement, at once erudite and vivid. By the end I was almost convinced that Casanova was worthy of such prodigious scholarship.”—John Carey, Sunday Times“[A] stern but measured book. . . . In his stylish, insightful and, yes, one must admit, sexy biography, Damrosch gives us the good, the bad, the beautiful and the ugly.”—Laura Freeman, Times (UK)“Colourful and entertaining. . . . The author is clear-eyed about Casanova’s faults.”—The Economist“There have been many biographies of Casanova before, some of them very good, although they have tended to be thesis driven. . . . [Damrosch] is in turn clear that he is writing a post MeToo Casanova. At the same time, he is also keen that we should understand just what a valuable document Histoire is for scholars working on the 18th century.”—Kathryn Hughes, The Guardian“Damrosch’s biography condenses a vast trove of Casanoviana into a well-researched, four-hundred-page narrative that is most engaging on its subject’s catholic interests as an intellectual and on the milieus he traversed as an itinerant charlatan.”—Judith Thurman, New Yorker“Leo Damrosch is a professor emeritus of literature with an emphasis on the 18th century. And he reads Casanova post-Weinstein, so to speak—but not sourly or dogmatically, instead confidently, inspired, admiringly and at the same time critically, passionately. And he can write brilliantly too.”—Jean-Martin Büttner, Basler Zeitung (Basel, Switzerland)“Over the years [Damrosch] has earned a reputation not for being a popularizer, exactly, but for writing serious, well-researched books that also appeal to a general audience, and Adventurer, handsomely illustrated with photographs and reproductions, is no exception. It’s careful without being fussy, learned without being ponderous. Like Casanova himself, Damrosch knows how to tell a good story. Unlike Casanova, he also knows when enough is enough.”—Charles McGrath, Hudson Review“A nuanced, deftly contextualized biography of an adventurer, an opportunist, and a man of voracious appetites. . . . Another top-notch work from Damrosch.”—Kirkus Reviews (starred review)“An eye-opening and well-informed study of an ‘extraordinary character’ in all his darkness and brilliance.”—Publishers Weekly“Beautifully conceived and shaped. . . . A page-turning account that penetrates the character of a most exceptional human being who was both a product of his age and an astute observer of its mores.”—Arthur Hoyle, New York Journal of Books“Leo Damrosch . . . reads his subject against the grain, weighing the lure of the legend against a twenty-first-century assessment of its moral costs and harms.”—Clare Bucknell, Harper’s Magazine“The book is first-rate: exhaustively researched, smoothly written, meticulously edited, and attractively produced. . . . Damrosch seeks, while acknowledging Casanova’s depredations, to place him within the larger context of ‘libertine’ thought and practices.”—Larry W. Riggs, New Perspectives on the Eighteenth Century“Casanova’s life was in the best of hands with Leo Damrosch’s erudition. He follows Casanova’s escapades and escapes as a vertiginous heroic story. Out of Venice we are thrown into an experiment with the eighteenth century, its tastes, and transgressions, revealing a surprising ‘book of life.’”—Pierre Saint-Amand, author of Suite libertine: Vies du XVIIIe siècle“A pleasure to read, remarkably clear and readable, engaging, vivid, informative—in short, an excellent biography that both delights and instructs.”—April Alliston, Princeton University“The name Casanova has become synonymous with serial seduction—hardly a model in the age of #MeToo. The excellence of Leo Damrosch’s energetic biography is that it reveals so many other dimensions of this remarkable man: pioneering autobiographer, questioner of received ideas, traveler through high culture and low.”—Jonathan Bate, author of Radical Wordsworth: The Poet Who Changed the WorldPraise for Leo Damrosch’s The Club: Johnson, Boswell, and the Friends Who Shaped an Age “Damrosch brilliantly brings together the members’ voices. . . . As this stellar book moves from one Club member to another, it comes together as an ambitious venture homing in on the nature of creative stimulus.”—Lyndall Gordon, New York Times Book Review “Engaging and illuminating. . . . In The Club, as the actors appear one by one, surrounding Johnson and Boswell on Damrosch’s stage, we are transported back to a world of conversations, arguments, ideas, and writings.”—Jenny Uglow, New York Review of Books “Beginning in 1764, some of Britain’s future leading lights (including Samuel Johnson, Edmund Burke and Edward Gibbon) met every Friday night to talk and drink. Damrosch’s magnificent history revives the Club’s creative ferment.”—New York Times Book Review, Editors’ Choice
03/28/2022
Harvard literature professor Damrosch (The Club) takes an evenhanded look at 18th-century Italian libertine Giacomo Casanova in this scrupulous biography. Drawing largely from Casanova’s embellished autobiography, Histoire de Ma Vie, Damrosch corrects the record when historical documentation proves that the unreliable narrator offered confused timelines or impossible events. He details Casanova’s relentless pursuit of pleasure, including gambling for income and the “thrills of risk-taking,” as well as spending fortunes on fine clothing, women, and alcohol, but also alleges that his subject was a con man who used magic and mathematical tricks to part wealthy marks from their money. Most disturbingly, Damrosch contends that Casanova (and others of his era) targeted prepubescent and young teenage girls for sexual conquests, often with the complicity of their mothers. Though he largely avoids gratuitousness in recounting Casanova’s sexual exploits, Damrosch’s claim that Casanova wasn’t interested in homoerotic experiences isn’t entirely convincing. Even if Damrosch succeeds in picking apart the mythology that has cast Casanova as a charming seducer rather than a predator, his enigmatic subject remains somewhat elusive. Still, this is an eye-opening and well-informed study of an “extraordinary character” in all his darkness and brilliance. (May)
★ 2022-03-02
A vivid chronicle of the passions of an 18th-century libertine.
Giacomo Casanova (1725-1798) has been the subject of many biographies, based largely on edited and sometimes sanitized versions of his Histoire de ma vie, in which he recounted more than 100 sexual conquests, relentless travels, and a lifetime spent perpetrating scams and cons. Damrosch, an award-winning biographer of Jonathan Swift, William Blake, and others, offers a close critical study of the original manuscript and of supplementary texts that include hundreds of pages of unpublished works. The result is a nuanced, deftly contextualized biography of an adventurer, an opportunist, and a man of voracious appetites who was determined to free himself from all manner of repression. He was, Damrosch writes, not “just a bad boy, he was a particular kind of bad boy” whose sexual encounters were “opportunistic and [sometimes] disturbingly exploitative.” He engaged in pedophilia (though, as Damrosch explains, the age of consent at the time was 10), incest, and gang rape; claimed to have occult powers; and lost fortunes gambling. Born to actors in Venice, Casanova imbibed the spirit of the swarming, culturally diverse city. The major industry, Damrosch writes, “was pleasure,” and Casanova, drawn to role-playing, fascinated by cross-dressing, and an “instinctive improvisor,” thrived there. Damrosch hews closely to the narrative of the Histoire, testing Casanova’s version—and the analyses of previous biographers—against available historical evidence. Still, his portrait is not a corrective to what is already well known but rather an amplification. Although he states at the outset that “the story of a notorious seducer needs to be addressed frankly and critically,” Damrosch ably demonstrates his subject’s energy and intelligence, “the joie de vivre, the enormous risks and hair-raising escapes, the lifelong struggle to invent and reinvent himself,” as well as his impressive talent in creating a memoir “bursting with vitality”—an apt description for this beautifully illustrated biography.
An authoritative, richly detailed portrait of a fascinating historical character and yet another top-notch work from Damrosch.